Fantastic! This is one of Sonny Criss' masterworks, and an amazing tribute to the LA jazz underground of the 60's. Horace Tapscott composed and arranged all of the tracks on here, and they form a beautiful, soulful, suite that gives Criss a perfect backdrop for his meaningful solos. The work is fantastic, and every moment falls perfectly in line. Haunting stuff that we never tire of listening to, and which we can't recommend highly enough!
This sparkling suite for violin and piano came into being when the composer had to adapt his incidental score for a production of Shakespeare's play to the impending absence of the chamber orchestral. The result is a brilliant piece for violin and piano, which the composer quickly released in a four-movement version. There are other recordings of the chamber orchestra suite in five-movements that duplicate only three of the movements of this version. Violinist Gil Shaham and pianist André Previn are ideal partners in this brilliant performance. The four movements allow Shaham to show four sides of his violinist's personality: He skips and plays in carefree fashion in the opening movement, indulges in the grotesquery and parody of the second, gets to play the romantic in the garden scene of the third movement, and dazzles with virtuosity in the final hornpipe. Previn's part is more than mere accompaniment; the piano often has a large part of the mood of the music and his contribution is, to use a word already employed here, ideal.
A treasure trove of previously unreleased material, this brings together 25 new tracks, all recorded between 1953 and 1957. Only two songs, "Heaven on My Mind" and "I'm Going Through," were ever released in any form, but the quality of the material is certainly as high as any of their early sides. Here's one of gospel's greatest groups, singing their hearts out in their absolute prime.
Les études scientifiques contemporaines révèlent que si seulement 2 % des adultes perçoivent des voix ou ont des visions, ils seraient 10 à 15 % chez les enfants, pour lesquels ces voix et apparitions ne sont généralement pas un problème. …
Klaus Gesing, Bjorn Meyer, Samuel Rohrer: Amiira The trio of Swiss drummer & percussionist Samuel Rohrer, Swedish bass guitarist Björn Meyer and German reedsman Klaus Gesing first came together in 2013 when they released their only previous recording, open_source_music. Before they joined forces, each of the three had had years of experience on the road playing various styles of music. On coming together, their stated intention was to dissolve the borders between improvisation and composition, with the music on that debut recording demonstrating that they lived up to that intention.