1995 Mr Moonlight

Mr. Moonlight is the eighth studio album by American rock band Foreigner, released in 1994. The album was the first full-length release with original singer Lou Gramm since 1987's Inside Information. (Gramm had left the band in 1990, but re-joined in 1992.) Prior to recording this album, Gramm also sang lead on three newly recorded tracks on Foreigner's 1992 best-of compilation…

While quite a few arena rock acts of the '70s found the transformation into the '80s quite difficult, several acts continued to flourish and enjoyed some of their biggest commercial success: Journey, Styx, REO Speedwagon, and especially Foreigner. Foreigner's leader from the beginning has been British guitarist Mick Jones, who first broke into the music biz as a "hired gun" of sorts, appearing on recordings by George Harrison and Peter Frampton, and as part of a later-day version of hard rockers Spooky Tooth.

Although punk rock's furious revolution threatened to overthrow rock's old guard in 1977, bands like Foreigner came along and proved that there was plenty of room in the marketplace for both the violent, upstart minimalism of punk and the airbrushed slickness of what would be called "arena rock." Along with Boston, Journey, Heart, and others, Foreigner celebrated professionalism over raw emotion…

With over 50 million sales to their name, and six multi-platinum albums between 1977 and 1987, Foreigner's place as one of the front-runners of the AOR genre is hard to dispute…

One of the great cycles. Of the hundred or so available recorded cycles (out of about one hundred and fifteen or so), this rates as one of the best. In better sound than either the DG stereo cycle and the live King International cycle, Kempff's style is more poetic and less intense and fiery than others. Whatever Kempff may give away in terms of speed, power, and precision, he makes up for in other ways

Dreams are an essential part of the musical world. Despite having been firmly involved in Sweden's highly fertile prog rock scene in the '70s, Roine Stolt (Kaipa, The Tangent, Transatlantic) was still harbouring dreams of maximum creative fulfilment when he arrived in the '90s, guitar in hand and a head full of sublime musical ideas. The end-result was a solo album, 'The Flower King', which struck such a resounding chord with a small but growing number of prog fans around the planet. It also proved to be one of a handful of albums that helped to kick-start and underpin a worldwide resurgence for adventurous, symphonic rock music that is still gaining momentum over two decades later…