Official Release #107. Uncle Meat gets the deluxe treatment in this three CD Project/Object Audio Documentary. Included is the original 1969 vinyl mix (restored, remastered and available digitally for the first time), an original sequence that includes unique source material and bonus vault tracks mostly compiled from the recording sessions at Apostolic Studios in NYC between 1967 and 1969.
Official Release #85. This triple volume package contains an audio documentary tracing the conception and construction of Frank Zappa's We're Only in It for the Money (1968) and Lumpy Gravy (1968) masterworks. As the second entry in the Project/Object series (the first being the MoFo Project/Object in 2006 that gathered four CDs worth of goodies from the Freak Out! era), the modus operandi for Lumpy Money (2009) remains much the same as its predecessor. Presented within are primary components from both works in several unique – and formerly unissued – incarnations and configurations. It should also be noted that neither of Zappa's mid-'90s approved masters for We're Only in It for the Money or Lumpy Gravy are found here. Instead of retreading those – which (as of this 2009 writing) remain in print on the Rykodisc label – the nearly three-and-a-half hours served up here offer an embarrassment of insight into the development of the music, as well as the modular recording style that Zappa was evermore frequently incorporating into his craft.
Official Release #103. Performed/Arranged/Conducted by Frank Zappa. Road Tapes, Venue #3 features two complete shows from Tyrone Guthrie Theater in Minneapolis, MN. The July '70 Mothers line-up featured Flo & Eddie, George Duke, Ian Underwood, Aynsley Dunbar & Jeff Simmons. FZ's vast Vault does not contain many full shows from this time period, so that alone makes this release a special one. The tapes were recorded to stereo reel-to-reel, but not without problems. Due to their historical relevance, we felt it was worth it, warts 'n all! Venue #3 does not disappoint.
The soundtrack to Frank Zappa's strange early-'70s film 200 Motels was always doomed to be a peripheral entry in his discography. The movie's story was not easy to follow, and neither is the record (not that plot was ever a big focus of the production). It's typically wacky Zappa of the era, with unpredictable sharp turns between crunchy rock bombast, orchestration, and jazz/classical influences, as well as interjections of wacky spoken dialogue. Those who like his late-'60s/early-'70s work – not as song-oriented as his first albums, in other words, but not as "serious" or as silly as his later records – will probably like this fine, although it's not up to the level of Uncle Meat.
Official Release #106. In his trailblazing and incredibly prolific career, artist, composer and all-around musical pioneer Frank Zappa released more than 60 albums in his lifetime, as a solo artist and with his bands the Mothers of Invention and the Mothers. Coupled with more than 40 posthumous releases since his death in 1993 at 52, figuring out where to start in Zappa’s vast, genre-leaping catalog can be daunting. ZAPPAtite – Frank Zappa’s Tastiest Tracks, out now on Zappa Records/UMe, collects some of Zappa’s best known and beloved compositions, from his early psychedelic rock beginnings to his avant-garde experimentation, jazz-rock explorations, symphonic suites and satirical send-ups, compiling them into one easily digestible collection and offering key entryways into the many musical worlds of the visionary musician.
Perico Sambeat to surprise with a proposal so irreverent as explosive. Valencian saxophonist has gathered an ensemble with milloret the Valencian scene to pay tribute to a musician so brutal and iconoclast Frank Zappa. The opportunity to hear the work of Zappa as jazz offers one of those memorable occasions that any fan of good music should not miss.
Official Release #108. Original recordings produced by Frank Zappa. In September of 1978, Frank Zappa took the stage with his rockin' teenage combo (Ike Willis, Denny Walley, Tommy Mars, Peter Wolf, Arthur Barrow, Ed Mann, and the great Vinnie Colaiuta) at the Uptown Theater in Chicago. This album is the entire show and fans are going to love it. The leadoff track is a cool unheard guitar instrumental called "Twenty-One." Played in a 21-beat rhythm, it seems related to "Thirteen" from around the same time period (on YCDTOA, Vol. 6). "Easy Meat" features an earlier arrangement and a nasty guitar solo, while "Village of the Sun" adds a weird interlude with some additional lyrics that sets up the vamp for another fantastic guitar solo.
Official Release #109. Original Recordings And Mixes Produced By Frank Zappa. Little Dots contains more recordings of the under-documented Petit Wazoo Ensemble, which toured at the end of 1972 (previously heard officially on Imaginary Diseases). Again, the sound isn't pristine here, but it's quite listenable. The show starts with a very early version of "Cosmik Debris," but other than that and "Rollo" the material is all new (mostly due to being largely improvised). "Little Dots, Pt. 1" is a previously unreleased piece that features bassist Dave Parlato and drummer Jim Gordon in dialogue, joined by FZ on guitar about halfway though. "Little Dots, Pt. 2" kicks off with a Tony Duran slide solo, and heads into a trombone solo followed by another FZ guitar solo.