1963 Jazz

Kenny Dorham – Una Mas (1963)(Blue Note USA Pressing)(CDP 746515 2)

Kenny Dorham – Una Mas (1963)(Blue Note USA Pressing)(CDP 746515 2)

Kenny Dorham – Una Mas (1963)(Blue Note USA Pressing)(CDP 746515 2)
1963 | Jazz | EAC RIP | FLAC+CUE+LOG+HQ-Covers(400Dpi) | 233Mb+10Mb

Trumpeter Kenny Dorham was a significant presence in the bop and hard bop scenes, a musician whose distinctive, lyrical style had been apparent from his work in the late '40s with Charlie Parker's quintet. The year 1963 was especially good for him. He had just returned from a trip to Brazil where he had been absorbing the bossa nova, and he had formed a musical partnership with Joe Henderson, a powerful young tenor saxophonist whose rugged sound and coiling lines were an ideal complement to Dorham's often subtler approach. This session is the first in a series of dates that would pair the two, and the fifteen minute "Una Mas," a percolating mix of hard bop sonorities and a samba beat, was the first recorded example of Dorham's distinctive exploration of bossa nova (his "Blue Bossa" would become a jazz standard). Pianist Herbie Hancock, bassist Butch Warren, and drummer Tony Williams all take naturally to the new beat, handling it as effectively as they do "Straight Ahead."
Dave Brubeck – The Dave Brubeck Quartet At Carnegie Hall (1963) (2-CD) (Repost By Request)

Dave Brubeck – The Dave Brubeck Quartet At Carnegie Hall (1963) (2-CD) (Repost By Request)
Columbia-Legacy | 1963 | Jazz | FLAC+CUE+LQ-Covers(200Dpi) | NO LOGS | 354Mb+361Mb+1Mb

This is by far the best concert the group ever gave. Right from the start the group hits it off with the old "St. Louis Blues" and from these first crucial moments in the concert everything went off like a Formula One race in the group. It is followed by a very jazzy “Bossa Nova USA” (note the difference with the original single release!) and it goes on and on.
Brubecks multi-tonal approach combines magically with Desmonds understated playing. Gene Wright blends in fantastically on the bass and has some very impressive solo's and, of course, Joe Morello's solo on "Castillian Drums" sounds really spectacular and LIVE !!!!!!
I don't think the band ever reached this high level of live playing again.
Bill Evans Trio – At Shelly’s Manne-Hole, Hollywood, California (1963) (OJC-Riverside)

Bill Evans Trio – At Shelly’s Manne-Hole, Hollywood, California (1963) (OJC-Riverside)
1963 | Jazz | EAC RIP | FLAC+CUE+LOG+HQ-Covers (400Dpi | 293Mb+6Mb

For a CD that opens with "Isn't It Romantic," this is a relatively sparser, more aggressive Evans album. Compared to "Waltz for Debbie," for example, you won't hear as much of the soaring notes and atmospheric, delicate harmonies for which he is so famous. That said, it is still a fabulous CD, and just shows a different side of Evans…….
Ella Fitzgerald & Count Basie – On The Sunny Side Of The Street (1963)(Verve)

Ella Fitzgerald & Count Basie – On The Sunny Side Of The Street (1963)(Verve)
1963 | Jazz | EAC RIP | FLAC+CUE+LOG+HQ-Covers(400Dpi) | 254Mb+10Mb

Ella Fitzgerald and bandleader/pianist Count Basie came together on a July (15 & 16) 1963 date arranged by Quincy Jones. It was originally issued as Ella & Basie!. It was later reissued with slightly different cover art as On the Sunny Side of the Street. The music remained the same, a controlled, tough big band hiply backing the wonderful swinging of Fitzgerald. About the only way one could have improved with this combination would have been to turn them loose, extemporizing in front of a live audience.
Lee Morgan – The Sidewinder (1963)(Blue Note)(CDP 784157 2)

Lee Morgan – The Sidewinder (1963)(Blue Note)(CDP 784157 2)

Lee Morgan – The Sidewinder (1963)(Blue Note)(CDP 784157 2)
1963 | Jazz | EAC RIP | FLAC+CUE+LOG+HQ-Covers(400Dpi) | 348Mb+8Mb

The Philadelphia-born trumpeter and superb bop stylist Lee Morgan apprenticed with Dizzy Gillespie and Art Blakey before emerging as a leader in his own right in the early '60s for Blue Note Records. Although Morgan owed a stylistic debt to both Gillespie and Clifford Brown, he quickly developed a voice of his own that combined half-valve effects, Latin inflections, and full, fluid melodies. While many of Morgan's later sessions for Blue Note would find him paired with saxophonist Hank Mobley, The Sidewinder features then up-and-coming tenor player Joe Henderson, plus Detroit pianist Barry Harris, bassist Bob Cranshaw, and drummer Billy Higgins. Along with the title track, an unconventional 24-bar blues, the album's compositional standout is "Totem Pole," a minor Latin groove featuring an outstanding solo by Henderson. This is the kind of relaxed blowing date, invigorated by thoughtful performances, that forms the backbone of the Blue Note catalog.
Art Blakey & The Jazz Messengers - Ugetsu (1963) {Riverside/OJC}

Art Blakey & The Jazz Messengers - Ugetsu (1963) {Riverside/OJC}
EAC rip | FLAC + CUE + LOG -> 399Mb | MP3 @320 -> 129Mb

Art Blakey's 1963 Jazz Messengers (which included trumpeter Freddie Hubbard, tenor-saxophonist Wayne Shorter, trombonist Curtis Fuller, pianist Cedar Walton and bassist Reggie Workman in addition to the drummer-leader) was one of his finest. The CD reissue (which adds two songs to the seven on the original LP) has plenty of strong moments, particularly on "Ping-Pong," Shorter's feature ("I Didn't Know What Time It Was") and the memorable "One by One." This high-quality hard bop session is recommended. [Ugetsu was reissued in 2006 and includes bonus tracks.] …amg
Jack Wilson - The Jack Wilson Quartet featuring Roy Ayers (1963) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27094}

Jack Wilson - The Jack Wilson Quartet featuring Roy Ayers (1963) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27094}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 225 Mb | MP3 @320 -> 82 Mb
Full Artwork @ 600 dpi (jpg) -> 117 Mb | 5% repair rar | 24-bit remaster
© 1963, 2012 Warner Japan / Atlantic / Rhino | WPCR-27094 | Jazz Best Collection 1000 Series
Jazz / Cool / Post Bop / Piano

A great album recorded in 1963 for Atlantic – one of our favorite ever! Jack Wilson's one of our favorite piano players, and we rave about him all the time on these pages – and one of the reasons why we love him so much is that he was often accompanied by Roy Ayers, who started out his career playing vibes in his group! The pair together are a dream, and this album is arguably their best effort – filled with moody modal cuts, and lots of lyrical interplay that hits these beautiful high points, then dives into pits of darkness. Titles include "Harbor Freeway", "De Critifeux", "Corcovado", "Jackleg", and "Nirvana & Dana".
Lee Morgan - The Sidewinder (1963) {2013 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81011}

Lee Morgan - The Sidewinder (1963) {2013 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 368 Mb | MP3 @320 -> 120 Mb
Full Artwork @ 600 dpi (png) -> 247 Mb | 5% repair rar | 24bit 192kHz remaster
© 1963, 2013 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81011
Jazz / Hard Bop / Trumpet

Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). Carried by its almost impossibly infectious eponymous opening track, The Sidewinder helped foreshadow the sounds of boogaloo and soul-jazz with its healthy R&B influence and Latin tinge. While the rest of the album retreats to a more conventional hard bop sound, Morgan's compositions are forward-thinking and universally solid. Only 25 at the time of its release, Morgan was accomplished (and perhaps cocky) enough to speak of mentoring the great Joe Henderson, who at 26 was just beginning to play dates with Blue Note after getting out of the military.
Art Blakey Quartet - A Jazz Message (1963) {2006 Japan Impulse! UCCU-9307 24-bit}

Art Blakey Quartet - A Jazz Message (1963) {2006 Japan Impulse! UCCU-9307 24-bit}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 235 Mb | MP3 @320 -> 84 Mb
Full Artwork @ 300 dpi (png) -> 37 Mb | 5% repair rar
© 1963, 2006 Impulse! / Verve / Universal Music Japan | UCCU-9307 | 24bit mastering
Jazz / Hard Bop / Drums

Art Blakey, without any Jazz Messengers – but still coming through loud and clear, thanks to help from a unique group that features Sonny Stitt on tenor, McCoy Tyner on piano, and Art Davis on bass! The album's still got all the hardbop charm of Blakey's best Blue Note dates, but also feels a bit more spontaneous too – and the basslines of Davis are a wonderful change from the usual – beautiful sounds that drive the record quite strongly up from the bottom! Titles include the killer "Cafe", plus "Blues Back", "Just Knock On My Door", "Summertime", and "The Song Is You" – and the album features fantastic blowing from Stitt!
VA - Soul Jazz Records Presents The Legendary Studio One Records/Original Classic Recordings 1963-80 (2017)

VA - Soul Jazz Records Presents The Legendary Studio One Records/Original Classic Recordings 1963-80 (2017)
MP3 CBR 320 kbps | 59:51 | 138 Mb
Genre: Classics/Ska / Label: Soul Jazz

After almost four years without new releases, Soul Jazz & Studio One are very happy to present "The Legendary Studio One Records - Original Classic Recordings 1963-80". An eventful and memorable trip to the heart of Studio One, the most important record label in the history of Jamaican reggae. Everything is here ! From Ska and Rock Steady by the biggest reggae names such as The Skatalites, The Maytals, Marcia Griffiths and The Heptones, from the roots reggae by Horace Andy, Willie Williams and Wailing Souls from the dancehall by Michigan and Smiley as well as instrumental and Dub. 100% of the foundations of musical style.