Following a sold-out summer arena tour highlighted by their triumphant UK return in front of 65,000-plus fans as special guests of The Killers during British Summer Time Festival at Hyde Park, Tears For Fears – Roland Orzabal [vocals, guitar, keyboards] and Curt Smith [vocals, bass, keyboards] – close out 2017 with the release of their first career-spanning Greatest Hits album, Rule The World.
Born to Do It is the debut studio album by English singer Craig David, released in the United Kingdom on 14 August 2000 by Wildstar Records and in the United States later in 2001 by Atlantic Records. Following exposure from his work with British group, David began performing vocals for garage duo Artful Dodger. During this time Wildstar Records became aware of David, offering him a development deal before offering an album contract. The recording for the album began in 1999 before David had acquired a record contract, the recording lasted until 2000 and was composed by David himself and Mark Hill.
Who was the second biggest-selling music star to come out of Liverpool after the Beatles? It wasn't Gerry & the Pacemakers or Billy J. Kramer & the Dakotas, nor was it the Searchers. It was Cilla Black, a onetime coat-check girl from the Cavern Club who was still learning to sing with confidence, forget developing a technique, just about the time that the Beatles were cutting their first EMI record. Cilla Black holds a unique position in the history of pop music, and the British Invasion. As Brian Epstein's discovery and protégée, she was the first and only important female performer to emerge from Liverpool in the heyday of the British beat boom. In conjunction with Epstein's management…
Lynyrd Skynyrd's 2000 compilation All Time Greatest Hits suffers from the same ailments that plague many compilations of its time, but there is one problem in particular that hurts it: instead of offering all of the "all time greatest hits" on one disc, the compilers pulled their punches, overlooking a few big songs while occasionally substituting live or acoustic versions for the original studio versions. That means that this is a Skynyrd compilation without the famed original recording of "Free Bird" – a live version is here instead. It doesn't really matter that it's a good version, taken from 1976's One More from the Road, or that the live version actually charted in the Top 40; nor does it matter that "All I Can Do Is Write About It" is a good acoustic version originally released on the eponymous 1991 box set, because this is a collection made for a general audience. It should, therefore, have the versions that a general audience knows best. Apart from that, and the usual nitpicking over songs that should have been included ("Workin' for MCA," "Don't Ask Me No Questions," etc.), this remains a solid collection, containing most of the Skynyrd material that a casual follower could want.
The first-ever compilation of Stephanie's big '80s hits for MCA, all taken from first generation masters and copiously annotated! Includes I Have Learned to Respect the Power of Love; I Feel Good All Over; (You're Puttin') a Rush on Me ; her remake of The Wiz favorite Home; Stand Back; Secret Lady , and more.
Hits of Shakin' Stevens is a detailed single disc featuring 16 tracks the rock & roll revivalist recorded for Epic in the '80s. Anyone looking for a comprehensive collection of his best recordings should pick this up as it features the original versions of "This Ole House," "You Drive Me Crazy," "Oh Julie," and the Dave Alvin penned "Marie Marie".
Had Elvis Presley done nothing else but record "That's Alright, Mama," his place in pop music history would be secure. With his first regional hit, Presley fused rhythm and blues with country, put a handsome white face out front for audiences to see, and in so doing legitimized beat music for white audiences. It is no understatement to call Presley the chief catalyst of the rock-and-roll era…
Over the course of the 1980s, REO Speedwagon became one of the decade's leading power balladeers. However, these singles sapped the band's reputation as a rock & roll band. Although it may focus more on ballads such as "Time for Me to Fly," "Keep on Loving You," and "Can't Fight This Feeling," Hits does not completely overlook the band's rock anthems, taking care to also include such underrated rockers as "I Don't Want to Lose You," "Don't Let Him Go," and a live version of "Ridin the Storm Out," the band's first and best rock single from the 1970s. Though there is a rather large quantity of REO compilations, Hits remains the wisest investment for most listeners.