24bit 96khz Alan Parsons

Barclay James Harvest – Eyes Of The Universe (1979) Polydor/30 555 7 – DE Pressing- LP In 24bit/96kHz

Barclay James Harvest – Eyes Of The Universe
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Mastered At Strawberry Mastering By Melvyn Abrahams
Label: Polydor/30 555 7 | Club Edition | Release: 1979 | Genre: Symphonic-Rock

Excellent addition to any prog rock music collection
“Eyes of the Universe” offers some gorgeous prog moments very reminiscent of the best ALAN PARSONS PROJECT work.
The Alan Parsons Project - Tales of Mystery and Imagination: Edgar Allan Poe (1976) [2016, 40th Anniversary Edition Box Set]

The Alan Parsons Project - Tales of Mystery and Imagination: Edgar Allan Poe (1976)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
3CD | Mercury, 0600753726679 | ~ 1147 or 452 Mb | Scans(png) -> 1047 Mb
Progressive Rock / Symphonic Rock

Tales of Mystery and Imagination is an extremely mesmerizing aural journey through some of Edgar Allan Poe's most renowned works. With the use of synthesizers, drums, guitar, and even a glockenspiel, Parsons' shivering effects make way for an eerie excursion into Poe's well-known classics…
The Alan Parsons Project - I Robot (1977) {2016, Special Limited Edition, MFSL UDSACD 2174}

The Alan Parsons Project - I Robot (1977) {2016, Special Limited Edition, MFSL UDSACD 2174}
Converted from SACD[PS3] to Hi-Res Audio 2.0, 24bit/88.2khz
WavPack | WV (Img) + Cue ~ 859 Mb | Full Scans (JPG, 300 dpi) ~ 61 Mb | RAR 5% Recovery
Progressive Rock | Mobile Fidelity Sound Lab #UDSACD 2174

Alan Parsons delivered a detailed blueprint for his Project on their 1975 debut, Tales of Mystery and Imagination, but it was on its 1977 follow-up, I Robot, that the outfit reached its true potential. Borrowing not just its title but concept from Isaac Asimov's classic sci-fi Robot trilogy, this album explores many of the philosophies regarding artificial intelligence – will it overtake man, what does it mean to be man, what responsibilities do mechanical beings have to their creators, and so on and so forth – with enough knotty intelligence to make it a seminal text of late-'70s geeks…
The Chieftains – The Chieftains 5 (1975) Polydor/2310426 – Original DE Pressing - LP/FLAC In 24bit/96kHz

The Chieftains – The Chieftains 5
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Polydor/2310426 | Released: 1975 | Genre: Irish-Folk

Essential: a masterpiece of Folk music
The fifth album by the Chieftains was also their best, and their first one to cross over, at least in America — where it was originally issued by the Island label — to progressive rock audiences.
The Alan Parsons Project - Tales Of Mystery And Imagination (1974) (2016) Blu-Ray Audio

The Alan Parsons Project - Tales Of Mystery And Imagination (1974) (2016) Blu-Ray Audio
BD | ISO | MPEG-4 AVC 1080p, 16:9, 23,976 fps, 8000 kbps
DTS-HD MA 5.1, 96 kHz/24bit, 7646 kbps / LPCM 2.0, 96 kHz/24bit, 13824 kbps
~ 15,9 Gb | RAR 5% Recovery
Progressive Rock | Mercury Records #0600753736296

Tales of Mystery and Imagination is an extremely mesmerizing aural journey through some of Edgar Allan Poe's most renowned works. With the use of synthesizers, drums, guitar, and even a glockenspiel, Parsons' shivering effects make way for an eerie excursion into Poe's well-known classics. On the album's 1987 remix, the instrumental "Dream Within a Dream" has Orson Welles narrating in front of this wispy collaboration of guitars and keyboards (Welles also narrates "Fall of the House of Usher: Prelude")…
Peter Gabriel - Scratch My Back (2010) / And I'll Scratch Yours (2013) [24bit/96kHz] (2013)

Peter Gabriel - Scratch My Back (2010) / And I'll Scratch Yours (2013) [24bit/96kHz] (2013)
Progressive Rock | FLAC tracks 24bit/96kHz | Artwork | 1.95 GB + 5% Recovery
Label: Music On Vinyl / Real World Records | Release Year: 2013

""Rather than make a traditional covers record, I thought it would be much more fun to create a new type of project in which artists communicated with each other and swapped a song for a song, i.e. you do one of mine and I'll do one of yours, hence the title - Scratch My Back - And I'll Scratch Yours." Peter Gabriel
Donovan – Catch The Wind (1965) Hickory Records/LPS 123 – Original US Pressing - LP/FLAC In 24bit/96kHz

Donovan – Catch The Wind
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Hickory Records/LPS 123 | Release: 1965 | Genre: Country-Folk

Donovan’s folky 1965 recordings for Pye Records (they were released in the U.S. by Hickory Records) bear only a superficial resemblance to the more hip pop material he began issuing a year later when he switched to Epic Records.
Donovan - What's Bin Did And What's Bin Hid (1965) Marble Arch Records - UK Mono Pressing - LP/FLAC In 24bit/96kHz

Donovan - What's Bin Did And What's Bin Hid
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Pye Records/NPL 18117 | Release: 1965 | This Issue: 1969 | Genre: Country-Folk

Donovan's album debut, What's Bin Did and What's Bin Hid, presented his breakout British single "Catch the Wind" and added an assortment of pleasant folkie jams.
Donovan ‎– What's Bin Did And What's Bin Hid (1965) Pye Records - Original UK Mono Pressing - LP/FLAC In 24bit/96kHz - NEW 2016

Donovan ‎– What's Bin Did And What's Bin Hid
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Pye Records/NPL 18117 | UK Release: 1965 | Genre: Country-Folk

This is Donovan's first LP, came out on the market and was the first album I heard from him. You understand that I've a deep affection.
The Nice - Nice (1969) Immediate/Z12 52022 - US Promo Pressing - LP In 24bit/96kHz - ONLY RE-POST

The Nice - Nice
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Immediate/Z12 52022 | Release: 1969 | Genre: Symphonic-Rock

Essential: a masterpiece of progressive-rock music.
As Nice As Mother Makes It
After two very robust but patchy albums the Nice adopted a slightly different approach to their third by exploiting a half live/half studio hybrid. They felt that this (on the advice of their new manager Tony Stratton-Smith) would showcase the 'best of both worlds' as the studio precedents were not felt to do justice to their live performances.