Haydn's student Ignace Joseph Pleyel was nearly as prolific as his Austrian parents (he was one of 38 children), and not all of the various attempts to revive his work have found music worth reviving. His music remains mostly unknown, and instrumentalists and ensembles haven't sorted through it to find the gems. This effort by virtuoso German clarinetist Dieter Klöcker, who also wrote the rather abstract but cogent booklet notes, is one of the best contributions yet. The clarinet was a new instrument in Pleyel's time, and was undergoing rapid change.
Freaky Styley is the second studio album by American rock band Red Hot Chili Peppers, released on August 16, 1985 on EMI Records. The album name holds its origins in a commonly used phrase in the '80s to describe anything as being "freaky styley". Freaky Styley marks founding guitarist Hillel Slovak's studio album debut, following his return to the band earlier in the year. The album is also the last to feature drummer Cliff Martinez. Freaky Styley was produced by George Clinton, of Parliament-Funkadelic.
Duke Robillard has always had one foot in the blues world and one in the swing/jazz universe. He loves both styles of music and enjoys not only playing them separately but combining them together. The founder of Roomful of Blues back in 1967, Robillard has led dozens of projects throughout his career, including collaborations with guitarist Herb Ellis, Jimmy Witherspoon, and Jay McShann. On A Swingin Session, he plays with some of his favorite musicians, many of whom originated (like he did) in Rhode Island. While six horn players participate, there are no more than four on any one selection, and some numbers do not have any. The contrasting tenor solos are fun to hear, with Scott Hamilton sounding smooth and mellow on his numbers while Sax Gordon is greasier and much closer to Illinois Jacquet. Present throughout are Bruce Katz (mostly on organ), one of three bassists (usually Marty Ballou), and drummer Mark Teixeira. Robillard takes vocals on half of the selections in his personable way, but it is his guitar solos, which hint at both Charlie Christian and T-Bone Walker, that often take honors.
Collection includes: 'Mate. Feed. Kill. Repeat' (1996), 'Slipknot' (1999), 'Iowa' (2001) Japanese Edition, 'Vol.3: The Subliminal Verses' (2004) Japanese Edition, 'All Hope Is Gone' (2008) Japanese Edition.