20 Bit Brubeck

The Move - Move (1968) {1998/2001, 20-bit K2 Super Coding Remaster, Japan}

The Move - Move (1968) {1998/2001, 20-bit K2 Super Coding Remaster, Japan}
EAC Rip | WV (Img) + Cue + Log ~ 451 Mb | MP3 CBR320 ~ 193 Mb
Scans Included (JPG, 300 dpi) | RAR 5% Recovery
Beat, Power Pop, Art Rock, Psychedelic Rock, Rock & Roll, British Invasion
Cube Records / Victor Entertainment #VICP-61313

There's a good reason why the Move's eponymous 1968 debut album sounds like the work of two or three different bands – actually, befitting a band with multiple lead singers, there's more than one reason. First, there's that lead singer conundrum. Carl Wayne was the group's frontman, but Roy Wood wrote the band's original tunes and sometimes took the lead, and when the group covered a rock & roll class, they could have rhythm guitarist Trevor Burton sing (as they did on Eddie Cochran's "Weekend") or drummer Bev Bevan (as they did on the Coasters' "Zing Went the Strings of My Heart")…
The Move - Shazam (1970) {1998/2001, 20-bit K2 Super Coding Remaster, Japan}

The Move - Shazam (1970) {1998/2001, 20-bit K2 Super Coding Remaster, Japan}
EAC Rip | WV (Img) + Cue + Log ~ 471 Mb | MP3 CBR320 ~ 181 Mb
Scans Included (JPG, 300 dpi) | RAR 5% Recovery
Freakbeat, Hard Rock, Psychedelic Rock, Progressive Rock
Cube Records / Victor Entertainment #VICP-61314

Shazam is the second studio album by English rock band the Move, released in February 1970 by Regal Zonophone. The LP marked a bridge between the band's quirky late '60s pop singles and the progressive, long-form style of Roy Wood's next project, the Electric Light Orchestra. It was the last Move album to feature the group's original lead vocalist, Carl Wayne. The Move, from Birmingham, England, are a British rock band of the late 1960s and the early 1970s. They scored nine Top 20 UK singles in five years…
Tina Turner - Private Dancer (1984) {XRCD, JVC 20-bit K2 Super Coding System}

Tina Turner - Private Dancer (1984) {XRCD, JVC 20-bit K2 Super Coding System}
EAC Rip | FLAC (Img) + Cue + Log ~ 313 Mb | MP3 CBR320 ~ 106 Mb
Scans (JPG, 300 dpi) ~ 31 Mb | RAR 5% Recovery
Pop, Rock, Soul | Capitol Records / JVC #JVCXR-0044-2

In 1984, a 45-year-old Tina Turner made one of the most amazing comebacks in the history of American popular music. A few years earlier, it was hard to imagine the veteran soul/rock belter reinventing herself and returning to the top of the pop charts, but she did exactly that with the outstanding Private Dancer. And Turner did so without sacrificing her musical integrity. To be sure, this pop/rock/R&B pearl is decidedly slicker than such raw, earthy, hard-edged Ike & Tina classics as "Proud Mary," "Sexy Ida," and "I Wanna Take You Higher." But she still has a tough, throaty, passionate delivery that serves her beautifully on everything from the melancholy…
Miles Davis - Blue Moods (1955) {Reissue, 20-Bit SBM Remastered} Repost

Miles Davis - Blue Moods (1955) {Reissue, 20-Bit SBM Remastered}
EAC Rip | FLAC (Img) + Cue + Log ~ 150 Mb | MP3 CBR320 ~ 65 Mb
Scans (JPG, 300 dpi) ~ 20 Mb | RAR 5% Recovery
Jazz, Hard Bop | Original Jazz Classics / Debut Records / ZYX Music #OJC20 043-2 (DEBUT-120)

In the '50s, the party line among New York jazz critics was that hard bop was the "true faith" and that cool jazz was lightweight and unemotional. But Miles Davis knew better. The trumpeter (whose Birth of the Cool sessions of 1949-1950 proved to be incredibly influential) was smart enough to realize that cool jazz and hard bop were equally valid parts of the house that Charlie Parker built, and he had no problem working with cool jazzmen one minute and hard boppers the next. Recorded for Charles Mingus' Debut label in 1955, Blue Moods is an excellent example of cool jazz…
Tom Coster - The Forbidden Zone (1994) {JVC 20-bit K2 Super Coding System}

Tom Coster - The Forbidden Zone (1994) {20-bit K2 Super Coding System}
EAC Rip | FLAC (Img) + Cue + Log ~ 427 Mb | MP3 CBR320 ~ 144 Mb
Scans (JPG, 600 dpi) ~ 55 Mb | RAR 5% Recovery
Crossover Jazz, Fusion | JVC #JVC-2040-2

For this excellent outing (his third project for JVC), keyboardist Tom Coster performs 11 originals plus "Lover Man." Although his fusion-oriented music is full of funky ensembles, there is more variety than expected. Coster shares the solo space with tenor saxophonist Bob Berg, and the fiery guitarist Scott Henderson, creating a colorful and sometimes unpredictable program of music.
Abbey Lincoln - Abbey Is Blue (1959) {Riverside 20-bit K2 Remaster Limited Edition}

Abbey Lincoln - Abbey Is Blue (1959) {Riverside 20-bit K2 Remaster Limited Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 217 Mb | MP3 @320 -> 92 Mb
Full Artwork @ 300 dpi (jpg) -> 25 Mb | 5% repair rar
© 1959, 2005 Riverside / Fantasy / Concord | RITB-1153-2 | 20-bit K2 remaster | LP RLP 12-308
Jazz / Vocal Jazz / Standards

This edition limited to 10,000 copies and 20-Bit K2 Super Coding. Abbey Lincoln's third of three Riverside albums directly precedes her more adventurous work with drummer (and then-husband) Max Roach. With fine backup from trumpeter Kenny Dorham, pianist Wynton Kelly, Les Spann (doubling on guitar and flute), bassist Sam Jones, and drummer Philly Joe Jones) on seven of the ten numbers, and by Roach's regular quintet at the time on the other three selections, Lincoln is quite emotional and distinctive during a particularly strong set. Highlights include the first vocal version ever of "Afro-Blue," "Come Sunday," Oscar Brown, Jr.'s "Brother, Where Are You," "Softly, As in a Morning Sunrise," "Long as You're Living," and Lincoln's own "Let Up." A very memorable set.
Art Blakey's Jazz Messengers - Ugetsu (1963) {Riverside 20-bit K2 Limited Edition}

Art Blakey's Jazz Messengers - Ugetsu (1963) {Riverside 20-bit K2 Limited Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 414 Mb | MP3 @320 -> 134 Mb
Full Artwork @ 300 dpi (jpg) -> 20 Mb | 5% repair rar
© 2004 Riverside / Fantasy | RITB 9464-2 | 20-bit K2 remaster | LP RLP 464
Jazz / Hard Bop

This edition limited to 10,000 copies and 20-Bit K2 Super Coding. Ugetsu, a 1963 live set from the original Birdland, finds Art Blakey & His Jazz Messengers at the peak of their powers with one of their strongest lineups. The group primarily recorded sessions for Alfred Lion's Blue Note label, but this Riverside date is as strong as any of their previous outings. Having acquired the services of trombonist Curtis Fuller in 1961, the Messengers' front line was its most robust ever, with Wayne Shorter and Freddie Hubbard consistently turning in some of their best performances. Rounding out the rhythm section with Blakey are the equally powerful Reggie Workman and Cedar Walton.
Kenny Dorham - Quiet Kenny (1959) {Prestige 20-bit K2 Limited Edition}

Kenny Dorham - Quiet Kenny (1959) {Prestige 20-bit K2 Limited Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 274 Mb | MP3 @320 -> 100 Mb
Full Artwork @ 300 dpi (jpg) -> 42 Mb | 5% repair rar
© 2001 Prestige / Fantasy | PRCD-8225-2 | 20-bit K2 remaster
Jazz / Hard Bop / Trumpet

This edition limited to 10,000 copies and 20-Bit K2 Super Coding. In the liner notes of Quiet Kenny, former Downbeat magazine publisher Jack Maher states that trumpeter Kenny Dorham's music is not necessarily the demure, balladic, rapturous jazz one might associate as romantic or tranquil. Cool and understated might be better watchwords for what the ultra-melodic Dorham achieves on this undeniably well crafted set of standards and originals that is close to containing his best work overall during a far too brief career. Surrounded by an excellent rhythm team of the equally sensitive pianist Tommy Flanagan, emerging bassist Paul Chambers, and the always-beneficial drummer Art Taylor, Dorham and his mates are not prone to missteps or overt exaggerations.
Sonny Rollins - Way Out West (1957) {Contemporary 20-bit K2 Limited Edition}

Sonny Rollins - Way Out West (1957) {Contemporary 20-bit K2 Limited Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 467 Mb | MP3 @320 -> 168 Mb
Full Artwork @ 300 dpi (png) -> 37 Mb | 5% repair rar
© 2000 Contemporary / Fantasy | CCD-7530-2 | 20-bit K2
Jazz / Bop / Hard Bop / Saxophone

This edition limited to 10,000 copies and 20-Bit K2 Super Coding. Contemporary's 2000 re-release appended three bonus tracks, all of them alternate takes. A classic set that brings the east coast tenor of Sonny Rollins into contact with a west coast rhythm section of Ray Brown and Shelly Manne! Despite Rollins' silly look on the cover, and the album's overall "western" theme, the session's a brilliant one – right up there with Sonny's strongest trio sides of the late 50s, and a key link in a string of excellent recordings for Blue Note, Prestige, and Riverside! The lack of a piano really opens up the style of the set – letting Sonny explore freely on his solos, while Brown's bass and Manne's drums do more than enough to keep the rhythms going on their own. Solos aren't as "out" as on the Village Vanguard sessions, but certainly every bit as inspired – and titles include "I'm An Old Cowhand", "Solitude", "Come, Gone", "Way Out West", and "Wagon Wheels".
Charlie Byrd - Bossa Nova Pelos Passaros (1962) {Prestige-Riverside 50th Anniversary 20-bit K2 Edition}

Charlie Byrd - Bossa Nova Pelos Passaros (1962) {Prestige-Riverside 50th Anniversary 20-bit K2 Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 279 Mb | MP3 @320 -> 109 Mb
Full Artwork @ 300 dpi (jpg) -> 37 Mb | 5% repair rar
© 2002 Riverside / Fantasy | RCD-9436-2 | 20-bit K2
Jazz / Bop / Bossa Nova / Brazilian Jazz / Guitar

In one of those fascinating twists that add to the magic of jazz, it was a mild-mannered, non-exotic. Virginia-born wizard of (primarily) the acoustic guitar who spearheaded the early-Sixties onslaught of bossa nova on the music scene of this country. Charlie Byrd, fascinated by this Brazilian music while on a South American tour, became its most ardent advocate here. He first joined with Stan Getz for a trend-setting LP and then moved on to his own big hit with this Riverside album, highlighted by the best-selling, with-strings version of Antonio Carlos Jobim's "Meditation."