Boys Will Be Boys is the debut record from the group Rabbitt, the South African rock quartet led by Trevor Rabin. It was released in 1975 on Jo'Burg Records in South Africa, and promptly went gold faster than any other disc released in the country. The band would go on to win the Sarie Award (South Africa's equivalent to the Grammy) for "Best Contemporary Pop".
Esoteric Recordings are pleased to announce the release of a new 2CD anthology celebrating the British rock band Widowmaker. Formed in 1975 by former Mott the Hoople and Spooky Tooth guitarist Luther Grosvenor, also known as Ariel Bender. The original line-up of the band featured vocalist Steve Ellis (ex-Love Affair & Ellis), guitarist Huw Lloyd-Langton (ex-Hawkwind), Australian bassist Bob Daisley (ex-Chicken Shack) and drummer Paul Nicholls who had previously been a member of Lindisfarne. A few months after they had begun rehearsing at Emerson, Lake & Palmer's Manticore Studios in London, Widowmaker signed to Don Arden's Jet Records label…
From the opening four notes of Michael Henderson's hypnotically minimal bass that open the unedited master of "On the Corner," answered a few seconds later by the swirl of color, texture, and above all rhythm, it becomes a immediately apparent that Miles Davis had left the jazz world he helped to invent – forever. The 19-minute-and-25-second track has never been issued in full until now. It is one of the 31 tracks in The Complete On the Corner Sessions, a six-disc box recorded between 1972 and 1975 that centers on the albums On the Corner, Get Up with It, and the hodgepodge leftovers collection Big Fun. It is also the final of eight boxes in the series of Columbia's studio sessions with Davis from the 1950s through 1975, when he retired from music before his return in the 1980s. Previously issued have been Davis' historic sessions with John Coltrane in the first quintet, the Gil Evans collaborations, the Seven Steps to Heaven recordings, the complete second quintet recordings, and the complete In a Silent Way, Bitches Brew, and Jack Johnson sessions. There have been a number of live sets as well; the most closely related one to this is the live Cellar Door Sessions 1970, issued in 2005.
Another Night was a wholly unexpected album at the time of its release in February of 1975.
The Hollies’ 15th official album, it also marked the return of Allan Clarke to the lineup for the first time since Distant Light in 1971 — and it was, apart from one number, comprised entirely of group originals, a feat of songwriting acumen that the Hollies had not achieved since 1969’s Hollies Sing Hollies (which was sort of a “ringer” in that regard); and just as much to the point, all of the songs and recordings were pretty much first-rate, ranging widely from lyrical pop/rock to harder, edgier, album-oriented sides, with a couple of classic performances among them.
Compiling the third and fourth solo albums by sideman-to-the-stars David Bromberg, Wanted Dead or Alive/Midnight on the Water includes Bromberg's virtuoso musicianship, eccentric songwriting, and endearingly off-key vocals, along with plenty of guest spots: Bonnie Raitt, Linda Ronstadt, Emmylou Harris, and on the first, most of the Grateful Dead.