Originally released in 1985, R.E.M.'s 3rd album, Fables of The Reconstruction peaked at #28 on the Billboard charts and spawned two hit singles, Can t Get There From here and Driver 8. Breaking with their tradition of recording in Athens GA, the band recorded in England with producer Joe Boyd. This 25th Anniversary Edition features the classic album digitally remastered. The bonus disc is a complete run thorugh of the album done in studio in Athens, before the band left for London for the actual recording sessions. These demos have never before been released and feature three additional tracks, not on the final album, including "Throw Those Trolls Away, " a song the band has never released. The albums are packaged in a lift top box and include a poster and 4 postcards, as well as the CD booklet.
From the orchestrated introduction of "New America" to the closing ballad, "Born to Love You," Flim & the BB's showcase their impeccable chops. Of course, great musicianship does not necessarily result in great, or even good, music; but Big Notes is overflowing with good music and immaculate production. "Boogie Palace" and "Atosha" are highlights among the 11 tracks. A sense of humor also helps to make this package a big noteworthy success.
This is the Atlanta Symphony Orchestra conducted by Louis Lane 'Respighi: Pines of Rome; The Birds; Fountains of Rome' released on Telarc Records in 1985.
A great lost chapter in the career of organist Lonnie Smith — a session recorded in the 80s, but done with the simple straightforward soul jazz groove of earlier sides on Muse and Prestige ! Lonnie's working here in a loose and free trio format — with Melvin Sparks on guitar and the great Alvin Queen on drums — rolling out over longish tracks in an open-ended style that almost recalls more of the feel of Don Patterson's great organ trio sides than it does the heavier funk of Smith's early years. The recording quality is great — very faithful to the best tones of the Hammond.
Very Rare 1985 release by the legendary Don Cherry. The connection between the spacey jazz trumpet of Don Cherry, and the later urban funk of his daughter Nenah, always seems a bit weak – until you hear this 1985 effort, which has Cherry working in a strange mix of contemporary rhythms and his older funkier styles. Cherry actually lays down vocals on a number of tracks, in a self conscious bluesy sort of way that's almost in a pomo kitschy style. The effect doesn't always work, but there's more than a few interesting moments on the LP. Titles include "Art Deco", "Call Me", "Rappin Recipie", and "Treat Your Lady Right".
God Save the King is actually a split release and/or a Robert Fripp compilation, depending on how you look at it. In 1980, Robert Fripp released something of a split disc himself, called God Save the Queen/Under Heavy Manners, consisting of a side of Frippertronics and a side of Discotronics, the latter being Frippertronics with a "dance-oriented" (according to Fripp) rhythm section. Also in 1980, Fripp formed a new group, borrowing the name from his early-'60s band, the League of Gentlemen.