This one-disc run through Underworld's 20-year career serves a purpose, yet newcomers should know this prime techno act already has a couple of necessary albums (Dubnobasswithmyheadman and Second Toughest in the Infants), plus there's a companion release to this set (1992-2012) that features the "real" full-length versions of most of these cuts, although you do have to shell out for a second disc. On top of this all, folks intrigued by Underworld generally fall in love with them, so this gateway drug will likely become redundant.
John Renbourn's 2011 album Palermo Snow, his first new studio recording in 13 years, finds the veteran British guitarist turning in a varied set of acoustic guitar instrumentals that go well beyond the simple designation "folk." Renbourn is joined on some tracks by clarinetist Dick Lee, who first appears several minutes into the seven-minute title tune, a Renbourn original full of textured chording and careful fingerpicking.
A limited edition of the Camaron de la Isla 'Integral' box-set. It represents a veritable journey through his life and singing. It includes 21 original albums. The first 17 of them were made in recording studios by Camaron from 1969 to 1992 while he was alive. The title of his new album in 1975 seems to indicate the path politics would take, because of its reference to "majestad" (majesty, or King). "Arte y majestad" is a work in the Camaron manner as few others -his styles and vocal twistings are presents in each track, although the authorship of the cuts is still signed by Antonio Sanchez. To prove it, all that is needed is to listen to the "soleares", "tarantas" (the credits say "tarantos"), "seguiriyas" and "bulerias", outstanding the one dedicated to his admired Curro Romero, in which Paco de Lucia gave a preview of some sounds from the coming "Almoraima".