20 Bit Brubeck

VA – Love Ballads – Late Night Jazz (Comp. 1999) (20-Bit Digital Master)

VA – Love Ballads – Late Night Jazz (Comp. 1999) (20-Bit Digital Master)
Telarc 20-Bit Digital Master | 1999 | Jazz | EAC RIP | FLAC+CUE+LOG+HQ-Covers (400Dpi) | 347Mb+10Mb

This is a very good sampler from the Telarc 20-Bit Digital Master jazz catalog. It contains 13 tracks with well recorded smooth easy listening jazz and is suitable for a quiet evening and/or for relexation.
Aerosmith - Permanent Vacation (1987) {1994, 20 bit K2 Mastering, Japan}

Aerosmith - Permanent Vacation (1987) {1994, 20 bit K2 Mastering, Japan}
EAC Rip | FLAC (Img) + Cue + Log ~ 384 Mb | MP3 CBR320 ~ 125 Mb
Scans (JPG, 600 dpi) ~ 81 Mb | RAR 5% Recovery
Hard Rock, Classic Rock | Geffen Records / MCA Victor #MVCZ-71

Permanent Vacation is the ninth studio album by American rock band Aerosmith, released in August 1987 by Geffen Records. The album marks a turning point in the band's career. It is their first album to employ professional songwriters, instead of featuring material solely composed by members of the band. This came as a suggestion of executive John Kalodner, who also pushed the band to work with producer Bruce Fairbairn, who remained with them for another two albums. It was also the first Aerosmith album to be promoted by heavy music video airplay on MTV. Though Done with Mirrors was intended to mark Aerosmith's comeback, Permanent Vacation is often considered their true comeback album, as it was the band's first truly popular album since their reunion…
Dire Straits - Brothers In Arms (1985) {2000, XRCD2, 20-Bit K2 Super Coding, Japan}

Dire Straits - Brothers In Arms (1985) {2000, XRCD2, 20-Bit K2 Super Coding, Japan}
EAC Rip | FLAC (Img) + Cue + Log ~ 359 Mb | MP3 CBR320 ~ 137 Mb
Scans Included (JPG, 300 dpi) | RAR 5% Recovery
Rock | Vertigo / Universal Music #5483572

Brothers in Arms is the fifth studio album by the British rock band Dire Straits, released on 13 May 1985 by Vertigo Records internationally, and by Warner Bros. Records in the United States. Brothers in Arms charted at number one worldwide, spending 10 weeks at number one on the UK Albums Chart, nine weeks at number one on the Billboard 200 in the United States, and 34 weeks at number one on the Australian Album Chart. The album is the eighth-best-selling album in UK chart history, is certified nine-times platinum in the United States, and is one of the world's best-selling albums, having sold over 30 million copies worldwide. The album won two Grammy Awards in 1986, and also won Best British Album at the 1987 Brit Awards…
The Move - Looking On (1970) {1998/2001, 20-bit K2 Super Coding Remaster, Japan}

The Move - Looking On (1970) {1998/2001, 20-bit K2 Super Coding Remaster, Japan}
EAC Rip | WV (Img) + Cue + Log ~ 481 Mb | MP3 CBR320 ~ 187 Mb
Scans Included (JPG, 300 dpi) | RAR 5% Recovery
Psychedelic Rock / Progressive Rock / Blues Rock / Hard Rock
Cube Records / Victor Entertainment #VICP-61315

Looking On is the third album by The Move, released in the UK in December 1970. The LP is their first to feature Jeff Lynne, their first containing entirely original compositions. It includes both their 1970 singles, the Top 10 hit "Brontosaurus," released on Regal Zonophone in March, and the less successful "When Alice Comes Back To The Farm," released on Fly in October. It's also the first LP to feature both Roy Wood and Jeff Lynne as a tandem, with Wood’s use of cello and woodwinds and Lynne's piano in addition to their usual guitars and vocals, anticipating the work they would later pursue in The Electric Light Orchestra, whose debut album they were starting to record at around the same time…
The Move - Move (1968) {1998/2001, 20-bit K2 Super Coding Remaster, Japan}

The Move - Move (1968) {1998/2001, 20-bit K2 Super Coding Remaster, Japan}
EAC Rip | WV (Img) + Cue + Log ~ 451 Mb | MP3 CBR320 ~ 193 Mb
Scans Included (JPG, 300 dpi) | RAR 5% Recovery
Beat, Power Pop, Art Rock, Psychedelic Rock, Rock & Roll, British Invasion
Cube Records / Victor Entertainment #VICP-61313

There's a good reason why the Move's eponymous 1968 debut album sounds like the work of two or three different bands – actually, befitting a band with multiple lead singers, there's more than one reason. First, there's that lead singer conundrum. Carl Wayne was the group's frontman, but Roy Wood wrote the band's original tunes and sometimes took the lead, and when the group covered a rock & roll class, they could have rhythm guitarist Trevor Burton sing (as they did on Eddie Cochran's "Weekend") or drummer Bev Bevan (as they did on the Coasters' "Zing Went the Strings of My Heart")…
The Move - Shazam (1970) {1998/2001, 20-bit K2 Super Coding Remaster, Japan}

The Move - Shazam (1970) {1998/2001, 20-bit K2 Super Coding Remaster, Japan}
EAC Rip | WV (Img) + Cue + Log ~ 471 Mb | MP3 CBR320 ~ 181 Mb
Scans Included (JPG, 300 dpi) | RAR 5% Recovery
Freakbeat, Hard Rock, Psychedelic Rock, Progressive Rock
Cube Records / Victor Entertainment #VICP-61314

Shazam is the second studio album by English rock band the Move, released in February 1970 by Regal Zonophone. The LP marked a bridge between the band's quirky late '60s pop singles and the progressive, long-form style of Roy Wood's next project, the Electric Light Orchestra. It was the last Move album to feature the group's original lead vocalist, Carl Wayne. The Move, from Birmingham, England, are a British rock band of the late 1960s and the early 1970s. They scored nine Top 20 UK singles in five years…
Tina Turner - Private Dancer (1984) {XRCD, JVC 20-bit K2 Super Coding System}

Tina Turner - Private Dancer (1984) {XRCD, JVC 20-bit K2 Super Coding System}
EAC Rip | FLAC (Img) + Cue + Log ~ 313 Mb | MP3 CBR320 ~ 106 Mb
Scans (JPG, 300 dpi) ~ 31 Mb | RAR 5% Recovery
Pop, Rock, Soul | Capitol Records / JVC #JVCXR-0044-2

In 1984, a 45-year-old Tina Turner made one of the most amazing comebacks in the history of American popular music. A few years earlier, it was hard to imagine the veteran soul/rock belter reinventing herself and returning to the top of the pop charts, but she did exactly that with the outstanding Private Dancer. And Turner did so without sacrificing her musical integrity. To be sure, this pop/rock/R&B pearl is decidedly slicker than such raw, earthy, hard-edged Ike & Tina classics as "Proud Mary," "Sexy Ida," and "I Wanna Take You Higher." But she still has a tough, throaty, passionate delivery that serves her beautifully on everything from the melancholy…
Miles Davis - Blue Moods (1955) {Reissue, 20-Bit SBM Remastered} Repost

Miles Davis - Blue Moods (1955) {Reissue, 20-Bit SBM Remastered}
EAC Rip | FLAC (Img) + Cue + Log ~ 150 Mb | MP3 CBR320 ~ 65 Mb
Scans (JPG, 300 dpi) ~ 20 Mb | RAR 5% Recovery
Jazz, Hard Bop | Original Jazz Classics / Debut Records / ZYX Music #OJC20 043-2 (DEBUT-120)

In the '50s, the party line among New York jazz critics was that hard bop was the "true faith" and that cool jazz was lightweight and unemotional. But Miles Davis knew better. The trumpeter (whose Birth of the Cool sessions of 1949-1950 proved to be incredibly influential) was smart enough to realize that cool jazz and hard bop were equally valid parts of the house that Charlie Parker built, and he had no problem working with cool jazzmen one minute and hard boppers the next. Recorded for Charles Mingus' Debut label in 1955, Blue Moods is an excellent example of cool jazz…
Tom Coster - The Forbidden Zone (1994) {JVC 20-bit K2 Super Coding System}

Tom Coster - The Forbidden Zone (1994) {20-bit K2 Super Coding System}
EAC Rip | FLAC (Img) + Cue + Log ~ 427 Mb | MP3 CBR320 ~ 144 Mb
Scans (JPG, 600 dpi) ~ 55 Mb | RAR 5% Recovery
Crossover Jazz, Fusion | JVC #JVC-2040-2

For this excellent outing (his third project for JVC), keyboardist Tom Coster performs 11 originals plus "Lover Man." Although his fusion-oriented music is full of funky ensembles, there is more variety than expected. Coster shares the solo space with tenor saxophonist Bob Berg, and the fiery guitarist Scott Henderson, creating a colorful and sometimes unpredictable program of music.
Abbey Lincoln - Abbey Is Blue (1959) {Riverside 20-bit K2 Remaster Limited Edition}

Abbey Lincoln - Abbey Is Blue (1959) {Riverside 20-bit K2 Remaster Limited Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 217 Mb | MP3 @320 -> 92 Mb
Full Artwork @ 300 dpi (jpg) -> 25 Mb | 5% repair rar
© 1959, 2005 Riverside / Fantasy / Concord | RITB-1153-2 | 20-bit K2 remaster | LP RLP 12-308
Jazz / Vocal Jazz / Standards

This edition limited to 10,000 copies and 20-Bit K2 Super Coding. Abbey Lincoln's third of three Riverside albums directly precedes her more adventurous work with drummer (and then-husband) Max Roach. With fine backup from trumpeter Kenny Dorham, pianist Wynton Kelly, Les Spann (doubling on guitar and flute), bassist Sam Jones, and drummer Philly Joe Jones) on seven of the ten numbers, and by Roach's regular quintet at the time on the other three selections, Lincoln is quite emotional and distinctive during a particularly strong set. Highlights include the first vocal version ever of "Afro-Blue," "Come Sunday," Oscar Brown, Jr.'s "Brother, Where Are You," "Softly, As in a Morning Sunrise," "Long as You're Living," and Lincoln's own "Let Up." A very memorable set.