This Sony UK 2013 two-fer pairs two latter-day albums from Buddy Guy: the 2005 album Bring 'Em In and its 2008 sequel, Skin Deep. The Steve Jordan-produced Bring 'Em In and the Tom Hambridge-produced Skin Deep are both cut from the same cloth and feature a bunch of cameos – Keith Richards, John Mayer, and Tracy Chapman on the former; Derek Trucks & Susan Tedeschi, Eric Clapton, and Robert Randolph on the latter – and if neither are standouts in his discography, they're both enjoyable and this is a nice, easy way to get them both simultaneously.
Features 24 bit digital remastering. Comes with a description. Originally released on Atlantic in 1957, the short-lived bop quintet les Jazz Modes performed excerpts from Frank Loesser's third Broadway musical The Most Happy Fella. This tasteful date features Julius Watkins on French horn (and pre-Thelonious Monk) and tenor saxophonist Charlie Rouse, accompanied by pianist Gildo Mahones, bassist, Martin Rivera, drummer Ron Jefferson, and, for this date only, vocalist Eileen Gilbert was added on "My Heart Is So Full of You."
Electro-Blues is a double digipack CD and download album featuring one side of vintage and another of vintage-influenced sounds. Forget the stale world of the blues historian and purist. This is all about taking a fresh look at what constitutes the blues in both sound and attitude. We aim to side-step the cliches and re-examine a genre. Side one features an introductory over-view of some amazing contemporary artists, producers and performers. They are linked by their explorations remixing and re-modeling this incredible, earthy and enduring musical form…
Features 24 bit remastering and comes with a mini-description. Somethin' Sanctified is an album by American jazz trombonist, composer and arranger Slide Hampton which was released on the Atlantic label in 1961. In 1959, trombonist Slide Hampton was known mainly for the excellent arrangements he did for the Maynard Ferguson Band, so it was no surprise that he formed his octet band and began making a serious bid for recognition as a top jazz artist and arranger, recording his first album for the small label Strand. His impact was immediate and in 1960 Slide signed for Atlantic resulting in two studio albums, Sister Salvation and Somethin Sanctified, which were the octets first for the label.
Bernward Koch is a German composer, pianist and keyboardist. Additionally he plays percussion, bass, and guitar. His music mainly evokes a soothing and calming style, with a clearly recognizable melody from the piano, enriched with keyboards, flute, guitar,and percussion. His first release, 1989's Flowing, was successful, especially in the USA (and Asia),and achieved top positions on the Billboard New Age Chart. His tracks contributed to several US-Aids-benefit compilations among others together with Sting, Bonnie Raitt, Al Jarreau, Ottmar Liebert, Dave Grusin, Dave Stewart.
Features 24 bit remastering and comes with a mini-description. Clare Fischer's big-band release was only briefly available as an Atlantic LP but it has finally reappeared in the CD era after a brief appearance under another title on LP some ten years after its first release. Fischer's potent originals and first-rate arrangements bring out the best in his musicians, which include Warne Marsh and Conte Candoli (featured on "Miles Behind"), Bill Perkins on a work trumpeter Stewart Fischer specially composed for the baritone saxophonist ("Calamus"), and alto saxophonist Gary Foster featured with Marsh on Lennie Tristano's "Lennie's Pennies."
Features 24 bit remastering and comes with a mini-description. Those only familiar with Frank Rosolino’s trombone work may be surprised to find out that he also dabbled in vocals as well. Rosolino was highly regarded as a trombonist, especially on the West Coast scene, but seldom recorded as a leader; Free For All on the Specialty label is probably his best known work. Turn Me Loose features Rosolino doing double duty as soloist and vocalist, a la Chet Baker, and one could judge solely by the cover that this is an entertaining record by a man who is marching to the beat of a different drummer.
Features 24 bit remastering and comes with a mini-description. Quite possibly the best album to feature the talents of Chico Hamilton and Eric Dolphy – a set recorded at a time when Dolphy was an up-and-coming player on the west coast scene! Although Chico Hamilton had recorded with unusual reed players before, Dolphy brings a depth of soul and spirit to this album that's missing from a lot of Chico's earlier work at the time – a style that still holds onto some of the measured qualities of the Pacific Jazz work by the Hamilton group, yet which also opens up into some of the darker corners that Dolphy would explore more on his own recordings of the 60s.