It might be tempting to dismiss this Ralph Towner effort as New Age fluff, but the music is so gorgeous that any such considerations fall to the wayside. Yet the wayside is precisely where Towner sets his sights, which is to say that his interest lies in edges where musical idioms meet. He explores these lines, not unlike the blotted cover, with an ease of diction at the fret board that is recognizable and comforting. Drummer Peter Erskine shares the bill, but Towner adds a few synth touches for broader effect, as in “The Sigh,” which opens the session in a cleft of fluid energy.
Trumpeter Dave Douglas has participated in so many styles of music that listing them all would be mesmerizing. Some of his best work has been performed in free style and hard bop jazz groups. Here, he charts a different path, albeit one that he has pursued successfully before, in a mellow, lovely vein. Douglas is the only horn, backed by Guy Klucevsek's eclectic accordion, Mark Feldman's gloriously sweet violin, and Greg Cohen's acoustic string bass. With some exceptions, the dynamics are generally low, the tempos slow, and the mood serene. There is almost a post-minimalism to it all, capped by the exquisite sound of Douglas' trumpet.