Strange Cargo III (1993). Strange Cargo III is the fourth album by electronic instrumentalist William Orbit. The album matches elegant sequencer trance and understated organic instruments (piano, guitar) with ethnic-fusion and soft house rhythms. It's the only Strange Cargo record featuring vocals, with Beth Orton making an early appearance (more earth mother than neo-folky) on the beautiful ambient-trance single "Water From a Vine Leaf." "Into the Paradise" and "The Story of Light" are variations on the same form, while Orbit borrows from hip-hop and dub for "Time to Get Wize," with the toasting of Divine Bashim. While still tied to the '80s Fourth World aesthetic of its predecessors, on Strange Cargo III Orbit begins moving toward a more completely electronic form of music in keeping with the productions of his Guerilla label…
Pianist Marita Viitasalo’s solo album on Ondine is a program focused on works by Claude Debussy (1862–1918). Préludes, Book II was composed during 1912–13 and represent the composer’s late style. Suite bergamasque, published in 1905, is one of the most well-known pieces in classic piano literature. It inclundes Claire de lune, possibly Debussy’s most famous piano piece. Marita Viitasalo studied first under Professor Timo Mikkilä in Helsinki. She continued her studies in Rome (Rodolfo Caporali) and in Vienna (Dieter Weber). Viitasalo is award-winning concert pianist and respected accompanist who has performed, among others, in Vienna, Salzburg, Berlin, Paris, London, Edinburgh and New York.
Samuel Scheidt (baptized November 3, 1587 – March 24, 1653) was a German composer, organist and teacher of the early Baroque era. Samuel Scheidt published 4 collections entitled Ludi Musici between 1621 & 1627, whereas only the first publication (from which the present program is taken) survives complete. Scheidt continues to be the most significant of the early North German instrumental composers.
In many ways this is a special recording. It features first-desks from the Chicago Sym. playing two of Bach's Brandenburg Concertos, and so far beyond the average Baroque ensemble are they that one yearns for the other four. Just to hear the amazing trumpet solos in Concerto no. 2 by the legendary Adolph Herseth repays the cost of the CD. But we also get James Levine doing double duty at the harpsichord in Concerto no. 5. One deficit from the rise of period performance is that non-specialists have been driven out. The days when an all-around musician like Levine or Leonard Bernstein performed Bach and Handel are more or less over, and their replacements, to be tactful, are not on such an exalted level of talent…. By Santa Fe Listener