215 mb

Audio Dope - Audio Dope (2018)  Music

Posted by aasana at Feb. 7, 2018
Audio Dope - Audio Dope (2018)

Audio Dope - Audio Dope (2018)
electronic, deep house | 41:54 min | WEB FLAC (tracks) | 215 MB
Label: Majestic Casual Records

Basel based producer Audio Dope started his musical journey by making old fashioned beats inspired by the late 90s US hiphop vibes until he fell in love with the instrumental music scene and quickly established his own style combining organic samples and vocal fragments with crispy synths and tight drums.

Photos - Modern Communications (Set 215)  Graphics

Posted by posterb at Feb. 1, 2018
Photos - Modern Communications (Set 215)

Photos - Modern Communications (Set 215)
5 JPG | 5472x3648 - 7360x4912 | 42 Mb

Intermediate Bot Framework for Developers  eBooks & eLearning

Posted by naag at Jan. 30, 2018
Intermediate Bot Framework for Developers

Intermediate Bot Framework for Developers
MP4 | Video: AVC 1280x720 | Audio: AAC 44KHz 2ch | Duration: 1 Hour | 215 MB
Genre: eLearning | Language: English

Dogs at Large - Overpass (2018)  Music

Posted by aasana at Jan. 30, 2018
Dogs at Large - Overpass (2018)

Dogs at Large - Overpass (2018)
Alternative Rock | 32:22 min | WEB FLAC (tracks) | 215 MB
Label: Fruitless Pursuit Records

Dogs at Large from Chicago, IL is a psychedelic Americana band that combines retro influences as disparate as The Band and Roxy Music and filters them through a decidedly modern lens. Combining chorusy guitars, saxophone, keyboards, bass and drums, they create a smooth soft rock atmosphere alongside compelling vocals and lyrics.
Matthew Shipp & Roscoe Mitchell - Accelerated Projection (2018)

Matthew Shipp & Roscoe Mitchell - Accelerated Projection (2018)
EAC Rip | FLAC (tracks)+cue, log, m3u, front cover | 215 MB
Label: RogueArt – ROG-0079 | Tracks: 07 | Time: 45:54 min
Jazz, Free Improvisation

A masterful concert recorded at Sant'Anna Arresi Jazz Festival in Sardinia, Italy in 2005 between Chicago AACM legendary saxophonist and composer Roscoe Mitchell, performing on alto and soprano saxophones, and New York pianist Matthew Shipp, a member of Mitchell's Note Factor for 10 years, here presenting a 7 part work, pushing and challenging each other to great heights.

VA - Latin Jazz And Bossa Vibes (2018)  Music

Posted by ciklon5 at Jan. 27, 2018
VA - Latin Jazz And Bossa Vibes (2018)

VA - Latin Jazz And Bossa Vibes (2018)
MP3 CBR 320 kbps | 1:34:17 | 215 Mb
Genre: Jazz, Lounge / Label: Irma Records

Irma Records Presents Latin Jazz And Bossa Vibes contains the defining tracks of the decade and features some of the biggest hits from artists including Bossa Nostra, Guido Guidoboni Quintet, Kaleidoscopio, Gazzara and many more.

JixiPix Pastello Pro 1.1.2  Software

Posted by tnt-reloaded at Jan. 22, 2018
JixiPix Pastello Pro 1.1.2

JixiPix Pastello Pro 1.1.2 | macOS | 215 mb

Pastello makes it simple and convenient to take an image and change it into Pastel, Chalk, Charcoal, Crayon, Colored Pencil and Graphite drawings. Use alone or combine these medias using powerful layers to produce interesting expressive sketch effects filled with colorful personality and passion. And the best part is Pastello does all the work.

Alien Skin Exposure X3 3.0.6.184 MacOSX  Software

Posted by EXGenerator at Jan. 19, 2018
Alien Skin Exposure X3 3.0.6.184 MacOSX

Alien Skin Exposure X3 3.0.6.184 MacOSX | 215 MB

The legendary effects plug-in is now an award-winning photo editor and organizer. Introducing Exposure X3, the advanced non-destructive RAW editor that enables you to easily create beautiful images and master your entire workflow. Fast performance, powerful organizing tools, and unmatched creative editing make Exposure the only app you need to quickly transform your photos into works of art. Use Exposure as a complete photo editor to master your full workflow, or as a Lightroom or Photoshop plug-in for your creative edits.
Michel Corboz, Ensemble Vocal De Lausanne - Alessandro Scarlatti: Missa ad Usum Cappellae Pontificiae, 6 Motets (2006)

Michel Corboz, Ensemble Vocal De Lausanne - Alessandro Scarlatti: Missa ad Usum Cappellae Pontificiae, 6 Motets (2006)
EAC | FLAC | Image (Cue & Log) ~ 215 Mb | Total time: 51:20 | Scans included
Classical | Label: Apex | # 2564 60522-2 | Recorded: 1965

There are some real injustices in the business of recorded music and this disc brings one of them very much to light. The opening lines of the liner notes say, "Until relatively recently, the reputation of Alessandro Scarlatti – the son, brother, father and uncle of other illustrious musicians – was overshadowed by that of his son Domenico." It is not stated on this disc whether the notes were written to go with this Apex re-issue or whether they date from the same period as the recording, but Alessandro’s reputation, if he has one, is still very much under his wonderful son’s shadow. It is an indication of a massive injustice, that this re-issue goes some small way to correcting.
Nicholas Ward, Northern Chamber Orchestra - Bach: Magnificat BWV 243; Cantata 'Ich habe genug' BWV 82 (1995)

Nicholas Ward, Northern Chamber Orchestra, Jeremy Summerly, Schola Cantorum of Oxford - Bach: Magnificat BWV 243; Cantata 'Ich habe genug' BWV 82 (1995)
EAC | FLAC | Image (Cue & Log) ~ 215 Mb | Total time: 53:14 | Scans included
Classical | Label: Naxos | # 8.550763 | Recorded: 1993, 1994

These works both received their first performances in Leipzig - the Magnificat in 1723 and Cantata 82 in 1727. It was in 1723 that Bach had taken up thepost of Kantor at the Thomaskirche in Leipzig, having previously been Kapellmeisterto Prince Leopold in Cothen. The Magnificat was originally heard ina version in E flat major at Christmas Vespers when movements with seasonaltexts were inserted; the version included on this disc was rendered by Bach someyears later, returning to the ordinary Magnificat text in order to makethe work performable all year round. Bach's approach to the evening canticle ischaracteristically large-scale. There is no use of recitative, owing perhaps tothe poetic nature of the text: the verses have little natural hierarchy and itis appropriate that they should all be afforded extended settings. The scoringis unusually rich and includes three trumpets, two flutes, two oboes, strings,continuo, and timpani - one of the largest ensembles to be assembled at theThomaskirche in Bach's time. Bach takes a literal view of the text in which, forinstance, the full five-part choir is used to demonstrate Omnes generationes ("All generations") with soloists used for the more reflective movements. Ina typically Bachian gesture the opening material returns for Sicut erat inprincipio ("As it was in the beginning").