Still going strong at the age of 81, legendary jazz pianist Ahmad Jamal's love letter to his favorite Broadway, Hollywood, and Great American Songbook classics, Blue Moon, is arguably one of his most accomplished efforts since his Chess/Impulse! heyday. The Pittsburgh virtuoso, once credited by Miles Davis as a major influence on his career, shows that age is no barrier to invention with six exquisite reworkings of postwar standards.
The drummer gives the saxophonists some on Coexist, another round of sophisticated truth telling from Winard Harper that demonstrates high standards of musical excellence when it comes to expansive compositions, creative arrangements and choice of able bandmates. Leading ensembles ranging from sextets to tentets, the leader taps guest saxophonists on five of the disc’s 12 tracks. He also shows off his considerable gifts as a trap-set wizard, percussionist and, on his African-tinged “Ummah” and “Jeli Posse,” a player of the balaphone, a vibraphone-type instrument from West Africa.
This album confirms it, Virginie Teychené is a musician with a voice. She strolls through her imaginary museum dedicated to jazz singer-songwriters and brings her own light to each of its rooms. A grazing light in Familiar Dream, a bright light in Tight, the light of dawn in I'm Gonna Go Fishing and that of dusk in Goodbye Pork Pie Hat. The contributions of her co-musicians are intense due to their restraint; Gérard Maurin's weightless double-bass arrangements, Stéphane Bernard's chiaroscuro piano playing, Jean-Pierre Arnaud's dance-like drumming, and last but not least, Éric Le Lann's inspired trumpet playing, all make Bright and Sweet an exemplary jazz album, where all the miniatures that make it up are in fact merely beginnings.
We are pleased to announce "Charles Mingus - The Jazz Workshop Concerts 1964-65 (Town Hall, Amsterdam, Monterey '64, Monterey '65 & Minneapolis)." It chronicles the essential live performances of this genius of modern music as his compositions achieved a depth and complexity we would come to know as Mingus's most signature work. It includes (on the earlier recordings) the brilliant Eric Dolphy, along with Jaki Byard, Dannie Richmond, Johnny Coles, and Clifford Jordan – certainly one of the best assemblages of musicians ever. And the music, recorded across the world's concert stages and intended for release by Charles Mingus Enterprises, dashes once and for all every previously-held notion about what is, and isn't, jazz.
Among the dozens of sessions Django Reinhardt cut with various groups from 1934 to 1953, he would only rarely make trio recordings. This set compiles all of this existing instrumental trios, including a variety of different formations. As a bonus, a rare session by singer Nitta Rette backed by a trio of Django, Stéphane Grappelli and pianist Emil Stern (with plenty of solos by the three instrumentalists), as well as a series of quartet sides which feature Django as a prominent soloist.
Features 24 bit digital remastering. Comes with a description. his 1966 date by Duke Pearson with an octet was originally issued by Atlantic. Reissued by Collectables, this is Pearson in full soul-jazz mode, driven deeply by the blues, with an all-star band (not all members play on all tunes): drummer Mickey Roker; Harold Vick on soprano; James Spaulding on flute and alto; bassist Bob Cranshaw; trumpeter Johnny Coles; tenor George Coleman; guitarist Gene Bertoncini; and Pearson on piano and celeste.
Director Sacha Gervasi's 2012 Alfred Hitchcock biopic was less of a proper biography and more of a breakdown of the events leading up to the release of 1959's Psycho. Composer Danny Elfman's elegant score reflects that sense of minutia, offering up a scant 38 minutes of material, much of which clocks in at under a minute. Elfman's signature blend of dread, whimsy, and mischief serves the tone of the story well, and while it may not be as stocked with memorable themes as some of his better-known works, it dutifully conveys the pathos, unpredictability, and humor of its source material.
1-CD-Album Digipak (4-plated) with 44-page booklet, 29 tracks, playing time approx. 75 mns. The forgotten recordings of Edna McGriff a Fifties R&B star! Few ever reissued on CD, most unheard since the 1950s! Includes fabulous R&B versions of pop songs like The Fool, Born To Be With You, Freight Train, and I Enjoy Being A Girl with the cream of New York's R&B session men! First full-length biography by R&B scholar Bill Dahl.
Gary Boyle - The Dancer (1977). Esoteric Recordings are pleased to announce a new remastered edition of the first solo album by acclaimed guitarist Gary Boyle, founder of Jazz Rock group Isotope. Released in 1978, "The Dancer" was Boyle’s first solo album and followed the final Isotope album, “Deep End”. The recording sessions saw Boyle joined by such celebrated alumni as Robin Lumley, Rod Argent, Dave MacRae, Morris Pert and Simon Phillips. The resulting album is now regarded as a classic Jazz/Rock album…