The Most Important Jazz Album of 1964/65 was the first album trumpeter/vocalist Chet Baker recorded upon returning to the United States in 1964. Jazz had undergone a radical development post-1963 with artists such as John Coltrane and Wayne Shorter beginning to focus on complex harmonic explorations over pretty melody. Having spent the prior three years in Europe, falling deeper into heroin addiction, Baker found himself a pleasant, if somewhat forgotten, anachronism of the previous decade. Consequently, the icon of '50s cool attempted to reinvigorate his career and showcase his musical growth by enlisting the sensitive piano chops of Hal Galper and old collaborator tenor saxophonist Phil Urso. The new sideman, combined with a heavy dose of Tadd Dameron's compositions, gave Baker a more muscular edge that rubbed nicely with his trademark lyricism updating his sound for the hard bop '60s – a decade that would end, however, with Baker losing his teeth and falling into obscurity.
Free for All is a 1964 jazz album by Art Blakey & the Jazz Messengers released on Blue Note in 1964. Freddie Hubbard's composition "The Core" is dedicated to the CORE (Congress of Racial Equality) and expresses "Hubbard's admiration of that organization persistence and resourcefulness in its work for total, meaningful equality." "They're getting", he explains, "at the core, at the center of the kinds of change that have to take place before this society is really open to everyone. And more than any other group, CORE is getting to youth, and that's where the center of change is." The piece was called that way also because Hubbard thought that the musicians "got at some of the core of jazz - the basic feelings and rhythms that are at the foundation of music."
Trompeta Toccata is a 1964 jazz album by trumpeter Kenny Dorham. It was released on Blue Note label in 1964 as BST 84181. It was remastered by Rudy Van Gelder in 2006. Trompeta Toccata, as the previous Una Mas, features only four pieces, three of which were written by Dorham himself. They are mostly fast bop pieces featuring long trumpet and saxophones solos. Like many Dorham compositions, they incorporate elements of Latin music and blues.
The Most Important Jazz Album of 1964/65 was the first album trumpeter/vocalist Chet Baker recorded upon returning to the United States in 1964. Jazz had undergone a radical development post-1963 with artists such as John Coltrane and Wayne Shorter beginning to focus on complex harmonic explorations over pretty melody. ~ AllMusic
Reissue with the latest 2015 DSD remastering. Comes with liner notes. The Zeitlin trio…a stunning display of instrumental virtuosity, emotional depth, and musicality…Zeitlin’s piano is impeccable…introspective, filled with joy, bitingly mocking, always intelligent and emotional. Bassist Charlie Haden and drummer Jerry Granelli join the pianist on the Carnival session. Zeitlin's "Carole's Garden" has been recorded several times by other musicians since its debut on Carnival. His tranquil "After the War" is so softly played that it would hush the noisiest nightclub crowd.
That sound. One group conceived it. Defined it. Perfected it. The Modern Jazz Quartet was certainly one of the most distinctive voices in the history of jazz, thanks to the unique qualities of personal expression and collective vision of its members Milt Jackson, John Lewis, Percy Heath and Connie Kay (who had replaced original drummer Kenny Clarke by the time the band started recording this music). They were also exceptionally prolific during their tenure at Atlantic Records, producing 14 albums in eight years. And now, that MJQ sound gets the complete respect it deserves, thanks to our new box, The Complete 1956-1964 Modern Jazz Quartet Atlantic Studio Recordings.
Tracks from three recently discovered 1960s concerts, by the celebrated arranger, pianist & experimental theorist, George Russell, released here for the very first time - and from the same period as his famous Ezz-Thetics album (1961) with Eric Dolphy. The first, in Lennox Massachusetts, includes Al Kiger, Dave Baker, Chuck Israels & Dave Young; the 2nd, from the 1964 Newport Jazz Festival features Don Ellis, John Gilmore, Steve Swallow, Pete La Roca & Sheila Jordan. The third, a single track, is from a 1964 European date, with Thad Jones, Joe Farrell, Al Heath & Garnett Brown. Included are new versions of the Russell classics: Stratusphunk and The Outer View.
This admittedly pricey - but by all means mandatory - Grammy Award-winning box set is the final word on the "songbooks" recorded by Ella Fitzgerald between 1956 and 1964. The audio contents have been completely remastered and each title has been expanded - wherever possible - to include previously unissued material. In terms of packaging, the producers went to extreme lengths to create exact reproductions of all the vintage LP jacket artwork. Even going so far as to precisely miniaturize the entire hardbound text The Gershwins: Words Upon Music that accompanied their 1959 collection as well as the booklet that came with the Ellington anthology…