Warren Haynes has been almost ubiquitous since he joined the Allman Brothers Band, and formed Gov't Mule with Allen Woody and Matt Abts. He's played and collaborated with everyone from the Grateful Dead and Bob Dylan to Little Milton and Taj Mahal. Fans might be surprised to learn that Southern soul was an early love. But they shouldn't be. Man in Motion is Haynes' first conscious effort and to fully indulge his love for this music, and his first solo record with backing musicians since 1993. Co-produced with Gordie Johnson, Man in Motion boasts a stellar cast: George Porter, Jr. on bass, Ivan Neville on organ, clavinet, and backing vocals, Ian McLagan on Wurlitzer and piano, drummer Raymond Weber, tenor saxophonist Ron Holloway, and backing vocalist Ruthie Foster.
To celebrate the 40th anniversary of Manfred Mann's Earth Band, Creature Music has compiled this stunning box set comprising 21 CDs, a 36-page booklet of the band's history with extensive notes for each album, a 32-page book of Manfred's own memories and anecdotes and a poster of the current band. The catalogue CDs have been remastered and repackaged in LP-style sleeves. The albums have the original UK running order and refreshed sleeves. Live In Ersingen is a brand-new live recording from 22 July this year, featuring the band's latest vocalist, Robert Hart. Leftovers is a compilation of the hit singles and rare or previously unavailable recordings.
Box set containing a compilation of works by various composers in celebration of the 200th anniversary of Liszt. As well as the tracks listed it also includes 'Piano Sonata No. 8 in C minor, Op. 13, 'Pathétique'', 'Piano Sonata No. 14 in C Sharp minor, Op. 27, No. 2, 'Moonlight'' and 'Piano Sonata No. 23 in F minor, Op. 57, 'Appassionata'' by Ludwig van Beethoven, 'Preludios, Op. 80' by Joaquin Turina, etc…
Helen Merrill's first American record since 1968 (she had spent much time in Japan) is mostly a duet set with pianist John Lewis; three songs also have flutist Hubert Laws, bassist Richard Davis and drummer Connie Kay. The emphasis is on ballads, with all of the nine songs (other than the pianist's "The Singer") being quite well-known. The obvious empathy between Merrill and Lewis is well displayed on such numbers as "Django" (which has rarely been sung), "Angel Eyes," "Alone Together" and "Mad About the Boy." An introspective set full of subtle creativity.
Working in Tennessee, Merle Haggard's second album for Vanguard, plays a little slower and softer than 2010’s I Am What I Am, a record where Hag gently dwelled on his mortality. There are times where his age crosses his mind – particularly on “Sometimes I Dream,” where he casually lists off things that aren’t likely to pass his way again – but generally, he’s ready to “Laugh It Off” as he gripes about what’s playing on the radio, smokes a little dope, and enjoys playing a little bit of blues as he looks back to the past, even cutting a couple of old favorites (“Cocaine Blues,” “Jackson”) and a new version of “Working Man Blues.”