Sir Malcolm Arnold’s (1921-2006) preference for classical forms is fully explored in this representative but uniquely distinctive programme. Orchestrations of earlier works form the lyrical Concertino for Flute and Strings and a Saxophone Concerto whose bold statements foreshadow the gritty and powerful Symphony for Strings. Arnold’s virtuoso Fantasy for Recorder and String Quartet is a late work, and the Cello Concerto was the composer’s last in this form; a piece which speaks directly from the soul, appearing here in its première recording.
This is the varied journey of works by artists including Karunesh, Zeus Faber, Thierry David, Kenio Fuke, Mike Howe, Omar Akram, Kevin Kern, Liquid Mind, and 2002. Namasté: Massage provides a solid 60+ minutes of relaxing, soothing music creating the perfect mood for physical and mental melting into the ancient art of massage. Easy, lovely music to expand into, its title also reminds us that the magic of living touch and massage is always a good choice and precious resource - whether with music for not.
The Anthology of the Royal Concertgebouw Orchestra is a recorded history of six decades of performances by the Concertgebouw Orchestra, taken from broadcasts contained in the archives of Dutch Radio and Radio Netherlands World Service. RCO Live has chosen not only legendary performances under chief conductors of the RCO but also concerts led by countless guest conductors of both greater and lesser renown. The sixth volume of the anthology features broadcasts from the 1990s, and presents a fascinating and colorful portrait of the orchestra s artistic development under various conductors during that period.
Charlie Christian's career was all too brief, lasting a mere five years. After catching the attention of John Hammond, who recommended him to Benny Goodman, he appeared on fewer than 100 sessions between 1939 and 1941, mostly broadcasts, plus a few privately recorded sessions issued on various labels over the years, in addition to his well-known studio recordings and with Goodman. While the music in this compilation has been previously available, this collection has to much recommend it. First of all, new digital transfers have been made from original acetates from the Jerry Newhouse collection, rather than relying on later generation sources. Frank Driggs' detailed liner notes provide a wealth of historical background and there are also lots of photographs. But the most important factor is the music itself.
Following the critical acclaim and enthusiastic response to Heavy Sugar: The Pure Essence of New Orleans R&B, compiler Stuart Colman has dug deep into the city’s unique recording legacy to bring about a sumptuous second helping. In addition to the requisite sourcings, the net has been cast wider still in order to focus on material gleaned from such picayune outlets as Rustone, Pontchartrain, Athens, Winner and Spinett. There is a very good reason for this.
Georges Brassens was a French singer-songwriter and poet. He wrote and sang, with his guitar, more than a hundred of his poems, as well as texts from many others such as Victor Hugo, Paul Verlaine, or Louis Aragon. In 1967, he received the Grand Prix de Poésie of the Académie française. Between 1952 and 1976, he recorded fourteen albums that include several popular French songs such as Les copains d'abord, Chanson pour l'Auvergnat, La mauvaise réputation, and Mourir pour des idées. Most of his texts are black humour-tinged and often anarchist-minded.
2011 two disc compilation featuring 36 of the finest chillout tracks from various artists including Schwarz & Funk, Ida Corr, John Dahlback, Marga Sol, Lenny Ibizarre and of course many more.