Stan Getz was such a consistent performer and had such a beautiful tone that nearly all of his recordings are well worth getting. The two radio appearances heard on this 1997 CD are even on a higher level than normal. Joined by pianist Kenny Barron, either Ray Drummond or Yashuito Mori on bass, and drummer Ben Riley, Getz is heard at the peak of his powers on a pair of obscurities (Kenny Barron's "Feijada" and Gigi Gryce's "Stan's Blues") and six numbers (including "Voyage," "Blood Count" and "Warm Valley") that he recorded numerous times. To hear Getz adding even more beauty to Mal Waldron's already gorgeous "Soul Eyes" is a memorable experience.
This, the third Glass Hammer release, was originally a limited edition run of 1000 copies for the real fanatics who simply couldn’t wait for the next full length GH epic. Featuring live rehearsal tracks from “Perelandra” and “Journey of the Dunadan” as well as unrecorded material from the period just after “Journey of the Dunadan” was released, the album has an irreverent, carefree feel to it and features scorching playing from all concerned.
Like a majority of up-and-coming British bands of the 1960s, the Zombies made nearly two dozen BBC Light and Radio 1 transmissions between the fall of 1964 and the spring of 1968. The 29 cuts hail from a variety of those programs. In many cases their alternate persona as a consummate and immensely soulful cover combo is likewise illuminated…
Hong Kong pop diva Anita Mui was one of the most beloved stars in Asia, selling over ten million albums of songs sung in Cantonese, Mandarin, and Japanese.
It should come as no surprise that the music you listen to as a teenager echoes through your neurological pathways more than any other. Teenage music just means so much - it helps you figure out who you are and who you want to become. You listen to the same things over and over while feeling serious feelings.
Twelve years after they released their first Merle Haggard box, The Untamed Hawk, Bear Family delivered the sequel, Hag: The Studio Recordings 1969-1976. This picks up where The Untamed Hawk left off, which is more of a musical dividing point than it initially seems. If The Untamed Hawk caught Haggard as he was reaching full flight, Hag captures him in his prime, as every single he released reached the Country Top Ten – often capturing the number one slot – and as he sometimes crossed over into the pop Top 40. Hag was without a doubt the biggest star in country music but the remarkable thing about his reign at the top was that he never played it safe.