Covering prime early recordings from 1956-1960 and one mid-'80s cut, Blue Note's The Best of Jimmy Smith offers up a fine introduction to the trailblazing jazz organist. Smith's Blue Note sessions not only introduced the world to the complex solo possibilities of the Hammond B3 organ, but simultaneously ushered in the soul-jazz era of the '60s, spawning a wealth of fine imitators in the process. Before delving into more commercial terrain on Verve in the late '60s, Smith cut a ton of jam-session dates for Blue Note, often with the help of hard bop luminaries like trumpeter Lee Morgan, alto saxophonist Lou Donaldson, tenor saxophonists Tina Brooks and Stanley Turrentine, and drummers Art Blakey and Donald Bailey. All are heard here on classic cuts like "The Sermon," "Back at the Chicken Shack," and "The Jumpin' Blues," with Smith regular Turrentine and a young Morgan availing themselves in especially fine form. For his part, Smith eats up the scenery on all the sides here, taking his solo to particularly impressive heights on a fleetly swinging rendition of "When Johnny Comes Marching Home".
This set represents Rafael Kubelik’s art in a wholly positive way. His Mahler and Dvorák cycles are very well-known. The Dvorák remains, along with those by Rowicki and Kertesz, one of the three reference editions of the complete symphonies, and the only one featuring a Czech conductor.
The 2018 Vienna Philharmonic New Year's Concert took place on January 1, 2018, under the baton of Riccardo Muti in the Musikverein in Vienna. This year's concert marked the fifth time - after 1993, 1997, 2000 and 2004 - that Riccardo Muti, whose close ties with the Vienna Philharmonic extend over several decades, conducted this prestigious event.
The 2018 New Year's Concert was broadcast in over 90 countries and followed by as many as 50 million television viewers around the world.