2002 Sarah Rainbow

The Brian Setzer Orchestra - Boogie Woogie Christmas (2002)

The Brian Setzer Orchestra - Boogie Woogie Christmas (2002)
Rock | 1cd | EAC Rip | Flac + Cue + Log | covers
Surfdog, 404 244 011-2 | rel: 2002 | 305Mb

Brian Setzer takes his horn-fueled big band on a sleigh ride into Christmas/holiday music with generally impressive results. Meshing his rockabilly guitar solos with brassy charts and a lounge/Vegas sensibility that is part tribute and part retro characterization, Setzer dusts off and polishes up obscure nuggets like Kay Starr's "(Everybody's Waitin' For) The Man With the Bag" and Lionel Hampton's swinging "Boogie Woogie Santa Claus.

Rainbow - Long Live Rock 'N' Roll (1978)  Music

Posted by Oksana_m at Dec. 10, 2016
Rainbow - Long Live Rock 'N' Roll (1978)

Rainbow - Long Live Rock 'N' Roll (1978)
EAC | Flac(Image) + Cue + Log > 253 Mb | Mp3 CBR 320Kpbs > 94 Mb
Hard Rock | TT - 39:50 | Label: Universal Music K.K. | Cat. # UICY-90515 | Japan
Scans (Jpg) > 46 Mb | NitroFlare, FileFactory | 2007, Re-mastered

Long Live Rock 'n' Roll may be singer Ronnie James Dio's last album with Rainbow, but at least he went out on a high note. While the material is not quite as strong as on the previous studio effort, Rising, Long Live Rock 'n' Roll maintains the momentum the band had built up…
The Zombies - Greatest Hits (2002) {Hybrid SACD, Audio Fidelity AFZ 001}

The Zombies - Greatest Hits (2002) {Hybrid SACD, Audio Fidelity AFZ 001}
EAC Rip | FLAC (Img) + Cue + Log ~ 253 Mb | MP3 CBR320 ~ 118 Mb
Scans (JPG, 600 dpi) ~ 34 Mb | RAR 5% Recovery
British Invasion, Classic Rock, Pop Rock, Beat, Psychedelic | Audio Fidelity #AFZ 001
Mastered by Steve Hoffman

The Zombies are a British pop group, first active in the 1960s. Following The Beatles in 1964 as part of "The British Invasion" of the USA, they were the second UK group to score an American #1 hit. The Zombies were uniquely different, with a subtler style, often jazzier and more inventive chord structures, the prominent keyboards of Rod Argent, and the distinctive voice of Colin Blunstone. She's Not There and Tell Her No were quick hits, but despite continually stunning musical output that has influenced other artists ever since, another hit record was more than four years away, after they'd broken up! This collection, remastered for SACD, covers the Zombies' short and tasteful career, spanning their 1964-1967 years for Decca Records, and their single album, the classic Odessey & Oracle, for Epic Records in 1968…

Rainbow - Rising (1976)  Music

Posted by Oksana_m at Dec. 9, 2016
Rainbow - Rising (1976)

Rainbow - Rising (1976)
EAC | Flac(Image) + Cue + Log > 245 Mb | Mp3 CBR 320Kpbs > 75 Mb
Hard Rock | TT - 33:41 | Label: Universal Music | Cat. # UICY-90513 | Japan
Scans (Jpg) > 42 Mb | NitroFlare, FileFactory | 2007, Re-mastered

On their second release, Rainbow not only avoid the sophomore jinx; they hit a home run. After replacing the entire band (except Ronnie James Dio) immediately following the recording of the first album, Ritchie Blackmore and the Rising lineup (Blackmore; Dio; Tony Carey, keys; Jimmy Bain, bass; and the late, great Cozy Powell, drums) had plenty of time on the road touring the first album to get the chops and material together for their second…

Rainbow - Ritchie Blackmore's Rainbow (1975)  Music

Posted by Oksana_m at Dec. 8, 2016
Rainbow - Ritchie Blackmore's Rainbow (1975)

Rainbow - Ritchie Blackmore's Rainbow (1975)
EAC | Flac(Image) + Cue + Log > 248 Mb | Mp3 CBR 320Kpbs > 88 Mb
Hard Rock | TT - 37:19 | Label: Universal Music | Cat. # UICY-90512 | Japan
Scans (Jpg) > 45 Mb | NitroFlare, FileFactory | 2007, Re-mastered

Perhaps the first example of "dragon rock" – a style perfected by bands like Iron Maiden and Dio in the early to mid-'80s – was Ritchie Blackmore's Rainbow, a rather pretentious 1975 collection from the guitarist's first post-Deep Purple project…

Peter Bank, Fabrice Baudoin - Paris-Princeton Lectures on Mathematical Finance 2002  eBooks & eLearning

Posted by rotten comics at Dec. 7, 2016
Peter Bank, Fabrice Baudoin - Paris-Princeton Lectures on Mathematical Finance 2002

Peter Bank, Fabrice Baudoin - Paris-Princeton Lectures on Mathematical Finance 2002
2010 | ISBN: 3540401938 | English | 178 pages | PDF | 1.3 MB
Biometric Authentication: International ECCV 2002 Workshop Copenhagen, Denmark, June 1, 2002 Proceedings (Lecture Notes in Comp

Biometric Authentication: International ECCV 2002 Workshop Copenhagen, Denmark, June 1, 2002 Proceedings (Lecture Notes in Computer Science)
English | June 1, 2002 | ISBN: 3540437231 | 203 Pages | PDF | 6 MB

Biometric authentication refers to identifying an individual based on his or her distinguishing physiological and/or behavioral characteristics. It associates an individual with a previously determined identity based on that individual s appearance or behavior.

The Morrigan - Discography [5 Studio Albums] (1985-2002)  Music

Posted by gribovar at Dec. 7, 2016
The Morrigan - Discography [5 Studio Albums] (1985-2002)

The Morrigan - Discography [5 Studio Albums] (1985-2002)
EAC Rip | FLAC (image+.cue+log) - 1,65 GB | MP3 CBR 320 kbps (LAME 3.93) - 650 MB | Covers included
Genre: Progressive Folk Rock | RAR 3% Rec. | Label: MALS

The Morrigan's music is a lively mixture of traditional Celtic folk with prog rock, sometimes leaning heavily in either direction. Their sound is distinctly original and full of magic vocals, their music made up of warm melodies wrapped up in rich arrangements (sometimes of their own composition, sometimes re-arranged traditional folk songs). Imagine a heavier sounding Steeleye Span and then move them up a notch on the prog scale. The band originated in 1984 when Tom Foad, a guitarist from hard-rock/metal band The Avalanche, was looking for something a little more acoustic. Soon, singer/musician Cathy Alexander joined him, followed by bassist Cliff Eastabrook. However, Foad's commitments to his previous band proved to be too time consuming and so, he was replaced by guitarist/keyboardist Colin Masson (who, by the way, has done all the artwork for the band's albums). In addition to Alexander and Masson who are still with the band after two decades, two out of three excellent full-time musicians who feature on their latest album have since left.

Sarah Nemtanu and Deborah Nemtanu - Bartok: 44 Duos (2016)  Music

Posted by Pisulik at Dec. 7, 2016
Sarah Nemtanu and Deborah Nemtanu - Bartok: 44 Duos (2016)

Sarah Nemtanu and Deborah Nemtanu - Bartok: 44 Duos (2016)
Classical | MP3 CBR 320 kbps | 00:47:37 | 118 MB
Label: Decca Music Group | Release Year: 2016

Béla Bartók composed his 44 Duos for two violins primarily as a pedagogical series for young students, but the collection has become increasingly popular with accomplished violinists for recordings and as recital fare, and it is usually played in its entirety, due to the brevity of the individual pieces. Sarah and Deborah Nemtanu present the 44 Duos on their debut album for Decca, and their eloquent and highly expressive playing proves that the work is as musically satisfying as the artistry they bring to it, and as listenable as Bartók's Mikrokosmos for piano, another work for students written in the same period.
Sarah Walker, Thomas Allen, Roger Vignoles - The Songs of Henri Duparc (1989)

Sarah Walker, Thomas Allen, Roger Vignoles - The Songs of Henri Duparc (1989)
EAC | FLAC | Image (Cue&Log) ~ 212 Mb (incl 5%) | Mp3 (CBR320) ~ 152 Mb (incl 5%) | Scans included
Genre: Classical, Vocal | Label: Hyperion | # CDA66223 | Time: 01:02:51

This CD presents the brief but remarkable output of songs by Duparc during his artistic period that was cut short by a nervous affliction. These works are beautifully performed by mezzo-soprano Sarah Walker and baritone Thomas Allen, with sensitive piano accompaniment by Roger Vignoles. The collection opens with Duparc's best known melody, L'invitation au voyage, which is a setting of a text from Baudelaire's Les fleurs du mal. The lovely rolling impressionist piano harmonies are played with exquisite fluidity, as they underscore Walker's velvety and intimate vocals. The Sérénade florentine is an impressionist lullaby to a loved one, delivered with touching emotion by Thomas Allen. Extase, Elégie and Testament show the influence of Wagner, and the Chanson triste is one of Duparc's early, Gounod-style songs. Au pays oú se fait la guerre (1869) is also an early work, but is particularly entrancing with simple modal harmonies and easily perceived song construction. By sensitive use of passing tones in the piano, the harmonies are subtly redefined and the music is extended dramatically toward the end by expressive on-rushes.