GASH is a 70s Krautrock band from Germany featuring the musical talents of Manfred Thiers on bass, Reinhard Schiemann on drums, percussion, Frank Feldhusen on guitars, vocals, and Jochen Peters on piano, organ, and lead vocals. The band have released only one studio album in 1972, "A Young Man's Gash" and disappeared from the scene. The music is a definitive taste of the underground hard rock oriented sound churned out of the German Krautrock era. The music is replete with catchy songs, keyboard, organ and guitar solos and an overriding hard driving energy.
This enchanting yet dark romantic comedy stars Jack Lemmon and Juliet Mills as a pair of mismatched lovers helplessly drawn into a series of seemingly hopeless but humorous situations as in Lemmon's The Out-of -Towners two years earlier. Lemmon is Wendell Armbruster Jr., an overbearing American business tycoon forced to travel to the beautiful Italian island of Ischia to claim the body of his recently departed father. What begins with a rather elementary premise evolves into a succession of somber twists and turns, as Armbruster meets Pamela Piggott (Mills), the daughter of his father's mistress, who, Lemmon is appalled to learn, died alongside Armbruster Sr., while zipping through the Italian countryside in his sportscar. Even worse, the family who owns the vineyard that his father's car crashed into has stolen the bodies in exchange for damages. Although plagued with a plethora of such problems, as well as an inability to enjoy life (and the ulcers to prove it), Wendell eventually falls in love with Pamela, almost exactly as his father did with her mother.
Sweet and sexy sounds from William Sheller – a rare French set from the early 70s – and a record we'd rank right up there with the best work by Serge Gainsbourg and Jean-Claude Vannier! Sheller's got a similar groove here – a way of compressing the instrumentation right down to the core, and slipping it around slinky rhythms and spacey production – both of which make familiar instruments sound really way-out! There's also a bit of darkness to the set too – which comes from Sheller's process of recasting a mass structure into a new sort of vision – and a few points feature vocalizations alongside the way-out instrumentation.