His album, originally released in 1980, perfectly captures both the searing electric and raw acoustic blues stylings of the legendary John Hammond. His close-to-the-bone vocals, masterful fingerstyle and slide guitar, and piercing harmonica keep the flame alive on this collection of blues roots classics by Willie Dixon, Muddy Waters, Howlin' Wolf and Robert Johnson.
Gabriel Faure (1845-1924) inhabits a "sound world" uniquely his own: moody, harmonically complex, sometimes neurotically so, melodically elusive. Less readily accessible than either of his French contemporaries, Debussy and Ravel, Faure's chamber music, nonetheless, is infinitely rewarding and certainly should be more widely recorded and available.
This remarkably rich offering of Faure's only two piano quartets (in C Minor, Op. 15 and G Minor, Op. 45) will, no doubt, go a long way in re-energizing interest in this coupling of the composer's most "popular" ensemble works.
“Dark Endless”, MARDUK’s legendary 1992 debut album celebrates its 25th anniversary with the release of a limited CD with remastered sound, liner notes by the band as well as the ultra-rare “Here’s No Peace” demo.
Sabbath and Dio were dealing with a dwindling fan base, unsuccessful albums, and a longstanding creative rut when they decided to reunite the Mob Rules lineup. In a perfect world, they would have created a monster of an album and shot back into the limelight with a vengeance…
Otis Rush's crunching guitar and vocals were never more emphatic than during the '70s when it seemed that he would actually find the pop attention and mass stardom he deserved. These mid-'70s tracks were originally cut for the Black and Blue label, with Rush playing grinding, relentless riffs and creating waves of sonic brilliance through creatively repeated motifs, jagged notes, and sustained lines and licks, while hollering, screaming, moaning, and wailing. Jimmy Dawkins, an outstanding lead artist in his own right, has also long been one of Chicago's great rhythm artists and shows it by adding plenty of tinkling, crackling figures and lines in the backgrounds. While not as consistently riveting as his live Evidence date, this one is also a valuable Rush document.