1982 Jazz

Jaco Pastorius - Truth, Liberty & Soul - Live in NYC: The Complete 1982 NPR Jazz Alive! Recording (2017) 2 CDs

Jaco Pastorius - Truth, Liberty & Soul (2017) 2 CDs
Live in NYC: The Complete 1982 NPR Jazz Alive! Recording

EAC | FLAC | Tracks (Cue&Log) ~ 810 Mb | Mp3 (CBR320) ~ 301 Mb | Scans ~ 785 Mb
Post-Bop, Jazz-Funk, Fusion | Label: Resonance | # HCD-2027 | 02:11:18

Resonance Records goes out of its way again to unearth yet another significant chapter in jazz history, and once again, it's one that relatively few fans have ever heard. This performance of Jaco Pastorius' Word of Mouth Big Band was captured during George Wein's Kool Jazz Festival at Avery Fisher Hall. It was broadcast on NPR's Jazz Alive program, but this double disc contains the entire performance, with more than 40 minutes of additional music.

Zoot Sims & Al Cohn – Zoot Case (1982)  Music

Posted by janwal46 at March 25, 2010
Zoot Sims & Al Cohn – Zoot Case (1982)

Zoot Sims & Al Cohn – Zoot Case (1982)
Sonet | 1982 | Jazz | EAC RIP | FLAC+CUE+LOG+HQ-Covers (400Dpi) | 419Mb+14Mb

This album is a precious addition to the Sonet collection and the only one to capture Zoot in a live setting. Although the rhythm section is an all Swedish "pick-up" one, it meshes beautifully together and gives unflagging support to the two saxophonists throughout the session.
Mose Allison - Middle Class White Boy (1982) {2013, 24-bit Remaster, Jazz Best Collection 1000 Series, Japan}

Mose Allison - Middle Class White Boy (1982) {2013, 24-bit Remaster, Jazz Best Collection 1000 Series, Japan}
EAC Rip | FLAC (Img) + Cue + Log ~ 310 Mb | MP3 CBR320 ~ 121 Mb
Scans Included (JPG, 600 dpi) | RAR 5% Recovery
Contemporary Jazz, Vocal Jazz | Elektra Musician / Warner Music Japan #8122-79600-9 / WPCR-27431

Released in 1982, Middle Class White Boy was Mose Allison's first recording in six years, and his debut for the fledgling and relatively short-lived Elektra Musician label run by Bruce Lundvall. Allison is featured here in a sextet setting. His fellow front-line players are saxophonist Joe Farrell and guitarist Phil Upchurch. The set is a well-blended collection of originals and covers including Muddy Waters' "Rollin' Stone," and Duke Ellington's "Just a Lucky So and So." As is his trademark, Allison effortlessly blends jazz, backwoods blues, and Southern hipster jive in a heady brew of fantastic musicianship…
Roberta Flack - I'm The One (1982/2015) [Official Digital Download 24-bit/192kHz]

Roberta Flack - I'm The One (1982/2015)
FLAC (tracks) 24-bit/192 kHz | Time - 35:26 minutes | 1,39 GB
Studio Master, Official Digital Download | Artwork: Front cover

"I'm the One" is an album by Roberta Flack released in May 1982 which reached #59 on the album chart in Billboard whose R&B album chart afforded the album a #16 peak. The Burt Bacharach/Carole Bayer Sager-produced "Making Love", which appeared in the film of the same name and in the spring of 1982 had afforded Flack her final solo Top 40 hit.

Brand X - Is There Anything About? (1982) {Columbia}  Music

Posted by tiburon at Oct. 23, 2017
Brand X - Is There Anything About? (1982) {Columbia}

Brand X - Is There Anything About? (1982) {Columbia}
EAC 0.95b3 | FLAC tracks level 5 | Cue+Log+M3U | Full Scans 300dpi | 222MB + 5% Recovery
MP3 CBR 320 Kbps | 85MB + 5% Recovery
Genre: Fusion, Jazz-Rock, Jazz-Funk

Is There Anything About? is the seventh album by British jazz fusion group Brand X. It is the last album to feature longstanding members Robin Lumley and Phil Collins. It was assembled from outtakes from the 1979 sessions. These sessions produced around twenty tracks which became Product (1979), Do They Hurt? (1980) and Is There Anything About? (1982). "Modern, Noisy and Effective" is the backing track to "Soho" with a new keyboard line overdubbed over the top of it. "A Longer April" is just an extended version of "April" from Product, with a bit of synth noise added in the middle. "TMIU-ATGA" is taken from an old cassette tape running in the studio when the band were improvising.

Chick Corea - Touchstone (1982) {Strectch}  Music

Posted by tiburon at Oct. 22, 2017
Chick Corea - Touchstone (1982) {Strectch}

Chick Corea - Touchstone (1982) {Strectch}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 319MB + 5% Recovery
MP3 CBR 320 Kbps | 174MB + 5% Recovery
Genre: Jazz, Fusion, Flamenco

Chick Corea was involved in a wide variety of projects during the early 1980s, some acoustic, others electric, and everything from solos and duets to orchestral projects. Touchstone really displays quite a bit of diversity with features for flamenco guitarist Paco DeLucia, a one-song ("Compadres") reunion of Return to Forever (with guitarist Al DiMeola, bassist Stanley Clarke, and drummer Lenny White), a spot for alto-great Lee Konitz ("Duende"), and a conventional sextet outing on "Dance of Chance." A bit uneven but with its interesting moments, Touchstone is worth checking out.
John Lindberg Trio With George Lewis And Barry Altschul - Give And Take (1982)

John Lindberg Trio With George Lewis And Barry Altschul - Give And Take (1982)
EAC Rip | FLAC (tracks+.cue, log) ~ 226.72 Mb | 41:42 | Scans included
Free Jazz, Contemporary Jazz | Country: USA | Label: Black Saint ‎– 1200722

Give and Take is an album by American jazz double-bassist John Lindberg with George Lewis and Barry Altschul recorded in 1982 for the Italian Black Saint label. The Allmusic review awarded the album four stars. The Penguin Guide to Jazz awarded it three and a half out of four stars, calling it "the one to go for" out of Lindberg's discography.
VA - New York Noise: Dance Music From The New York Underground 1978-1982 (2003)

Various Artists - New York Noise: Dance Music From The New York Underground 1978-1982 (2003)
Pop/Rock, No Wave, Leftfield | EAC Rip | FLAC, Img+CUE+LOG+Scans (PNG) | 71:08 Min | 503,09 Mb
Label: Soul Jazz Records (UK) | Cat.# SJR CD77 | Released: 2003-06-30 (1978-1982)

New York Noise covers roughly the same stretch of time as In the Beginning There Was Rhythm, another compilation from the reliable Soul Jazz label. There aren't any gaping stylistic gulfs between the two discs, but the geographic focus here is completely different. In the Beginning features post-punk groups from England, while this disc highlights the genre-bending and cultural cross-breeding that was taking place in New York City, synchronously, during the late '70s and early '80s. The disc takes in most of the movements that took root in the city during the era, from no wave to mutant disco to hip-hop to art funk and a handful of points in between all without overlapping a great deal with other sets that were released just before and just after, like Downtown 81, Rough Trade Post Punk 01, N.Y. No Wave, and a swollen reissue of ZE's Mutant Disco.

Diamanda Galás - 3 Albums (1982-1992)  Music

Posted by Domestos at Oct. 11, 2017
Diamanda Galás - 3 Albums (1982-1992)

Diamanda Galás - 3 Albums (1982-1992)
EAC Rip | FLAC (tracks+.cue, log) ~ 570 Mb | 01:48:20 | Covers
Experimental, Avantgarde, Vocal | Country: USA | Label: Mute

Diamanda Galás (born August 29, 1955) is an American avant-garde soprano, composer, pianist, organist, performance artist, and painter. Galás has been described as "capable of the most unnerving vocal terror". Her works largely concentrate on the topics of AIDS, mental illness, despair, injustice, condemnation, and loss of dignity. She has worked with many avant-garde composers, including Iannis Xenakis, Vinko Globokar and John Zorn, and also collaborated with jazz musician Bobby Bradford, and John Paul Jones, former bassist of Led Zeppelin.

Mike Nock - Ondas (1982) {ECM 1220}  Music

Posted by tiburon at Oct. 9, 2017
Mike Nock - Ondas (1982) {ECM 1220}

Mike Nock - Ondas (1982) {ECM 1220}
EAC 0.99pb4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 238MB + 5% Recovery
MP3 CBR 320 Kbps | 120MB + 5% Recovery
Genre: Jazz, Fusion, Post-Bop

At the time of this recording, New Zealand's Mike Nock was one of the great, unsung pianists in European stlyed jazz. His elegant phrasing and wildly inventive melodicism fly in the face of all notions that claim improvisation must be outside Western musical parameters and structures. On Ondas, Nock has assembled a rhythm section that, while never having played together before shared the ability to create the bedrock, however flexible, for the artist's crystalline compositions and solos. Eddie Gomez was a wise choice for this session because of his experience with Bill Evans, who is an obvious influence on Nock's own composing — as is Keith Jarrett. His pizzicato flourishes and shifting timbres on "Forgotten Love" and "Visionary," while retaining an elemental sense of meter, are remarkable.