20 Bit Brubeck

Abbey Lincoln - Abbey Is Blue (1959) {Riverside 20-bit K2 Remaster Limited Edition}

Abbey Lincoln - Abbey Is Blue (1959) {Riverside 20-bit K2 Remaster Limited Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 217 Mb | MP3 @320 -> 92 Mb
Full Artwork @ 300 dpi (jpg) -> 25 Mb | 5% repair rar
© 1959, 2005 Riverside / Fantasy / Concord | RITB-1153-2 | 20-bit K2 remaster | LP RLP 12-308
Jazz / Vocal Jazz / Standards

This edition limited to 10,000 copies and 20-Bit K2 Super Coding. Abbey Lincoln's third of three Riverside albums directly precedes her more adventurous work with drummer (and then-husband) Max Roach. With fine backup from trumpeter Kenny Dorham, pianist Wynton Kelly, Les Spann (doubling on guitar and flute), bassist Sam Jones, and drummer Philly Joe Jones) on seven of the ten numbers, and by Roach's regular quintet at the time on the other three selections, Lincoln is quite emotional and distinctive during a particularly strong set. Highlights include the first vocal version ever of "Afro-Blue," "Come Sunday," Oscar Brown, Jr.'s "Brother, Where Are You," "Softly, As in a Morning Sunrise," "Long as You're Living," and Lincoln's own "Let Up." A very memorable set.
Art Blakey's Jazz Messengers - Ugetsu (1963) {Riverside 20-bit K2 Limited Edition}

Art Blakey's Jazz Messengers - Ugetsu (1963) {Riverside 20-bit K2 Limited Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 414 Mb | MP3 @320 -> 134 Mb
Full Artwork @ 300 dpi (jpg) -> 20 Mb | 5% repair rar
© 2004 Riverside / Fantasy | RITB 9464-2 | 20-bit K2 remaster | LP RLP 464
Jazz / Hard Bop

This edition limited to 10,000 copies and 20-Bit K2 Super Coding. Ugetsu, a 1963 live set from the original Birdland, finds Art Blakey & His Jazz Messengers at the peak of their powers with one of their strongest lineups. The group primarily recorded sessions for Alfred Lion's Blue Note label, but this Riverside date is as strong as any of their previous outings. Having acquired the services of trombonist Curtis Fuller in 1961, the Messengers' front line was its most robust ever, with Wayne Shorter and Freddie Hubbard consistently turning in some of their best performances. Rounding out the rhythm section with Blakey are the equally powerful Reggie Workman and Cedar Walton.
Sonny Rollins - Way Out West (1957) {Contemporary 20-bit K2 Limited Edition}

Sonny Rollins - Way Out West (1957) {Contemporary 20-bit K2 Limited Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 467 Mb | MP3 @320 -> 168 Mb
Full Artwork @ 300 dpi (png) -> 37 Mb | 5% repair rar
© 2000 Contemporary / Fantasy | CCD-7530-2 | 20-bit K2
Jazz / Bop / Hard Bop / Saxophone

This edition limited to 10,000 copies and 20-Bit K2 Super Coding. Contemporary's 2000 re-release appended three bonus tracks, all of them alternate takes. A classic set that brings the east coast tenor of Sonny Rollins into contact with a west coast rhythm section of Ray Brown and Shelly Manne! Despite Rollins' silly look on the cover, and the album's overall "western" theme, the session's a brilliant one – right up there with Sonny's strongest trio sides of the late 50s, and a key link in a string of excellent recordings for Blue Note, Prestige, and Riverside! The lack of a piano really opens up the style of the set – letting Sonny explore freely on his solos, while Brown's bass and Manne's drums do more than enough to keep the rhythms going on their own. Solos aren't as "out" as on the Village Vanguard sessions, but certainly every bit as inspired – and titles include "I'm An Old Cowhand", "Solitude", "Come, Gone", "Way Out West", and "Wagon Wheels".
Charlie Byrd - Bossa Nova Pelos Passaros (1962) {Prestige-Riverside 50th Anniversary 20-bit K2 Edition}

Charlie Byrd - Bossa Nova Pelos Passaros (1962) {Prestige-Riverside 50th Anniversary 20-bit K2 Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 279 Mb | MP3 @320 -> 109 Mb
Full Artwork @ 300 dpi (jpg) -> 37 Mb | 5% repair rar
© 2002 Riverside / Fantasy | RCD-9436-2 | 20-bit K2
Jazz / Bop / Bossa Nova / Brazilian Jazz / Guitar

In one of those fascinating twists that add to the magic of jazz, it was a mild-mannered, non-exotic. Virginia-born wizard of (primarily) the acoustic guitar who spearheaded the early-Sixties onslaught of bossa nova on the music scene of this country. Charlie Byrd, fascinated by this Brazilian music while on a South American tour, became its most ardent advocate here. He first joined with Stan Getz for a trend-setting LP and then moved on to his own big hit with this Riverside album, highlighted by the best-selling, with-strings version of Antonio Carlos Jobim's "Meditation."
Gary McFarland - Point Of Departure (1963) {1998 Impulse! Japan 20 bit K2 Mastering}

Gary McFarland - Point Of Departure (1963) {1998 Impulse! Japan 20 bit K2 Mastering}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 219 Mb | MP3 @320 -> 93 Mb
Full Artwork @ 600 dpi (jpg) -> 184 Mb | 5% repair rar | 20 bit K2 Mastering
© 1998 Impulse! / MCA Records / Universal Victor Japan | MVCJ-19111
Jazz / Hard Bop / Post Bop / Vibes

A great record – and one that's filled with so many wonderful little moments! The whole thing's a very cool, very off-beat set of jazz tracks recorded by vibist Gary McFarland, with a group that includes Jimmy Raney on guitar, Richie Kamuca on tenor, and Steve Swallow on bass – a lineup that's as quirky as the sound of the record! The tunes are quite different than some of Gary's larger arrangements for Verve, but they've definitely got a very similar charm – quite groovy, and a unique blend of bossa influences, west coast jazz, modal rhythms, and other wonderful touches. Tracks include "Pecos Pete", "Hello To The Season", "Schlock-House Blues", and "Love Theme From David & Lisa".
Sonny Rollins - Plus 4 (1956) {Prestige 50th Anniversary 20-bit K2 Edition}

Sonny Rollins - Plus 4 (1956) {Prestige 50th Anniversary 20-bit K2 Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 115 Mb | MP3 @320 -> 70 Mb
Full Artwork @ 300 dpi (jpg) -> 21 Mb | 5% repair rar
© 2002 Prestige / Fantasy | PRCD-7038-2 | 20-bit K2
Jazz / Hard Bop / Mainstream Jazz / Saxophone

One of the true monumental figures of jazz who is still vibrantly recording and performing, Sonny Rollins was still an upstart tenor saxman in 1956 when he delivered Plus Four, a classic date with the Clifford Brown-Max Roach Quintet (of which he was a member). About the session, which featured Brown in one of his last recording dates, liner note writer Ira Gitler points out, "Within the overall empathy of Brown/Roach were interior connections: Roach, a master soloist himself, with all the soloists; and the bonding of Rollins and Brown."
John Coltrane - Coltrane (1957) {Prestige 50th Anniversary 20-bit K2 Edition}

John Coltrane - Coltrane (1957) {Prestige 50th Anniversary 20-bit K2 Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 156 Mb | MP3 @320 -> 91 Mb
Full Artwork @ 300 dpi (jpg) -> 24 Mb | 5% repair rar
© 2001 Prestige / Fantasy | PRCD-7105-2 | 20-bit K2
Jazz / Hard Bop / Saxophone

On his first session as a bandleader, tenor saxophonist John Coltrane is joined by Johnny Splawn on trumpet, Sahib Shihab on baritone sax, and a rhythm section of bassist Paul Chambers and drummer Albert "Tootie" Heath with piano duties split between Mal Waldron and Red Garland. Right out of the gate, the propulsive syncopated beat that drives through the heart of Coltrane's fellow Philly denizen Calvin Massey's "Bakai" indicates that Coltrane and company are playing for keeps. Shihab's emphatic and repetitive drone provides a manic urgency that fuels the participants as they weave in and out of the trance-like chorus.
Hampton Hawes Quartet - All Night Session Vols. 1-3 (1956) [2CD] {Japan Victor Mini LP 20-bit K2}

Hampton Hawes Quartet - All Night Session Vols. 1-3 (1956) [2CD] {Japan Victor Mini LP 20-bit K2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 751 Mb | MP3 @320 -> 295 Mb
Full Artwork @ 300 dpi (jpg) -> 21 Mb | 5% repair rar | 20-bit K2 super coding
© 2001 Contemporary Records / Victor Japan | VICJ-60782~3
Jazz / Bop / Hard Bop / Piano

A Japanese reissue of this terrific session which was originally released on three LPs. It's beautifully remastered in 20-bit K2 super coding and contains one track not on any of the original LPs. Originally issued on three LPs, the music resulting from Hampton Hawes' All Night Session! was stereophonically recorded for the Contemporary label in Los Angeles on the night of November 12 and into the morning of November 13, 1956. This session transcended the conventions of studio production by moving steadily from one tune to the next like a live gig with no alternate takes.
Lee Morgan - Infinity (1965) {Blue Note Japan 20-bit Remaster, TOCJ-1627}

Lee Morgan - Infinity (1965) {Blue Note Japan 20-bit Remaster, TOCJ-1627}
EAC rip (secure mode) | IMG, FLAC+CUE+LOG -> 283 Mb | MP3 @320 -> 98 Mb
Full Artwork @ 300 dpi (jpg) -> 34 Mb
© 2000 Blue Note Japan / Toshiba-EMI | TOCJ-1627
Jazz / Hard Bop / Trumpet

Unlike some labels, Blue Note doesn't need to cobble together alternate takes, false starts or second-rate sessions to put out previously unheard material. With prolific artists like Morgan, the label recorded more than they could ever practically issue in any given year. As a result, over thirty years later, sessions like INFINITY surface. Like many other Morgan albums from the same period, it features Jackie McLean on alto and Billy Higgins on drums, compositions by Morgan (and one by McLean), and was recorded in one day at Van Gelder studios. In other words, it was conceived as a real release from the outset.
Creedence Clearwater Revival (1968) [2002, Japan, 20 Bit K2 Remasters, VICP-62071]

Creedence Clearwater Revival (1968) [2002, Japan, 20 Bit K2 Remasters, VICP-62071]
Rock | EAC Rip | Flac (Image) + Cue + Log | MP3 CBR 320Kbps | 8 Tracks
Covers Included | Victor | VICP-62071 | ~230 + 82 Mb | 3% recovery | HF, Filesonic

Released in the summer of 1968 – a year after the summer of love, but still in the thick of the Age of Aquarius - Creedence Clearwater Revival's self-titled debut album was gloriously out-of-step with the times, teeming with John Fogerty's Americana fascinations. While many of Fogerty's obsessions and CCR's signatures are in place – weird blues ("I Put a Spell on You"), Stax R&B (Wilson Pickett's "Ninety-Nine and a Half"), rockabilly ("Susie Q"), winding instrumental interplay, the swamp sound, and songs for "The Working Man" – the band was still finding their way…