Philips's collection of major works that have propelled Gavin Bryars to New Music stardom is an effective overview of his music. The longest work is his Cello Concerto, handsomely played by Julian Lloyd Webber with a big, colorful tone and sustained intensity throughout its contemplative half-hour. A comparable mood pervades the bright tintinnabulating textures of the whimsically titled One Last Bar, Then Joe Can Sing. Similar as well, in their attractive serenity and suppressed sadness, are many of the other works here, prime among them the viola concerto in all but name, The North Shore, a tone painting of the rugged cliffs of northeast England. Adnan Songbook, settings of six poems by Lebanese poet Etel Adnan, are beautifully sung by soprano Valerie Anderson and delicately scored for a small ensemble. Bryars's biggest hits, The Sinking of the Titanic and Jesus' Blood Never Failed Me Yet, have inspired him to numerous reworkings and capsuled fragments. They're represented by Titanic Lament, depicting a hymn tune dissolving into gray, watery textures, and two very different four-minute versions of Jesus' Blood, both with Tom Waits.
"This compact disc presents all the studio recordings that remain from a time when, as a twenty-five year old champion of the avant-garde, I had to seek for every possible occasion of playing the new works of our composers. In those days, they were hounded and ripped apart by ideological critics; now they are recognized as the masters of new music. Audiences today need to realize with how much excitement and trust people discovered and took over the new currents seeping in from Europe through the Iron Curtain. These works represent and symbolize a marvelous epoch of friendship, a time when we came to know new horizons and discovered ourselves in the Soviet Union's huge, heterogeneous spaces." (Alexei Lubimov. May 2003)
Released in 2003, The Journey Goes On is the band's seventh studio album for metal act featuring dual vocalists, Dougie White (Rainbow/Malmsteen) & John Sloman (Lone Star/Gary Moore), the followup to 2000's 'Nowhere To Hide'. Includes guitarist Dennis Stratton (Iron Maiden) & founding members Chris & Tino Troy. The Journey Goes On is a first rate melodic rock album, and should especially appeal to fans of Demon, Ten, Cornerstone, Magnum, and John Payne-era Asia. If you're expecting a NWOBHM revival album though, you're going to be disappointed.
"Ferenc Fricsay: A Life in Music" consists mostly of top notch 1950s mono recordings in excellent sound, from DG's back catalog. I knew of Ferenc Fricsay (1914-1963) mostly from his recording of Bartok's Piano Concertos 1,2,and 3 with pianist Geza Anda. Fricsay also recorded Mozart's operas "Don Giovanni" and "Die Zauberflote", both with Dietrich Fischer-Dieskau in the cast for DG; also Beethoven's 9th Symphony; Bartok's "Concerto for Orchestra", and "Music for Strings, Percussion and Celesta", all for DG.
"The band was founded around the end of 1978, when they began their career as part of the Neue Deutsche Welle. Their music is not typical of the NDW genre. It was influenced heavily by western rock music, and their lyrics were often critical of politics and society. The members viewed themselves as punks, whose only association with the NDW was the fact that they appeared at the same time. As testament to that they wrote on their Homepage: "Ja wir haben den Scheiß eben mitgemacht!" (Yeah, we went along with that shit)." en.wickipedia.org
Fröhliche Menschen pilgern kurz vor Weihnachten in die lokalen Einkaufszentren, um Geschenke für ihre Lieben zu finden. Zwei Betrüger, getarnt als Nikolaus und Elfe, wollen die Gelegenheit nutzen, um die Kundschaft auszurauben. Doch der perfekt ausgeklügelte Plan gerät ins Stottern, als ihnen ein gewitzter Achtjähriger die wahre Bedeutung des Weihnachtsfest erklärt.
Paavo Järvi’s outstanding reputation makes him one of the most sought-after conductors on the international stage. Born in Tallinn, Estonia, he studied percussion and conducting at the Tallinn School of Music before moving to the USA in 1980, where he continued his studies at the Curtis Institute of Music and at the Los Angeles Philharmonic Institute with Leonard Bernstein.