Two years after the first installment comes Buck 'Em!: The Music of Buck Owens, Vol. 2, a double-disc set chronicling the eight years when Buck Owens was a crossover superstar thanks to his prominent role as a co-host of Hee Haw. Buck started to slide into a rut toward the end of this run – a process accelerated by the tragic death of his right-hand man Don Rich in 1974, a loss from which Owens never fully recovered – but producer Patrick Milligan slyly disguises this trend by nestling deep cuts, live tracks, and outtakes among the best of his hits, thereby painting a portrait of Buck Owens as a musician nearly as adventurous as he was during the purple patch of the '50s and early '60s.
In DIAL A PRAYER, Cora (Brittany Snow), a disenchanted and troubled young woman, begrudgingly answers phones at a Prayer Call Center under the watchful direction of its religious leader Bill
After scoring soundtracks and producing others work, Basswalla is Adham Shaikh's first new original material in five years and it would seem that he's not lost a step in his time away. The album, despite having a really bad EDM-ish like name to it, is far better then it's name and cover would seem to indicate. Taking South Asian influences and adding a bit of dance floor swagger to them Adham Shaikh has created a record that's a sub-woofer throbbing behemoth of global chill out cool. Basswalla while containing new material also contains several updated versions of songs Shaikh's released over the last thirteen years. Not really a greatest hits record with some new stuff thrown on top, Shaikh actually re-interpreted his older material with a bit of improvisational spice so that everything here sounds new and fresh.
Ukrainian composer Valentin Silvestrov (b.1937) is an important contemporary voice in vocal music. In this new release, Silvestrov’s hauntingly beautiful vocal works are performed by the Latvian Radio Choir under their director Sigvards Kļava. During his artistic career, Silvestrov has explored a number of musical styles and techniques, such as avant-guard, post-modernism, neo-classicism, dodecaphony, aleatoric writing and pointillism. The fall of the Soviet Union, however, allowed Silvestrov to eventually compose spiritual works, inspired and influenced by his love of the Russian Orthodox Church music which Silvestrov imbues with his own unique sound and bursts of surprising harmonic moves. Silvestrov’s compositions are invested with the composer’s own unique personality, musical sensibility and sense of beauty.
With his seven symphonies the Finnish composer Jean Sibelius marks a high point in the symphonic repertoire of the 20th century. The music evokes the ghostliness of the Finnish landscape, carries an inner strength and depth and proves itself full of technical fi nesse that still poses a challenge for both conductors and performers. For Sibelius “a symphony is not a ‘composition’ in the ordinary sense. Rather, it is a declaration of faith at different stages of one’s life.”