1963 Jazz

Bert Kaempfert - 72 Releases (1963-2012)  Music

Posted by Domestos at Oct. 5, 2017
Bert Kaempfert - 72 Releases (1963-2012)

Bert Kaempfert - 72 Releases (1963-2012)
EAC Rip | FLAC (tracks+.cue, log) ~ 23 Gb | 02:19:25:32 | Scans included
Jazz-Pop, Easy Listening | Country: Germany

Berthold Heinrich Kämpfert, (16 October 1923 – 21 June 1980), better known as Bert Kaempfert, was a German orchestra leader, music producer, and songwriter. He made easy listening and jazz-oriented records and wrote the music for a number of well-known songs, including "Strangers in the Night" and "Moon Over Naples". Kaempfert was born in Hamburg, Germany, where he received his lifelong nickname, Fips, and studied at the local school of music. A multi-instrumentalist, he was hired by Hans Busch to play with his orchestra before serving as a bandsman in the German Navy during World War II. He later formed his own big band, toured with them, then worked as an arranger and producer, making hit records with Freddy Quinn and Ivo Robić. In 1961, he hired The Beatles to back Tony Sheridan for an album called My Bonnie. The album and its singles, released by Polydor Records, were the Beatles' first commercially released recordings.
Dave Brubeck – The Dave Brubeck Quartet At Carnegie Hall (1963) (2-CD) (Repost By Request)

Dave Brubeck – The Dave Brubeck Quartet At Carnegie Hall (1963) (2-CD) (Repost By Request)
Columbia-Legacy | 1963 | Jazz | FLAC+CUE+LQ-Covers(200Dpi) | NO LOGS | 354Mb+361Mb+1Mb

This is by far the best concert the group ever gave. Right from the start the group hits it off with the old "St. Louis Blues" and from these first crucial moments in the concert everything went off like a Formula One race in the group. It is followed by a very jazzy “Bossa Nova USA” (note the difference with the original single release!) and it goes on and on.
Brubecks multi-tonal approach combines magically with Desmonds understated playing. Gene Wright blends in fantastically on the bass and has some very impressive solo's and, of course, Joe Morello's solo on "Castillian Drums" sounds really spectacular and LIVE !!!!!!
I don't think the band ever reached this high level of live playing again.
Bill Evans Trio – At Shelly’s Manne-Hole, Hollywood, California (1963) (OJC-Riverside)

Bill Evans Trio – At Shelly’s Manne-Hole, Hollywood, California (1963) (OJC-Riverside)
1963 | Jazz | EAC RIP | FLAC+CUE+LOG+HQ-Covers (400Dpi | 293Mb+6Mb

For a CD that opens with "Isn't It Romantic," this is a relatively sparser, more aggressive Evans album. Compared to "Waltz for Debbie," for example, you won't hear as much of the soaring notes and atmospheric, delicate harmonies for which he is so famous. That said, it is still a fabulous CD, and just shows a different side of Evans…….
Ella Fitzgerald & Count Basie – On The Sunny Side Of The Street (1963)(Verve)

Ella Fitzgerald & Count Basie – On The Sunny Side Of The Street (1963)(Verve)
1963 | Jazz | EAC RIP | FLAC+CUE+LOG+HQ-Covers(400Dpi) | 254Mb+10Mb

Ella Fitzgerald and bandleader/pianist Count Basie came together on a July (15 & 16) 1963 date arranged by Quincy Jones. It was originally issued as Ella & Basie!. It was later reissued with slightly different cover art as On the Sunny Side of the Street. The music remained the same, a controlled, tough big band hiply backing the wonderful swinging of Fitzgerald. About the only way one could have improved with this combination would have been to turn them loose, extemporizing in front of a live audience.

Lee Morgan – The Sidewinder (1963)(Blue Note)(CDP 784157 2)  Music

Posted by janwal46 at June 19, 2009
Lee Morgan – The Sidewinder (1963)(Blue Note)(CDP 784157 2)

Lee Morgan – The Sidewinder (1963)(Blue Note)(CDP 784157 2)

Lee Morgan – The Sidewinder (1963)(Blue Note)(CDP 784157 2)
1963 | Jazz | EAC RIP | FLAC+CUE+LOG+HQ-Covers(400Dpi) | 348Mb+8Mb

The Philadelphia-born trumpeter and superb bop stylist Lee Morgan apprenticed with Dizzy Gillespie and Art Blakey before emerging as a leader in his own right in the early '60s for Blue Note Records. Although Morgan owed a stylistic debt to both Gillespie and Clifford Brown, he quickly developed a voice of his own that combined half-valve effects, Latin inflections, and full, fluid melodies. While many of Morgan's later sessions for Blue Note would find him paired with saxophonist Hank Mobley, The Sidewinder features then up-and-coming tenor player Joe Henderson, plus Detroit pianist Barry Harris, bassist Bob Cranshaw, and drummer Billy Higgins. Along with the title track, an unconventional 24-bar blues, the album's compositional standout is "Totem Pole," a minor Latin groove featuring an outstanding solo by Henderson. This is the kind of relaxed blowing date, invigorated by thoughtful performances, that forms the backbone of the Blue Note catalog.
Kenny Dorham – Una Mas (1963)(Blue Note USA Pressing)(CDP 746515 2)

Kenny Dorham – Una Mas (1963)(Blue Note USA Pressing)(CDP 746515 2)

Kenny Dorham – Una Mas (1963)(Blue Note USA Pressing)(CDP 746515 2)
1963 | Jazz | EAC RIP | FLAC+CUE+LOG+HQ-Covers(400Dpi) | 233Mb+10Mb

Trumpeter Kenny Dorham was a significant presence in the bop and hard bop scenes, a musician whose distinctive, lyrical style had been apparent from his work in the late '40s with Charlie Parker's quintet. The year 1963 was especially good for him. He had just returned from a trip to Brazil where he had been absorbing the bossa nova, and he had formed a musical partnership with Joe Henderson, a powerful young tenor saxophonist whose rugged sound and coiling lines were an ideal complement to Dorham's often subtler approach. This session is the first in a series of dates that would pair the two, and the fifteen minute "Una Mas," a percolating mix of hard bop sonorities and a samba beat, was the first recorded example of Dorham's distinctive exploration of bossa nova (his "Blue Bossa" would become a jazz standard). Pianist Herbie Hancock, bassist Butch Warren, and drummer Tony Williams all take naturally to the new beat, handling it as effectively as they do "Straight Ahead."
Art Blakey & The Jazz Messengers - Ugetsu (1963) {Riverside/OJC}

Art Blakey & The Jazz Messengers - Ugetsu (1963) {Riverside/OJC}
EAC rip | FLAC + CUE + LOG -> 399Mb | MP3 @320 -> 129Mb

Art Blakey's 1963 Jazz Messengers (which included trumpeter Freddie Hubbard, tenor-saxophonist Wayne Shorter, trombonist Curtis Fuller, pianist Cedar Walton and bassist Reggie Workman in addition to the drummer-leader) was one of his finest. The CD reissue (which adds two songs to the seven on the original LP) has plenty of strong moments, particularly on "Ping-Pong," Shorter's feature ("I Didn't Know What Time It Was") and the memorable "One by One." This high-quality hard bop session is recommended. [Ugetsu was reissued in 2006 and includes bonus tracks.] …amg

Elek Bacsik - Guitar Conceptions (1963) [Reissue 2000] (Repost)  Music

Posted by gribovar at May 23, 2018
Elek Bacsik - Guitar Conceptions (1963) [Reissue 2000] (Repost)

Elek Bacsik - Guitar Conceptions (1963) [Reissue 2000]
EAC Rip | FLAC (tracks+.cue+log) - 224 MB | MP3 CBR 320 kbps (LAME 3.93) - 95 MB | Covers - 27 MB
Genre: Jazz | RAR 3% Rec. | Label: Universal Music (542 231-2)

Hungarian guitarist Elek Bacisk is a cousin of Django Reinhardt, and has continued his tradition of blending swing and gypsy elements into a coherent, expressive jazz mode. Bacisk initially studied classical violin and played gypsy songs in Budapest, then switched to jazz guitar. As a teen, he recorded in a band with alto saxophonist Geza Szabo and trumpeter Jozsef Quitter, then later toured Europe with Mihaly Tabanyi's band. Bacisk moved to Paris in 1959, and through the early and mid-'60s recorded and played with visiting American musicians, among them Art Simmons, Quentin Jackson, Lou Bennett and Dizzy Gillespie. He also did sessions heading his own bands. Bacsik came to America in 1966, and worked from 1967-1974 with Teresa Brewer before cutting his own sessions. He appeared at the 1974 Newport Jazz Festival and 1984 Olympic Games Jazz Festival in Los Angeles.
Sue Raney - All By Myself (1963) {2006 Blue Note/Capitol Jazz} **[RE-UP]**

Sue Raney - All By Myself (1963) {2006 Blue Note/Capitol Jazz}
EAC Rip | FLAC with CUE and log | scans | 321 mb
MP3 CBR 320kbps | RAR | 81 mb
Genre: jazz, vocal jazz, easy listening

All By Myself is the 1963 album on Capitol Records by jazz vocalist Sue Raney. The album was conducted and arranged by Ralph Carmichael. produced by Lee Gillette. This is from the 2006 compact disc on Blue Note/Capitol Jazz.
Pierre Michelot - Round About A Bass (1963) [Reissue 2000] (Repost)

Pierre Michelot - Round About A Bass (1963) [Reissue 2000]
EAC Rip | FLAC (tracks+.cue+log) - 190 MB | MP3 CBR 320 kbps (LAME 3.93) - 77 MB | Covers - 48 MB
Genre: Jazz | RAR 3% Rec. | Label: Universal Music (832 309-2)

Pierre Michelot was one of the very best jazz bassists in Europe, though few fans think of him as a bandleader, composer, or arranger. This reissue of an LP made for Mercury dates from 1963, where Michelot is joined by some of the top players on the continent. In addition to fresh arrangements of standard fare like "Cherokee" and "Bye, Bye Blackbird," the leader penned five compositions, including the tasty blues "Akkilino," which is an extended feature for his bass and Roger Guerin's muted trumpet. "Elephant Green" showcases flutist Raymond Guiot and Pierre Gossez's robust baritone saxophone in a melancholy ballad setting. Like many of Verve's Jazz in Paris CD reissues, this recording is a sleeper that is well worth acquiring, even if its running time is a tad miserly at around 32 minutes.