Official Release #107. Uncle Meat gets the deluxe treatment in this three CD Project/Object Audio Documentary. Included is the original 1969 vinyl mix (restored, remastered and available digitally for the first time), an original sequence that includes unique source material and bonus vault tracks mostly compiled from the recording sessions at Apostolic Studios in NYC between 1967 and 1969.
Official Release #85. This triple volume package contains an audio documentary tracing the conception and construction of Frank Zappa's We're Only in It for the Money (1968) and Lumpy Gravy (1968) masterworks. As the second entry in the Project/Object series (the first being the MoFo Project/Object in 2006 that gathered four CDs worth of goodies from the Freak Out! era), the modus operandi for Lumpy Money (2009) remains much the same as its predecessor. Presented within are primary components from both works in several unique – and formerly unissued – incarnations and configurations. It should also be noted that neither of Zappa's mid-'90s approved masters for We're Only in It for the Money or Lumpy Gravy are found here. Instead of retreading those – which (as of this 2009 writing) remain in print on the Rykodisc label – the nearly three-and-a-half hours served up here offer an embarrassment of insight into the development of the music, as well as the modular recording style that Zappa was evermore frequently incorporating into his craft.
Official Release #103. Performed/Arranged/Conducted by Frank Zappa. Road Tapes, Venue #3 features two complete shows from Tyrone Guthrie Theater in Minneapolis, MN. The July '70 Mothers line-up featured Flo & Eddie, George Duke, Ian Underwood, Aynsley Dunbar & Jeff Simmons. FZ's vast Vault does not contain many full shows from this time period, so that alone makes this release a special one. The tapes were recorded to stereo reel-to-reel, but not without problems. Due to their historical relevance, we felt it was worth it, warts 'n all! Venue #3 does not disappoint.
Official Release #91. In October 1971, Frank Zappa & The Mothers of Invention played two shows in one night at New York City’s Carnegie Hall. The album, Carnegie Hall, celebrates that night's marathon – two shows (7:30 and 11:30 p.m.) with ticket prices ranging from $3.50 to $6 – featuring Zappa (lead guitar, vocals) with Mark Volman (vocals, percussion), Howard Kaylan (vocals), Ian Underwood (keyboards, alto sax), Don Preston (keyboards, gong), Jim Pons (bass, vocals) and Aynsley Dunbar (drums).
Frank Zappa’s concerts at the Roxy Theatre in Holywood in December 1973 are legendary. Frank and the Mothers played three nights on December 8th, 9th & 10th and these shows formed the basis of the “Roxy & Elsewhere” album that was released in 1974…
Official Release #68. Originally Released: September 1998. All tracks produced by: FZ. Mystery Disc is a compilation album by Frank Zappa. It was released on CD in 1998, compiling tracks that were originally released on two separate vinyl records and included in the mail order Old Masters box sets, which were released in three volumes between 1985 and 1987. (These box sets, issued on Barking Pumpkin, contained repressings of Zappa's albums from Freak Out! (1966) to Zoot Allures (1976), along with a 'Mystery Disc' in boxes one and two.) The CD omits the last two tracks from the 1985 LP, "Why Don'tcha Do Me Right?" and "Big Leg Emma", both of which were included on the CD version of Absolutely Free (1967) in 1989.
Between 1985 and 1987, Frank Zappa released a pair of mail-order vinyl box sets called Old Masters that contained remastered and restored versions of all of his albums between Freak Out! and Zoot Allures. Each box contained an album of previously unreleased material called a "mystery disc." Although he eventually reworked and remixed a handful of these cuts for subsequent releases, the majority of these recordings were never again released in any form.
Official Release #64. A 30-track compilation of rarities, spanning much of his career, but in the main confined to the 1960s and early '70s (some date from as early as the late '50s!). Much of it's previously unreleased, or extremely hard to locate. It's not just a collection of fan-oriented odds and ends, though. The material, for one thing, is extremely diverse, ranging from collaborations with Captain Beefheart and primitive teenage garage recordings to comic dialog to progressive instrumentals and orchestral pieces.
Official Release #59. The last volume of the series You Can't Do That on Stage Anymore is one of the strongest, especially for those who prefer Frank Zappa's sex-oriented songs. There is not much complex material or instrumental pieces in this collection, but catchy humorous songs abound, along with more of that stage craziness the series tried to capture. Live incarnations of Zappa's band from 1970 up to 1988 are represented (the original Mothers had a whole disc devoted to them on Vol. 5).
Official Release #60. First of all, it must be understood that Playground Psychotics is intended for fans only: fans of Frank Zappa, of course, but most of all fans of the Flo & Eddie era of the Mothers of Invention (1970-1971); fans of the man's comedy rock; fans of his obsession with "life on the road" and its chronicling; and, finally, fans of the movie 200 Motels. This two-CD set contains live material and dialogues among band members (recorded with or without their knowledge). The "anthropological field recordings" (as Zappa liked to call them) get most of the attention. Each disc begins with a collage of dressing room and hotel room tapes.