24bit 96khz

Joss Stone - The Soul Sessions Vol. 2 {Deluxe version} (2012) [Official Digital Download 24bit/96kHz]

Joss Stone - The Soul Sessions Vol. 2 (2012) [Deluxe version]
FLAC (tracks) 24 bit/96 kHz | Time - 62:36 minutes | 1,4 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

GRAMMY Award-winning vocalist Joss Stone has released the eagerly anticipated reprise to her massive selling debut, "The Soul Sessions". Volume 2 is a stellar exercise in vocal poise, precision and passion. At the height of her vocal powers, Stone covers soul standards including “(For God’s Sake) Give More Power To The People,” “The High Road,” “While You’re Out Looking For Sugar” and “Pillow Talk.” Stone is joined by an extraordinary cast of musicians including Ernie Isley, Delbert McClinton, Clayton Ivey and others. The album reached the top 10 on Billboard’s Top R&B Albums, the Billboard 200 and Billboard’s Top Digital Albums. A must have!
Duke Ellington - Duke Ellington Presents... (1956/2014) [Official Digital Download 24bit/96kHz]

Duke Ellington - Duke Ellington Presents… (1956/2014)
FLAC (tracks) 24 bit/96 kHz | Time - 42:59 minutes | 645 MB
Studio Master, Official Digital Download | Artwork: Front cover

Duke Ellington And His Orchestra recorded this album in Chicago, IL on 7 & 8 February 1956 for the Bethlehem label. Ray Nance has vocals on I Can't Get Started, Jimmy Grissom sings on Everything But You. The Polydor reissues have slightly more adventurous titles, as well as the track listing changed. At the same session, the orchestra recorded another 12 tracks, released as "Historically Speaking - The Duke".
Duke Ellington - The Duke: Historically Speaking (1956/2014) [Official Digital Download 24bit/96kHz]

Duke Ellington - The Duke: Historically Speaking (1956/2014)
FLAC (tracks) 24 bit/96 kHz | Time - 39:16 minutes | 529 MB
Studio Master, Official Digital Download | Artwork: Front cover

Awarded a Grammy Lifetime Achievement Award in 1966, Duke Ellington called his music "American music" rather than jazz, and liked to describe those who impressed him as "beyond" category. He remains one of the most influential figures in jazz, if not in all American music and is widely considered one of the 20th century's best composers and band leaders. Ellington's reputation has increased since his death in 1974, with thematic repackagings of his signature music often becoming best sellers. Posthumous recognition of his work include a special award citation from the Pulitzer Prize Board. This 1956 session features Ellington and 14 sidemen performing updated recordings of some of the best from Ellington's career going back to 1926.
Miles Davis - Ascenseur Pour l'Échafaud (1958/2013) [Official Digital Download 24bit/96kHz]

Miles Davis - Ascenseur Pour l'Échafaud (1958/2013)
FLAC (tracks) 24 bit/96 kHz | Time - 74:05 minutes | 1,64 GB
Studio Master, Official Digital Download | Artwork: Front cover

"Ascenseur pour l'échafaud" is an album by jazz musician Miles Davis. It was recorded at Le Poste Parisien Studio in Paris on December 4 and 5, 1957. The album features the musical cues for the 1958 Louis Malle film "Ascenseur pour l'échafaud".
Simon Bolivar Symphony Orchestra Of Venezuela - Gustavo Dudamel: The Liberator (2014) [Official Digital Download 24bit/96kHz]

Simón Bolívar Symphony Orchestra Of Venezuela - Gustavo Dudamel: The Liberator (014)
FLAC (tracks) 24 bit/96kHz | Time - 54:09 minutes | 1,12 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

"Libertador", Gustavo Dudamel's first soundtrack, and first composition to be released worldwide. Gustavo originally arrived to this project as musical advisor. Sometime later, Gustavo said he had come up with a melody that could work for the start of the film. He went to the piano and began playing the melody. When he finished playing, I think both of us realized that he had begun composing our soundtrack. Dudamel, who consulted with filmscore master John Williams in the preparations for this assignment, describes his soundtrack as atmospheric, post-Mahlerian music, full of tension, hope and struggle. The Simón Bolívar Symphony Orchestra and guests from the world of Venezuelan folk music lend the score a distinctive and irresistible Latin American flavor.
Alan Gilbert, New York Philharmonic, Thomas Hampson - Passion & Pain: Haydn, Adams, Schubert & Berg (2010) [24bit/96kHz]

Alan Gilbert, New York Philharmonic, Thomas Hampson - Passion & Pain: Haydn, Adams, Schubert & Berg (2010)
FLAC (tracks) 24 bit/96kHz | Time - 80:11 minutes | 1,54 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

In September 2009 Alan Gilbert began his tenure as Music Director of the New York Philharmonic, the first native New Yorker to hold the post. Passion & Pain: Adams, Haydn & Schubert is one of four individual performances produced and distributed by the New York Philharmonic and personally selected by Alan Gilbert for commercial release during his inaugural season with the Philharmonic.
St. Germain - Tourist (2000/2012) [Official Digital Download 24bit/96kHz] RE-UP

St. Germain - Tourist (2000) [Remastered 2000]
FLAC (tracks) 24 bit/96 kHz | Time - 60:26 minutes | 1,37 GB
Official Digital Download - Source: Qobuz.com | Front cover

Since the advent of acid jazz in the mid-'80s, the many electronic-jazz hybrids to come down the pipe have steadily grown more mature, closer to a balanced fusion that borrows the spontaneity and emphasis on group interaction of classic jazz while still emphasizing the groove and elastic sound of electronic music. For his second album, French producer Ludovic Navarre expanded the possibilities of his template for jazzy house by recruiting a sextet of musicians to solo over his earthy productions…
Bad Company - Straight Shooter (1975) Swan Song/SS 8413 - Original US Pressing - LP/FLAC In 24bit/96kHz

Bad Company – Straight Shooter
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Mastered At The Mastering Lab
Label: Swan Song/SS 8413 | Released: 1975 | Genre: Classic-Rock


Cut straight on the heels of Bad Company’s 1974 debut — just a matter of three months later; not quite long enough to know how big a success the first LP would be — Straight Shooter is seemingly cut from the same cloth as its predecessor.
Neil Young With Crazy Horse - Zuma ‎(1975) Reprise Records/MSK 2242 - 1st US Pressing - LP/FLAC In 24bit/96kHz

Neil Young With Crazy Horse – Zuma
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Mastered By George Horn
Label: Reprise Records/MSK 2242 | Released: 1965 | Genre: Country-Rock

Neil Young’s association with Crazy Horse could have ended after the death of Danny Whitten in 1972, but just three years later, Young recruited guitarist Frank “Poncho” Sampedro into the band and cut Zuma. Many fans see it as the high-water mark of his long career with Crazy Horse; songs like “Cortez the Killer” have been a regular part of his setlist for years since. “I’ve got all these songs about Peru, the Aztecs and the Incas,” Young told Cameron Crowe in 1975. “Time travel stuff.
UFO - UFO 2/Flying (1971) Decca/SLK 16 726-P - DE Pressing - LP/FLAC In 24bit/96kHz

UFO – UFO 2/Flying/One Hour Space Rock
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Decca/SLK 16 726-P | Released: 1971 | This Issue: 1973 | Genre: Space-Rock

Essential: a masterpiece of Rock music
Who would have thought old Phil Mogg, Pete Way and Co. would be responsible for one the greatest psychedelic long players ever released?, but yes folks this record called “UFO 2/Flying” is a head trip of the highest order that every space rock freak MUST own!!!
UFO started out in 1968 and were at one time known as The Good, The Bad and the Ugly, they later called themselves Acid finally settling on UFO which was a tribute to the legendary UK nightclub. The group cut their teeth playing covers by people like The Yardbirds, Kinks, John Lennon and The Small Faces among others, somehow they got the attention of Equals guitarist Eddy Grant who was branching out into production and talent procurement, Grant invited the group to record at Orange Studios and the group managed to land a recording deal with the tiny Beacon imprint. A debut album “UFO 1” was issued in 1970 to little fanfare ( though it has been reported UK DJ Jon Peel thought highly of the group.)