In the path of successful compilations such as the Progressive Rock Trilogy, Punk Trilogy and Heavy Metal Trilogy, Music Brokers presents Glam Rock Trilogy, a wonderful three-disc album that summarizes all the splendor of the style that influenced much of British rock, from punk through Brit pop to techno pop. As a cultural and musical style, glam rock was born in 1971, with the release of the song Ride A White Swan by T. Rex. From that moment forward, there arose a veritable fever which invariably topped the European charts. Artists such as David Bowie, Alice Cooper, Roxy Music, Slade, Iggy Pop, Lou Reed, New York Dolls, Suzi Quatro, Glitter Band, The Sweet, Mott, Cockney Rebel…
Originally released in 1984, Bob Marley's LEGEND illustrates the remarkable life and recording career of one of reggae music's most important figures. This iconic collection not only serves as the perfect introduction to the music of Bob Marley, it has become an essential part in every Marley collection. It remains the world's best-selling reggae album and continues to be one of the best-selling catalog albums, exceeding 15 copies in the U.S. alone and over 27 million worldwide.
As one of the most popular languages for building web applications, Java is often the first language that programmers learn to use. This self-paced book-and-video combination is an ideal introduction to the world of programming with Java. With it and the Java Development Kit, you can compile your first program.
Brothers in Arms brought the atmospheric, jazz-rock inclinations of Love Over Gold into a pop setting, resulting in a surprise international best-seller. Of course, the success of Brothers in Arms was helped considerably by the clever computer-animated video for "Money for Nothing," a sardonic attack on MTV. But what kept the record selling was Mark Knopfler's increased sense of pop songcraft — "Money for Nothing" had an indelible guitar riff, "Walk of Life" is a catchy up-tempo boogie variation on "Sultans of Swing," and the melodies of the bluesy "So Far Away" and the down-tempo, Everly Brothers-style "Why Worry" were wistful and lovely. Dire Straits had never been so concise or pop-oriented, and it wore well on them. Though they couldn't maintain that consistency through the rest of the album — only the jazzy "Your Latest Trick" and the flinty "Ride Across the River" make an impact — Brothers in Arms remains one of their most focused and accomplished albums, and in its succinct pop sense, it's distinctive within their catalog. [In 2005 Mercury released a 20th anniversary limited edition version of Brothers in Arms in the Hybrid/SACD format.]
The Full Monty is a 1997 British comedy-drama film directed by Peter Cattaneo, starring Robert Carlyle, Mark Addy, William Snape, Steve Huison, Tom Wilkinson, Paul Barber and Hugo Speer. The screenplay was written by Simon Beaufoy. The film is set in Sheffield, England and, starting off with a travelogue of the city in 1972, tells the story of six unemployed men, four of them former steel workers, who decide to form a male striptease act (à la Chippendale dancers) in order to gather enough money to get somewhere else and for main character, Gaz, to be able to see his son. Gaz declares that their show will be better than the Chippendales dancers because they will go "the full monty"—strip all the way—hence the film's title. Despite being a comedy, the film also touches on serious subjects such as unemployment, fathers' rights, depression, impotence, homosexuality, obesity, working class culture and suicide.
Top London cop, PC Nicholas Angel is good. Too good. And to stop the rest of his team looking bad, he is reassigned to the quiet town of Sandford. Paired with simple country cop Danny, everything seems quiet until two actors are found decapitated. It is addressed as an accident, but Angel isn't going to accept that, especially when more and more people turn up dead.
With his seven symphonies the Finnish composer Jean Sibelius marks a high point in the symphonic repertoire of the 20th century. The music evokes the ghostliness of the Finnish landscape, carries an inner strength and depth and proves itself full of technical fi nesse that still poses a challenge for both conductors and performers. For Sibelius “a symphony is not a ‘composition’ in the ordinary sense. Rather, it is a declaration of faith at different stages of one’s life.”