There were intermittent soundtrack and score contributions of varying magnitudes, as well as a couple other low-key projects, but The Drift is Scott Walker's proper follow-up to 1995's Tilt, an album that also happened to trail its predecessor by 11 years. If 1984's Climate of Hunter put the MOR in morose, Tilt avoided the road completely and went straight toward the fractured, fraught images inside Walker's nightmares. It was entirely removed from anything that could've been classified as contemporary. The Drift isn't an equally severe leap from Tilt, but it is darker, less arranged, alternately more and less dense, and ultimately more frightening. Maybe it'll make your body temperature drop a few degrees. Working with what Walker has referred to as "blocks of sound," only a few of the album's 68 minutes have any connection to rock music, and many of those minutes are part of a harrowing 9/11 song that also obliquely references "Jailhouse Rock" as Elvis Presley cries out ("I'm the only one left alive!") to his stillborn twin brother. The songs swing from hovering drones to crushing jolts.
102 tracks that traces the history of tango. The first 3CDs are dedicated to Astor Piazzolla and contain his most well-known hits such as Libertango, Adios Nonino and Milonga del Angel. CD4 & CD5 cover 50 tracks from the Golden Age of Tango, featuring Carlos Gardel, Osvaldo Pugliese, Anibal Troilo, Juan d'Arienzo, Julio De Caro and others.
Known for his solo hits in the 1980s as well as his hits with the band Smokie in the '70s, Chris Norman is a British soft rock singer with an international following whose career spans several decades. As Smokie's popularity trailed off around the turn of the decade, Norman split from the band and made his solo album debut in 1982 with Rock Away Your Teardrops. While his debut album was fairly unsuccessful, his second full-length effort, Some Hearts Are Diamonds (1986), was another story, spawning the international Top Ten smash hit single "Midnight Lady." Norman's popularity was greatest in Germany, where he racked up several additional hits during the late '80s, among them "No Arms Can Ever Hold You," "Sarah (You Take My Breath Away)," and "Broken Heroes."
Pianist Larry Vuckovich has recorded in a variety of settings in his career, ranging from swing to music that reflects his roots in Eastern Europe. Street Scene is one of his finest showcases for it puts the focus on Vuckovich's skills on the piano in a trio that on four selections is augmented by one or two Latin percussionists. The Latin pieces, which include "As Time Goes by Mambo" and "Blue Bohemia Suite," are particularly infectious. The trio numbers, which include standards, a few obscurities (including Sonny Clark's "News for Lulu") and some originals by the pianist, are swinging, boppish, and inventive, attached to the tradition but not predictable. With stimulating support from bassist Larry Grenadier and drummer Akira Tana, this is an easily enjoyable and recommended release from one of San Francisco's finest jazz pianists.