Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Pianist Hein Van Der Gaag definitely gets right to the point here – starting off the album with a great version of Horace Silver's "Ecaroh" that's filled with these descending note clusters that really open up the tune – setting up this bold, dark mood which is then balanced over the course of some more introspective tunes that follow! The approach is great – that really special way of creating a trio session that the Limetree label had during the 80s – a quality that's maybe made the imprint one of the best on the European scene at the time for piano jazz. Hein's group here features Joep Lumey on bass and Ben Schroeder on drums.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. We'd hate to get caught in the force of a baritone explosion – as the horns are so big, that's a lot of metal to have to deal with! Fortunately, pianist Rein De Graaf's got the proceedings here on rock-solid territory – providing just the right sort of swing to keep things moving, yet also keep things in control – while both Ronnie Cuber and Nick Brigola open up on the bigger horns – reminding us why they're some of the few players able to carry forward the deftly soulful legacies of earlier baritone greats like Pepper Adams or Serge Chaloff! The album's a live one, and tracks are nice and long – plenty of room for solos on titles that include "Caravan", "Softly As In A Morning Sunrise", "Crack Down", "Night In Tunisia", and "Blue Train" – plus two short beautiful ballads, "What's New" and "In A Sentimental Mood".
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. A sweet trio session from Dutch pianist Dolf De Vries – a player who can be lyrical one moment, but have a nice sort of punch the next – almost the sort of soulful swing that was first showing up on the Dutch scene in the 60s! The album's got a sprightly vibe all the way through – thanks to Dolf's style – and the trio also features Frank Noya on bass and Peter Ypma on drums – both rhythm players who are well-suited to the approach of De Vries. Titles include "Bernie's Tune", "La Mer", "Comecar De Novo", "30 Square Holiday", "Love City", and "The Look Of Love".
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. The group's name is a bit of wordplay, and might make you think they're presenting themselves in a flip sort of way – but their music is rock-solid, and has this well-crafted, rock-solid approach that's mighty nice! Intrioduction have that open, flowing sensibility that the better European piano groups started to pick up towards the end of the 70s – a tradition that really seemed to flower in France during the 80s and 90s, but which also has a great proponent here – as the piano of Harry Happel opens up in these waves of lyrical lines that often have a lot of power, but a gentler sort of heart as well. Daan Gaillard is on bass and Fred Krens plays drums – and both players make themselves known throughout, but sometimes in nicely subtle ways.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Rare dutch jazz trio cd with a great cover of Little B's poem (by Bobby Hutcherson). He was born as Irving Rochlin, accompanied Anita O'Day and played with Stan Getz and Johnny Griffin', and lives in Holland since 1971. Now he lives in the States to be near his family. He often accompanied Ben Webster in the good old days.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. West coast meets Dutch jazz – in this sweet set that features Bob Cooper on tenor and Conte Candoli on trumpet – both musicians who rose to fame in the LA scene of the 50s, but who still stand plenty strong here with the trio of Rein DeGraaff in the 90s! Cooper and Candoli continued to play often over the years – even after both had lost the opportunity to record much as leaders – and the musicians are in fine form here, with strong backing from Rein's trio that also features Koos Serierse on bass and Erik Ineke on drums.
Winter had a polarizing effect on the band, drawing them toward a more severe, economical sound that favored clarity over sentimentality. Gone were the overly romantic piano pieces and giddy medieval romps. This is music tinged with a certain sadness (as on "Red Wine"), at times alien and foreboding ("Crystal"). It's not a complete departure from their formula, but it does succeed at matching that formula to a specific season, moreso than the first three Fresh Aire records anyway…
"Abacab" is the eleventh studio album by English rock band Genesis, released on 18 September 1981 in the United Kingdom by Charisma Records and 24 September 1981 in the United States by Atlantic Records. After their 1980 tour in support of their previous album Duke, the band took a break before they reconvened in 1981 to write and record a new album. Abacab is the first Genesis album recorded at The Farm, a recording studio bought by the group in Chiddingfold, Surrey. It marked the band's development from their progressive roots into more accessible and pop-oriented songs, and their conscious decision to write songs unlike their previous albums. "Abacab" received a mostly positive reception from critics and was a commercial success for the band, reaching #1 on the UK Albums Chart and #7 on the US Billboard 200.