24bit 96khz Alan Parsons

Al Stewart – Year Of The Cat (1976) RCA/PL 70005 – DE Pressing - LP/FLAC In 24bit/96kHz

Al Stewart – Year Of The Cat
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: RCA/PL 70005 | Released: 1976 | This Issue: 1983 | Genre: Pop-Rock

Al Stewart had found his voice on Past, Present & Future and found his sound on Modern Times. He then perfected it all on 1976’s Year of the Cat, arguably his masterpiece.

Alan Parsons Project - I Robot (LP / FLAC 24bit-96khz)  Vinyl & HR

Posted by Fran Solo at Jan. 8, 2012
Alan Parsons Project - I Robot (LP / FLAC 24bit-96khz)

Alan Parsons Project - I Robot (LP)
Vinyl LOG | NO CUE | FLAC | Dynamic Range | Full LP Cover (1:1) | 870mb & 240mb
Genre: Symphonic-Rock| Label: Arista - EMI 3C 064-99168 | Release: 1977

I'd categorize this LP as an art rock/pop/dance(!)/prog album….
Yes – Going For The One (1977) Atlantic/SD 19106 – 1st US Monarch Pressing - LP/FLAC In 24bit/96kHz

Yes – Going For The One
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Atlantic/SD 19106 | Released: 1977 | Genre: Symphonic-Rock

Essential: a masterpiece of progressive rock music
When the music press announced that Rick WAKEMAN returned to YES in ’76, I was delighted, what a pleasant surprise! ‘Could YES handle the very high expectations?’ was the ultimate question in those days. Well, very positive!! That was the clear answer after the release of the new album “Going For The One” in ’77 and my keyboard hero WAKEMAN, ‘the caped crusader’, sounded as reborn.
Renaissance – Prologue (1972) Capitol Records/SMAS-11116 – 1st US Pressing - LP/FLAC In 24bit/96kHz

Renaissance ‎- Prologue
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Capitol Records/SMAS-11116 | Released: 1972 | Genre: Symphonic-Rock

Excellent addition to any prog rock music collection
All change
A slightly misleading title for this album, as it was actually the third release under the Renaissance name. In fairness though, the line up completely changed prior to the release of this album, which saw Annie Haslam take on vocal duties for the first time.
Ethos – Ardour (1976) Capitol Records/ST 11498 – Original US Pressing - LP/FLAC In 24bit/96kHz

Ethos – Ardour
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Capitol Records/ST 11498 | Released: 1976 | Genre: Symphonic-Rock

Essential: a masterpiece of progressive rock music
A rather forgotten band from USA,this quintet hailed from Fort Wayne at the state of Indiana.ETHOS got lucky to be signed by Capitol Records and soon they moved to New York in order to record their first album.By the end of 1975 the work was almost ready and the eight arrangements of ”Ardour” were all written by the leader of the band,vocalist/mandolin player/guitarist Will Sharpe.
The Rolling Stones – Rolled Gold (1975) Decca/ROST 1/2 – 2 LP/UK Pressing - LP/FLAC In 24bit/96kHz

The Rolling Stones – Rolled Gold – The Very Best Of The Rolling Stones
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 2gb & 500mb
Label: Decca/ROST 1/2 | Released: 1975 | Genre: Classic-Rock

When Rolled Gold was initially released in 1975, there was no shortage of Rolling Stone compilations — hell, there were two others released that year, the useful Decca/London-era rarities compilation Metamorphosis and the slapped-together Rolling Stones Records singles comp Made in the Shade, containing the American singles released on Rolling Stones Records in the early ’70s, along with assorted album tracks.
The Early Music Consort Of London – Henry VIII And His Six Wives (1972) Angel Records/SF0-36895 – 1rst US LP In 24bit/96kHz

David Munrow & The Early Music Consort Of London – Henry VIII And His Six Wives: Music From The Soundtrack Film
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 950mb & 270mb
Label: Angel Records/SF0-36895 | Released: 1972 | Genre: Renaissance

You may remember a film from the early 1970s called Henry VIII & his Six Wives, starring Keith Mitchell, Donald Pleasance, and Charlotte Rampling; it was notable for its score, which not only featured authentic music of the period (nearly unheard-of at the time), but also was, according to David Munrow, “the first historical film in which the music has been scored entirely for historical instruments.” Munrow also added a few numbers of his own to satisfy the needs of the movie, patterned after 16th-century style and form. Although these days such attention to authenticity is common, even expected, Munrow was one of the pioneers in bringing musicological research and the more immediate practicalities of really old, original instruments and stylistic practice to the level of popular culture. Of course, also in these early days was planted the impression that period instruments must necessarily be somewhat clunky and (to varying degrees) not quite ideally in tune–and in some cases, just plain annoyingly squawky and prone to obnoxious buzzing noises. While this generally fine issue from Testament offers many reminders of those times, when musicians were still finding their way in unfamiliar territory (and often using very user-unfriendly instruments), this release will prove mostly a delight for early music fans–and will be a real treat for those who own the original LPs from which these tracks were drawn.
Beggars Opera – Waters Of Change (1971) Vertigo/6360 054 – DE Pressing - LP/FLAC In 24bit/96kHz

Beggars Opera – Waters Of Change
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb & 200mb
Label: Vertigo/6360 054 | Released: 1971 | This Issue: 1974 | Genre: Progressive-Rock

Essential: a masterpiece of progressive rock music
Swimming in mellotron
“Waters of change” was Beggar’s opera’s best album in my opinion, full of strong melodies and well constructed songs. Having introduced themselves with the innovative, classically driven “Act one”, the band invested in a mellotron, which instantly became the dominant instrument in their sound. The band moved away from the intricate symphonic prog of their first album, towards the art rock of the Moody Blues and Barclay James Harvest.
Beggars Opera – Act One (1970) Vertigo/6360 018 – NL Pressing - LP/FLAC In 24bit/96kHz - NEW 2017 RIP!!

Beggars Opera – Beggars Opera Act One
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb & 200mb
Label: Vertigo/6360 018 | Released: 1970 | This Issue: 197? | Genre: Progressive-Rock

Excellent addition to any prog rock music collection
What a mindblowing debut-album this is! The very melodic and harmonic music from this five-piece band is based upon an incredible dynamic and propulsive rhythm-section and splendid, very exciting Hammond organ work, often accompanied by a powerful and fiery electric guitar. The interplay between the musicians is magnificent and the excertions on keyboards and guitar are very compelling, in the spirit of the late Sixties and early Seventies.
Horslips – Happy To Meet… (1972) Atco Records/SD 7030 – 1st US Pressing - LP/FLAC In 24bit/96kHz - NEW 2017 RIP!

Horslips – Happy To Meet… Sorry To Part
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Atco Records/SD 7030 | Release: 1972 | Original US Issue: 1973 | Genre: Progressive-Folk

Excellent addition to any prog rock music collection
Entry into the exclusive club of “professional musicians” is often a gradual and painful process. Based on recorded documents, such was not the case with Horslips, who came to the game fully formed and ready to rock n reel. I’m sure they paid their dues in a live setting for years, even if that included weddings, funerals, and christenings, as off the cuff performing is often part and parcel of Irish culture. Whatever the case, “Happy to Meet…Sorry to Part” is a landmark celtic rock recording and a stunning debut, and this applies whether you are a celtic music fan, a progressive fan, a rocker, or any combination thereof.