Uri Caine is a musician of astonishing virtuosity and versatility. Coming out of the legendary Philly Jazz scene, his playing is an encyclopedia of styles from Tatum to Evans and beyond. With Moloch he interprets tunes from Zorn’s Book of Angels in a breathtaking outing for solo piano. Virtuosic and soulful, this latest volume of material from Masada Book Two is an absolute tour-de-force. Fifteen musical miniatures by one of the world’s greatest piano virtuosos.
Arguably one of the most anticipated downloads on DGMlive, time and space seem to be a movable feast on this the last date of the Soundscapes Do Dixie tour. Playing in a venue where Chuck Berry struts his stuff on a monthly basis, Fripp’s past and present coalescence into an event and performance which he describes as possessing “resonance.” Having a good crowd must’ve been something to do with it. “Probably the best audience of the tour: generous, supportive, attentive. Even, with a noticeable proportion of female women lady persons present” recorded Robert in his diary.
Bolt hail from Columbia/South Carolina consisting of two masterminds W. Heyward Sims (guitar) plus Geoff Maxey (bass) and were supported by drummer Bill Elliott. The music is instrumental, dominated by a skillful heavy guitar work demonstrating a bandwith from math/post rock and prog metal to a Robert Fripp alike style. The debut work, 'Circadian Rhythm' (2003) appearing as a raw and energetic album with more alternative rock and math influences. With the next effort, 'Movement And Detail' from 2006, the band managed to offer sophisticated grooving prog rock with edgy riffs and wide boundaries.
Any "making of" documentary about a new Fleetwood Mac record is bound to feel a little anti-climactic. After all, their magnum opus Rumours was recorded against a backdrop of legendary relationship break-ups and even more legendary substance abuse.
A collection includes: 'Faith' (1987); Listen Without Prejudice (1990); 'Older' (1996); 'Ladies & Gentlemen: The Best Of George Michael' (1998); 'Songs From The Last Century' (1999); 'Patience' (2004); and 'TwentyFive' (2006).
A mere 16 years after Erich Kunzel and the Cincinnati Pops recorded their now-classic Christmas with the Pops, Christmastime Is Here is their 2006 follow-up. It sticks to the same basic formula: a mix of orchestral, choral, and solo numbers performed by the Indiana University Singing Hoosiers (a Kunzel favorite, succeeding the original's May Festival Chorus), the School for Creative and Performing Arts Children's Choir (who sang on the original, though presumably with a different roster), and an entirely new crop of soloists. While the original relied on classic veterans such as Rosemary Clooney and Doc Severinsen, Christmastime Is Here makes use of hip jazz vocalists (and, not coincidentally, Telarc recording artists all) Ann Hampton Callaway ("I Wonder as I Wander"), Tierney Sutton ("I'll Be Home for Christmas"), Tony DeSare ("The Christmas Song"), and John Pizzarelli (""Silver Bells") as well as British sextet the King's Singers ("Silent Night").
Formed in 1997, The Cracow Klezmer Band is a phenomena. Through their spectacular combination of impeccable musicianship, imaginative arrangements and passionate performances they have been universally acclaimed by audiences and critics alike, developing into one of the most successful and exciting acoustic groups in the world. Here they are joined by the lush sound of strings, as Bester turns his prodigious arranging skills to eight new songs from Zorn’s fabulous and varied Book of Angels. Also featuring the Cracow String Quartet this is their best CD to date.
They say good things come in small packages. By seamlessly joining an audience recording of In The Court to Michael Giles’ own cassette of the gig at the first night of the Fillmore East (which had been missing the bulk of that song), DGM have faithfully recreated a small slice of KC history - now audible for the first time since the gig some 37 years ago although the majority of this show will be familiar to anyone who has the KCCC25. A tired Ian McDonald records in his 1969 dairy that the band had spent the previous day rehearsing Pictures Of A City ('A Man A City') and ran through it on the afternoon of the 21st just to nail down the arrangements.
Born in Tel Aviv, multi-instrumentalist Koby Israelite has been playing music since the age of nine. Conservatory trained on piano and keyboards, he was drawn to punk and heavy metal as a teenager, switched to drums and then got turned on to Jazz, World Music and the Downtown Scene. For his third Tzadik CD, this tireless and ever creative musical spirit turns his hand to the complex lyricism of Zorn’s complex Book of Angels. Interpreting tunes handpicked by Zorn himself, Koby mixes in everything he knows, including metal, jazz, gypsy and klezmer with stylish flair and great virtuosity. Naked City, Zappa, Taraf de Haidouks and Fantomas all rolled into one, this is an amazing orchestral achievement by an exciting young musical adventurer.