"After Hours" has become a widespread calling card for the area between midnight and twilight, when all the city falls asleep except for a collective of nocturnal beings. A whole new range of attitudes - diverse styles, open perception. After Hours is when the machine turns off -and when the mind turns on. In musical terms, it is the region outside categorization, the music that slips beyond the average stream of beats. It's not based on any beat pattern. After Hours is not ambient; nor is it acid-jazz, it's the area that exists in the gray area between them. Too quirky to hold any cliches too tightly; too loose for any grand agendas. After Hours eases the mind, softens the palette and opens the door to a new day.
Pianist Russ Freeman, who produced this record, related it this way : “The last time we were (with Shelly Manne’s quintet) in San Francisco, we went to blow at some motel on the outskirts of town one afternoon. There were some other musicians there; we took turns playing. Jerry (Dodgion) was there. The afternoon wound up with Charlie and Jerry playing the blues with a rhythm section for about twenty minutes. It was one of the most memorable experiences I have ever had, and I wasn’t even playing!
14 Track compilation album featuring Jamiroquai, Benjamin Zephaniah & others.
Dope funk, psychedelic soul and acid jazz from New York City '70-'74. UK compilation featuring 20 soul, funk and jazz classics from the legendary underground label best known for their acts, the Fatback Band and Black Ivory who are both represented here along with Dizzy Gillespie, Bobby Rydell and many more. Original vinyl from Perception and it's twin label today goes for a small fortune and has been sampled by DJ Shadow and KRS-One. Double slimline jewel case. 2000 release.