Haco, former After Dinner frontwoman, and a beautiful and charismatic singer in avant-pop contexts (her forays in improvisation and lo-fi pop are less convincing) meets cellist Hiromichi Sakamoto of the Pascals. In fact, Ash in the Rainbow is a rewriting and re-recording of Sakamoto's 1999 solo album Zero Shiki. Haco has added lyrics, vocal melodies and electronics to his instrumental tunes to create a whole new work…
Danny DeVito steps behind the camera for this darkly funny satire that combines elements of Barney and Friends with the real-life Pee-Wee Herman scandal while recalling the director's previously twisted black comedies Throw Momma From the Train (1987) and The War of the Roses (1989). Robin Williams stars as Randolph Smiley, a popular children's show host known professionally as "Rainbow Randolph." Dismissed from his beloved job when he's caught taking payola, Randolph becomes increasingly mentally unhinged and the target of his delusional revenge fantasies is Sheldon Mopes (Edward Norton), otherwise known as Smoochy, the fuchsia rhino character that has replaced him and soared to national popularity. Randolph soon learns that his ex-girlfriend and network executive Nora Wells (Catherine Keener) is sleeping with Sheldon, so he sets out to kill Smoochy.
Hits Of The Beach Boys is the compilation album released in 2002 by EMI Records. The collection featuring 10 big hits 1963-1966 by the US legends The Beach Boys.
Four volumes from Rather Interesting label.
Real Intelligence IV (2002). On this compilation you will find the 1999-2001 highlights, which surprised and inspired listeners during the last couple of years: Dos Tracks, Erik Satin, Los Samplers, XXX, Bund Deutscher Programmierer, Midisport, The Disk Orchestra and the Roger Tubesound Orchestra. As if this was not enough, rather interesting decided to include 4 previously unreleased bonus titles which make this compilation a 'must have' for all those who like the sound and of 'R.I.'. The bonus titles 'space bossa', 'mambo si, trabajo no!', 'affirmative' and 'hypnotize' perfectly complete this selection of 'r.i.' classics, ranging from Latino influenced compositions via abstract funkiness to electro…
This collection on the U.K.'s Soul Brother imprint is a very compelling look at a big slice of Freddie Hubbard's long career as a leader, and one that gets ignored for the most part. Hubbard recorded over 20 records between Backlash, his Atlantic debut in 1966, and Ride Like the Wind for Elektra in 1982, with lengthy stops at Columbia and CTI (as well some straight hard bop and post-bop outings for labels Fantasy and Pablo). In many cases, some of these original recordings were not only disregarded by more traditional jazzheads, they were regarded with outright hostility. It didn't matter to Hubbard, however, because at the time, these were among his best-selling albums and connected with the public deeply.
Don't pay attention to the title, which is absolutely nonsensical and bewildering – it suggests that This Is Me…Then is a compilation, which it isn't, and it also suggests that this has some sort of theme, which it doesn't – and concentrate on the music, which is the strongest, sultriest, best music Jennifer Lopez (who has abandoned the moniker J-Lo) has recorded for any of her three albums. This, of course, doesn't mean that it's a radical musical departure, though there are differences here – the glitzy dance-pop has been phased out, there's a stronger urban soul vibe, particularly on the lush surfaces and sexy grooves.