French Baroque: Versailles 1700-1740 album by Dorothee Oberlinger was released Mar 01, 2011 on the Deutsche Harmonia Mundi label.
…The Burwell lute tutor states: "[On] other instruments we sing, but on the lute we speak". That is exactly what Bailes does, and in a very eloquent manner.
Since the end of the seventeenth century French composers have shown a particular skill and deftness of touch in writing for the flute. The instrument owes much of its prominence in French music of the twentieth century to the use made of it in orchestral colouring by composers such as Debussy and Ravel, as well as to a group of highly gifted players associated in one way or another with the Paris Conservatoire. They include the soloist on this recording, Patrick Gallois, a pupil of Jean-Pierre Rampal. This collection of works composed during the last sixty years ranges from Poulenc’s Sonata, marked by rhythmic vitality and a delicate vein of sentimentality, Messiaen’s Le merle noir, inspired by bird song, to Boulez’s Sonatine, which the composer himself has characterised as ‘organised delirium’.
The present installment of Arturo Sacchetti’s encyclopedic Organ History survey for Arts Music drops anchor in late-19th/early-20th-century France. It can be argued that the five instrumental sections from Satie’s Mass for the Poor that open this recital lose poignancy when shorn of their surrounding vocal movements, although the organ is a perfect instrument for the composer’s quirky, instantly identifiable harmonic language. By contrast, D’Indy’s Les Vêpres du Commun des Saints, Roussel’s Prélude et Fughetta, and Honegger’s Deux Pièces pour Orgue make an arid, academic impression. After Wayne Marshall’s pulverizing speed through the Pastorale by Roger-Ducasse (Virgin Classics), Sacchetti’s relatively conservative virtuosity proves less engaging. However, his incisive hand/foot coordination enliven Tournemire’s Improvisation on “Te Deum” and Langlais’ Hymne d’Actions de grâces “Te Deum”, although the latter yields to Andrew Herrick’s more vivid and better engineered traversal on Hyperion. Organists looking for an effective, unhackneyed encore should consider Ibert’s Musette or Milhaud’s Pastorale.
The French Defence is one of the most reliable openings against 1 e4. The solid central pawn chain protects Black's king and provides the basis for counter-attacks on both wings. On this DVD Grandmaster Daniel King offers you a repertoire for Black with the French. Based around ten stem games, all White’s major lines against the French are covered. The French Defence is one of the most flexible of openings. This DVD explores different systems so that you can always keep your opponent guessing as to your choice. Complete games are discussed so that one gains an idea about typical strategies for both sides. More than that, these model games provide inspiration to play the opening. This is an interactive DVD. At key moments in the games Grandmaster King pauses and puts you on the spot. You will have to find and play the best move. He then gives feedback in further video clips according to the move you chose.