Whether it was singing with Big Brother And The Holding Company or with her Full Tilt Boogie Band, Janis Joplin had one of the most identifiable, most emotional and most soulful voices ever recorded. Coming to San Francisco from Texas in 1966, Janis soon had the music world’s total attention, simply blowing the audience away at Monterey in 1967 while fronting Big Brother and gaining a record deal with Columbia Records in the process. After that, it was hit after hit with songs like her signature Piece Of My Heart, Cry Baby, and her Number One take of Kris Kristofferson’s present day standard Me And Bobby McGee, all included here. Through it all, Janis Joplin established herself as one of the very best and one of the most important singers and song interpreters ever to hit the music scene.
The 40 tracks compiled on this two-disc set represent the entire span of pianist and singer Leroy Carr's recording career that spanned a brief seven years, from 1928-1935. The material represented here – all but one of these tracks were recorded for the Vocalion label – features accompaniment by guitarist Scrapper Blackwell on all but one selection, and Josh White on a handful as well. Carr's material here ranges from the classic piano blues of the era that spawned Ma Rainey and Bessie Smith to vaudeville and hokum tunes made popular by artists like Tampa Red and Georgia Tom. Carr's voice is the haunting thing here; it's higher and very clear, sweet almost, as evidenced by most of these sides. But there was an edge, too; one that belied a kind of pathos underneath even the most cheery material – check "Mean Mistreater Blues" or "Bread Baker." But the darker material such as "Suicide Blues" (one of six previously unissued performances), "Straight Alky Blues," or "Shinin' Pistol," is strange and eerie given Carr's smooth approach. Carr may not be the most well-known bluesman of the era, but his contribution is profound and lasting. This collection puts to shame almost all others with the exception of the multi-volume complete recordings on Document.
A 32-track retrospective that'll make fans of this band's unique pop/jazz/rock sound so very happy! Every hit single is here- You've Made Me So Very Happy; And When I Die; Spinning Wheel; Hi-De-Ho; Lucretia MacEvil; Go Down Gamblin'; Lisa, Listen to Me; So Long Dixie; Got to Get You into My Life , etc.-plus key album tracks and two unreleased cuts that trace this band's career from the early Al Kooper days on. Notes, rare photos, complete discography and personnel info rounds out this long-overdue collection.
Nellie Lutcher was at the peak of her fame during her period with Capitol (1947-1951). A fine swing-based pianist, Lutcher was best known for her unique vocal style, which included witty asides that often sounded spontaneous. This well-conceived CD has 18 of her recordings from 1947 and one apiece from 1949-1951. Highlights include "Hurry on Down," "The One I Love Belongs to Somebody Else," "He's a Real Gone Guy," "Chi-Chi-Chi Chicago," "The Song Is Ended," "Fine Brown Frame," and two previously unissued numbers. With sympathetic and swinging backing from various guitarists (including Ulysses Livingstone and Irving Ashby), bassists, and drummers, the spotlight is on Nellie Lutcher throughout. This highly recommended disc is easily her definitive CD.
An icon of flower power who emerged as a folksinger but later gained hits like "Sunshine Superman" with bright psychedelic pop. Upon his emergence during the mid-'60s, Donovan was anointed "Britain's answer to Bob Dylan," a facile but largely unfounded comparison which compromised the Scottish folk-pop troubadour's own unique vision. Where the thrust of Dylan's music remains its bleak introspection and bitter realism, Donovan fully embraced the wide-eyed optimism of the flower power movement, his ethereal, ornate songs radiating a mystical beauty and childlike wonder; for better or worse, his recordings remain quintessential artifacts of the psychedelic era, capturing the peace and love idealism of their time to perfection. The Very Best Of includes all of the Scottish folk rocker's biggest smashes. Features 'Mellow Yellow', 'Sunshine Superman', 'Hurdy Gurdy Man', 'Jennifer Juniper', 'Riki Tiki Tavi' & much more.
Hailing from the Cote d'Ivoire, Alpha Blondy is among the world's most popular reggae artists. With his 12-piece band Solar System, Blondy offers a reggae beat with a distinctive African cast. Calling himself an African Rasta, Blondy creates Jah-centered anthems promoting morality, love, peace, and social consciousness. With a range that moves from sensitivity to rage over injustice, much of Blondy's music empathizes with the impoverished and those on society's fringe. Blondy is also a staunch supporter of African unity, and to this end, he sings to Moslem audiences in Hebrew and sings in Arabic to Israelis. Some of his best-known songs include "Cocody Rock," "Jerusalem," and "Apartheid Is Nazism."
One of the best collections of Indian Vocal Music ever. Some rare and hard to find tracks and musicians are included in this very large disc set - 14 discs in total. The inlays within the pack provide song track details as well as the history of each musician. For anyone wishing to gain an insight into the Classical tradition, this is one of the best collections to start with. Saregama is proud to present this premium pact of 14 CDs that is a labor of respect and adulation. Comprising of vocal music spread over 108 years. The next step was to then select the 100 artistes featured herein over 135 tracks, their Gharanas their Gayakis and the Guru Shishya Parampara imbibed by them. This pack gives connoisseurs a glimpse of the creativity of performing artistes their methodologies their thinking patterns and how & why their signature styles also been artistes of repute with a prowess of their own.
Mirroring his onetime boss and mentor Miles Davis' own protean output, Herbie Hancock has explored hard bop, soul-jazz, fusion, funk-rock, soundtracks, hip-hop-inflected pop ("Rockit"), and many permutations in between. His early work for Blue Note, though, offers the best entrée for newcomers. Compiled from five of his albums for the label and covering a period from 1962-1968, this fine sampler includes highlights from his debut, Takin' Off ("Watermelon Man"), the classic Maiden Voyage (the title track and "Dolphin Dance"), and the early electric album Speak Like a Child (the title track and "Riot"). Add to this more indelible cuts like "Cantaloupe Island" and "One Finger Snap," not to mention the presence of numerous '60s jazz luminaries (Dexter Gordon, Freddie Hubbard, Thad Jones, Hank Mobley, Billy Higgins, et al.), and you have perfect way to get a taste of some of the best modern jazz committed to wax.
Sandra Ann Lauer, commonly known under her stage name Sandra is a German pop singer, who enjoyed a mainstream popularity in the 1980s and early 1990s with a string of European hit singles, produced by her then-husband and musical partner, Michael Cretu, most notably "(I'll Never Be) Maria Magdalena" (1985), "In the Heat of the Night" (1985), "Everlasting Love" (1987), "Secret Land" (1988), "Hiroshima" (1990) and "Don't Be Aggressive" (1992). Her albums Into a Secret Land (1988) and Close to Seven (1992) have won Sandra high critical acclaim. During the height of her popularity, she even managed to outsell Madonna in a number of countries around the world. With sales in excess of 30 million records worldwide, Sandra has established her position as the most successful German disco/pop female vocalist.