As an enlightened king during the first half of the 17th century, Christian IV gave Denmark an unprecedented splendour. Added to diplomatic and military ambitions was a rich artistic life, especially in music. The Copenhagen court was rich with singers and instrumentalists, and therefore became an important place of passage for the European composers. In order to discover this astonishing activity and the unfairly neglected composers, the Witches invite us to listen to their recording. Not only for the sentimental memories, but also for the sheer pleasure of combining instrumentation of the Witches plus the unique tone of the Compenius organ, installed in the chapel of the Frederiksborg Castle by Christian IV in 1617.
The celebration of the Easter Mystery has traditionally been considered to be the core of Christian liturgy. The Triduum Paschale, also known as the Holy Triduum or the Easter Triduum, begins on Holy Thursday and ends on Easter. Pascha is originally a Hebrew word which means transitus, or 'passage': Jesus' passage from death to life, from this world to his heavenly Father (Joh 13:1). The chants which have interpreted the prayers of the Cistercian Order for centuries may best express what an abbey community is about: the deep and unfathomable connection with earth, with man and with God.
FSM presents the Miklós Rózsa Treasury (1949-1968), a 15CD set celebrating one of the giants of film music. In this single package FSM makes available virtually every surviving, as-yet-unreleased note from the composer’s fertile and productive association with M-G-M.
Vadim Repin suggests in the booklet’s notes that he and Nikolai Lugansky chose a program for their first studio recording together that mimics a recital in this case, that would be a sonata recital. This sonata the introductory passage, Lento doloroso , of Edvard Grieg’s Second Sonata displays in the duo’s performance a haunting poignancy that their energetic reading of the movement proper hardly dispels.
The newest collaboration between Ulrich Schnauss and Jonas Munk, titled simply Passage, is a heady mix of intellectual ambient and euphoric electronic. You get Schnauss’ synths layered with Munk’s liquid guitar lines, sometimes with drum programming and sometimes on their own. The result is a complex and engaging record that offers the best both musicians have to offer.
If you’re at all familiar with Ulrich Schnauss and Jonas Munk, then you should know this isn’t just another in a long line of electronic records…
Confession d’un enfant du siècle, c’est le plus personnel, le plus intime des livres de Nicolas Rey qui se raconte ici pour la première fois, avec une sincérité qui émeut, sans aucun fard. On y retrouve les thèmes qui lui sont chers, l’ambiance de ses romans, la vulnérabilité et la lâcheté amoureuse, les textos dans la salle de bain, le foot, Paris, l’amitié fusionnelle…