Reissue with the latest 24bit remastering. Features original cover artwork. Comes with a descripton in Japanese. It is strange to realize that drummer Pete La Roca only led two albums during the prime years of his career, for this CD reissue of his initial date is a classic. La Roca's three originals ("Basra," which holds one's interest despite staying on one chord throughout, the blues "Candu," and the complex "Tears Come From Heaven") are stimulating but it is the other three songs that really bring out the best playing in the quartet (which is comprised of tenor saxophonist Joe Henderson, pianist Steve Kuhn, and bassist Steve Swallow in addition to La Roca). "Malaguena" is given a great deal of passion, Swallow's "Eiderdown" (heard in its initial recording) receives definitive treatment, and the ballad "Lazy Afternoon" is both haunting and very memorable; Henderson's tone perfectly fits that piece.
Features 24 bit digital remastering. Comes with a description. Other than "Our Love" (a familiar classical theme adapted to American pop music by Larry Clinton), all six selections are originals by the pianist. Utilizing a nonet that includes trumpeter Johnny Coles (who does his best to be soulful on "Honeybuns"), trombonist Garnett Brown, flutist Les Spann, altoist James Spaulding, tenor saxophonist George Coleman, baritonist Pepper Adams, bassist Bob Cranshaw, and drummer Mickey Roker, Pearson performs music in a style that would have fit in quite well on Blue Note. Most memorable among his originals is "Is That So." This is not an essential date, but it is nice to have this rarity back in print again.
Nice, more light than emphatic Afro-Latin and jazz mixture by flutist Herbie Mann and composer/vocalist Joao Gilberto from 1965. The two make an effective team, with Gilberto's sometimes sentimental, sometimes impressionistic works effectively supported by Mann's lithe flute solos.
Raymond Fol's jazz arrangement of Antonio Vivaldi's "The Four Seasons" may have fallen into obscurity, but the French pianist's big band scoring of this classical favorite shows plenty of imagination. With a band of his fellow countrymen, along with expatriate Americans Johnny Griffin (tenor sax), bassist Jimmy Woode, and drummer Art Taylor, he casts a variety of moods, even within individual sections. In the first movement of "Le Printemps (The Spring)" he chooses an Afro-Cuban mood, while the second shifts to a smaller chamber jazz setting, showcasing guitarist Pierre Cullaz, vibraphonist Sadi, and the leader in turn.
If Dick Morrissey is known at all then its probably as the joint leader of the 1970's fusion band 'Morrissey-Mullen'. However before then he was an important player on the 1960s British jazz scene, releasing a number of excellent albums leading his own quartet. Here's his third, and IMO best, album 'Storm Warning' where he is backed by the wonderful pianist Harry South and the (in)famous drummer Phil Semen.