Recorded between 1972 and 1976, The Golden Age of French Organ Music is one of the most comprehensive anthologies ever dedicated to the instrument. On it Andre Isoir surveys music of the seventeenth and eighteenth centuries, a period in which the French organ school matured in the service of the Roman Catholic Church.
Formed Seattle in 1982, Metal Church consisted of vocalist David Wayne, guitarists Kurdt Vanderhoof and Craig Wells, bassist Duke Erickson, and drummer Kirk Arrington. Their 1985 self-titled debut album, recorded when the thrash/speed metal genre was still evolving, made a huge splash on the scene, as did its similar follow-up, The Dark…
This 6CD set contains 100 tracks of popular organ music from the catalogues of EMI Classics and Virgin Classics performed by some of the world’s finest organists on a wide variety of instruments from all over the UK and Continental Europe.
It is 22 years since Savall and Koopman first recorded the Bach gamba sonatas, in the days when Koopman still looked like he should have been presenting The Old Grey Whistle Test. This release for Savall's own Alia Vox label, however, is right up to date, a tame-haired Koopman and an amazingly unaltered Savall having set them down at the beginning of this year. The recording's quick turnaround is a fitting reflection of the state of the musical relationship that has obtained between these two ever since they first performed together in 1970 after only half an hour's rehearsal. Make no mistake, these Bach performances are right in the slot.
Dieterich Buxtehude's organ works are his most significant contribution to the history of music. They consist of a comprehensive corpus of just 90 compositions, of which more than half are chorale settings. However, these are mostly shorter than the preludes, toccatas and other freely conceived pieces, so these last represent a more substantial share of his entire output.