P. I. Tchaikovsky is considered to be Russia’s great symphonic composer. In his music he achieved a synthesis of the national musical language of Russia and the compositional forms of the western European Romantics. His most famous ballets enjoy a position of honor in the Classical Ballet repertoire on account of their melodic intensity and instrumental brilliance. In the fairy tale “The Nutcracker and the King of the Mice” written by the German Romantic E. T. A. Hoffmann and published in 1814, on which Tchaikovsky’s ballet is based, Christmas provides the realistic setting for a fantastic plot. Fiction and reality are woven together by means of strange and wondrous occurrences to produce a fascinating and unfathomable labyrinth. Both Hoffmann and Tchaikovsky, who began to compose the ballet in his fiftieth year, could identify with the literary figure of the watchmaker Drosselmeier, who gives order to his life through his work. In 1999, exactly 107 years – to the day – after the first performance in St. Petersburg, Patrice Bart’s choreography of Tchaikovsky’s worldwide success The Nutcracker was premiered at the Staatsoper Unter den Linden in Berlin. Bart placed a prologue before the ballet in which Marie is abducted as a child and in which everything is placed in a modern context.
Un homme vole l’identité d’un inconnu.
La vie de Baptiste Bordave, une vie morose et banale, va soudainement changer quand, un jour, un homme sonne chez lui pour téléphoner…
Chopin's two piano concertos have long been admired more as pianistic vehicles than as integrated works for piano and orchestra. But in his revelatory new recording, Krystian Zimerman suggests otherwise: The opening orchestral tuttis have so much more light, shade, orchestral color, and detail, you wonder if they've been rewritten. Every gesture, every instrumental solo is so specifically characterized that by the time the piano makes a dramatic entrance, the pieces have become operas without words.
The Very Best of Adam And The Ants is a greatest hits compilation album. It includes songs from Adam and the Ants & Adam Ant's solo works, with all their hits and pop faves, like "Stand & Deliver", "Dog Eat Dog", "Prince Charming", "Goody Two Shoes", "Puss N Boots", "Friend Or Foe" and many more. 22 tracks.
Prince 4Ever will bring together 40 of PRINCE’s best-loved songs, including the hits “When Doves Cry,” “Let’s Go Crazy,” “Kiss,” “Little Red Corvette,” “Purple Rain,” “Raspberry Beret,” “Sign O’ The Times,” “Alphabet Street,” “Batdance,” and “Cream.” Prince 4Ever includes “Moonbeam Levels” – a previously unreleased song originally recorded in 1982 during the "1999" sessions and later considered for the never released "Rave Unto The Joy Fantastic" album. Prince 4Ever will also arrive with a 12-page booklet of never-before-seen photos by photographer Herb Ritts.
The unexpected death of Prince has shook the musical world, not only because of dying at an early age, but mostly, because we have lost one of the greatest talents of pop culture of the last 50 years. The Many Faces Of Prince is a heartfelt tribute to his work, and shows the lesser known facets of his career, like his beginnings as part of the funk group 94 East. You will also find his songs in versions performed by pop stars like The Art Of Noise, Ice T, Gary Numan and Sheila E. Finally, the Many Faces also takes a tour through his influences. The Many Faces Of Prince is a compendium of fantastic music that will delight not only fans of the artist but also anyone who wants to dive into the legacy of one of the greatest artists of our time.
This is the only release without Charles Rytkönen and Tony Eriksson. The style is traditional Metal/hard rock and the album is not recognised by the present incarnation of Morgana Lefay.