Sparks' 12th album got off to the best possible start when the first single, "Cool Places," a breakneckedly breezy duet with the Go-Go's' Jane Wiedlin, spun off to become the Mael brothers' first ever Top 50 hit in their American homeland. It would also be their last, but an entire generation of new fans arose regardless to pursue the siblings through both their future convolutions and their past ones too. In Outer Space's almost ruthless distillation of all that had gone before was, then, an ideal place for them to start. Like the duo's Giorgio Moroder era, In Outer Space represented a creative rejuvenation that its immediate predecessors had scarcely dared hint at…
Angst in My Pants is the eleventh studio album by the American rock band Sparks. Angst in My Pants marked the second occasion that Ron Mael and Russell Mael worked with the backing band of guitarist Bob Haag, bassist Leslie Bohem, and drummer David Kendrick. Additionally James Goodwin augmented the line up playing synthesizers, though these were mixed farther back, letting the rest of the band come to the fore. The resulting power pop album was recorded at Musicland Studios, Munich, produced by Mack in association with Giorgio Moroder Enterprises. The recording of the album was the second and last time that Sparks worked with Mack.
Whomp That Sucker is the tenth album by the American rock band Sparks, released in 1981. Sparks had recorded No. 1 In Heaven and Terminal Jive with Giorgio Moroder. Both had been relatively successful, but the brothers had found the electronic equipment they had adopted for their new sound too cumbersome to tour with. Whomp That Sucker was recorded without Giorgio Moroder at Musicland Studios, Munich in association with Giorgio Moroder Enterprises. The next four albums were recorded as part of the same partnership. The album marked Sparks return proper to a rock sound after their previous two disco efforts. To complement the Mael Brothers the backing band Bates Motel was hired.
Terminal Jive is the ninth album by the American rock band Sparks and the second recorded with Giorgio Moroder. The album has a disco-vibe like its predecessor but featured fewer synthesizers, opting instead for more electric rock guitar, resulting in a new wave sound. The album was produced by Moroder and Harold Faltermeyer, the latter of whom is claimed to have produced the majority of the album. Sparks scored a massive hit single in France with "When I'm With You", which led to them staying in the country for a year promoting the album.
Brothers Ron and Russell Mael from Los Angeles, USA have been making diverse music since 1969 under various incarnations of Sparks. In 1979 they ditched the guitars and keyboards of glam geek rock and started working with Italian producer Giorgio Moroder, beginning a love affair with electronic music. Since then they have worked with a variety of people including Finitribe, Les Rita Mitsouko, Erasure and Faith No More. No. 1 in Heaven is the eighth album by the American rock band Sparks. Recorded with disco producer Giorgio Moroder, it marked a change of musical direction for the group and became influential on later synth-pop bands.
In 1969, legendary psychedelic/early progressive rock band Baba Scholae recorded an album at IBC Sound Recording Studios in London - however, it was never officially released. The band's leader was Jean-Yves Labat de Rossi, better known as M Frog, the synth and keyboard maestro on Todd Rungren's early Utopia albums and coincidentally, the founder of the Ad Vitam label. Only three copies (acetates) of 69 where made, but the album's cult following lasts to this day. Often compared to the work of King Crimson, Pink Floyd, Soft Machine and Gong, Baba Scholae's 69 is truly a ''lost and found again'' masterpiece with music that was years ahead of its time. For a gem like this to have been buried for 43 years is nothing short of extraordinary.
A transitional album on which the band moved from Syd Barrett's relatively concise and vivid songs to spacy, ethereal material with lengthy instrumental passages. Barrett's influence is still felt (he actually did manage to contribute one track, the jovial "Jugband Blues"), and much of the material retains a gentle, fairy-tale ambience. "Remember a Day" and "See Saw" are highlights; on "Set the Controls for the Heart of the Sun," "Let There Be More Light," and the lengthy instrumental title track, the band begin to map out the dark and repetitive pulses that would characterize their next few records.
The album consists entirely of Tomita's arrangements of Claude Debussy's "tone paintings", performed by Tomita on a Moog synthesizer. It entered the top 50 charts in the United States, where it was nominated for four Grammy Awards in 1975, including best classical album of the year, and it was NARM's best-selling classical album of the year.
"Greatest Hits II" is a compilation album by the British rock group Queen, released in 1991. It reached #1 on the UK Album Chart, and is the eighth best-selling album in UK Chart history with sales of 3.7 million copies as of 2009, and has sold 16 million copies worldwide.
The compilation contains most of Queen's European hits from 1981 to 1991. It was released less than a month before the death of vocalist Freddie Mercury and was the last Queen release of any kind while he was still alive.