Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Tenorist Harry Verbeke's a hell of a reedman – a Dutch player who's never gotten the notice he should on our side of the Atlantic, but definitely one of the shining stars of the scene in Netherlands over the past 50 years! Harry blows with a sense of soul and bite right from the very first few notes of this gem of a record – working in tight formation with pianist Rob Agerbeek – another tremendous Dutch talent – in a groove that's as soulful and fluid as the best American work of the late 60s or 70s – classic in conception, but really trying to so something new as well, and with a very personal vibe on the tenor solos. Bassist Harry Emmery rounds out the groove with this wonderful warm tone – and drummer James Martin completes the group – on stellar titles that include "Sometimes Bread", "Ladies Birthday", "Seven Steps", "Ghana", and "Off The Top".
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Intrioduction, recorded live at the North Sea Festival – on a set that features sparkling interplay between Harry Happel on piano, Koos Wiltenburg on bass, and Fred Krens on drums – a lineup that has a great balance between the strength of Happel's piano lines, and some of the more inventive roles the other musicians can play! The date was recorded by Timeless in 1982, but not issued until the mid 90s CD generation – which means there's plenty of space to present the full performance – almost 75 minutes of music, on some nicely long tracks that include "Soft Winds", "Night Child", "Jordu", "Love For Sale", "You Are The Sunshine Of My Life", "Cowboy Samba", "Summertime", and "Place St Henri".
The Mike Westbrook Orchestra's 1982 opus The Cortège, initially released as a sprawling three-disc vinyl set by Original Records (re-released on CD by Enja) and winner of that year's Grand Prix du Disque de Montreux, is an often stunning work of massive scope and an indisputable highlight of Westbrook's career. Originally commissioned by the Bracknell Jazz Festival in 1979 and subsequently performed at a number of European festivals, The Cortège is themed around the idea of a New Orleans funeral procession, from its dirges to its final exuberance, but this theme is used as a framework for excursions into territory that is pure Westbrook – namely a marriage of creative jazz orchestra and European poetry written by Federico García Lorca, Arthur Rimbaud, Hermann Hesse, William Blake, and others.
Reissue with the latest remastering. Features original cover artwork. A mighty nice set from pianist Cees Slinger – a live performance from a very hip octet – a group who can come on with ensemble fury one minute, then play like a small combo the next! Slinger's choice of musicians is wonderful – and includes Dusko Goykovich on trumpet, Fredinand Povel on alto and soprano, and Ruud Brink on tenor – all musicians who really make the sound sparkle with their solos, but can also slide nicely into the context of the rest of the group, too – in the manner that Povel and Goykovich were so good at on performances for MPS. There's a great sense of color throughout – really showing off Slinger's skill as an arranger – and titles include "Never Forever", "From Way Back", "Changing Colours", "Fee Fi Fo Fum", and "Killer Joe".
Jazz trumpeter Donald Byrd’s critically acclaimed career and life have assured the Detroit native his rightful place as one of the most respected musicians of the 20th century. Having successfully transitioned to Jazz Fusion in the 1970s under the guidance of the Mizell brothers, creating four albums on Blue Note records including the highly influential Places and Spaces, Byrd continued to explore the fertile possibilities of Fusion with four more albums recorded for Elektra Records between 1978 and 1982.
This well-recorded outing (which has been reissued on CD by Drive Archive) was trumpeter Freddie Hubbard's first worthwhile studio recording (with the exception of Super Blue) since the mid-'70s. Essentially a bebop date, Hubbard is teamed with a sextet comprised of altoist Richie Cole, trombonist Ashley Alexander, pianist George Cables, bassist Andy Simpkins and drummer John Dentz; altoist Med Flory sits in on "Byrdlike." Hubbard shows on such standards as "Shaw Nuff," "Star Eyes" and "Lover Man" that he could still play straightahead jazz with the best of them, Alexander is featured on "Stella by Starlight" and Cole is also in excellent form.
With four successful albums behind them in nearly as many years, and despite the fact that they were in the beginning throes of the bitter end of the band, Heatwave brought their fifth album, Current, to bear in 1982 and scored another Top 30 U.S. hit to boot. With producer Barry Blue again at the helm and with another clutch of Rod Temperton-penned songs behind their substantial R&B chops, Heatwave was able to add one final feather to a cap that history continues to seriously underrate.