A pilot testing an experimental new rocket powered craft manages to fly into the future and land at the now deserted airbase he left. He ends up in a city with people who are suspicious he is a spy and who want to keep him to procreate with the rulers daughter because the majority of the inhabitants are sterile. He manages to escape and return to his own time but ages dramatically.
Recorded live on three different continents (Europe, America, and Asia) from 2002-2004, Beyond the Sound Barrier finds Wayne Shorter leading the same acoustic-oriented post-bop quartet he led on his 2001 recording, Footprints Live!; the veteran tenor and soprano saxophonist is joined by pianist Danilo Perez, bassist John Patitucci, and drummer Brian Blade. But if Beyond the Sound Barrier should be considered a sequel to Footprints Live!, it is far from a carbon copy. While Footprints Live! contained several Shorter pieces that have become jazz standards (including "Atlantis," "Footprints," and "Juju" ), Beyond the Sound Barrier places more emphasis on new material.
Best known as lead vocalist for the legendary Melodic Rock masters DANGER DANGER, Ted Poley is also an accomplished solo artist, having released two acclaimed releases, “Collateral Damage” (2006) and “Smile”(2007). …
London, UK - Dutch music legends Focus are known around the world for their iconic albums, including the hits HOCUS POCUS, SYLVIA and HOUSE OF THE KING. After the reunion of Focus and the release of the Focus 8 album, the band toured the world and was introduced to new musical styles and influences. The line-up on this album features THIJS VAN LEER, PIERRE VAN DER LINDEN, BOBBY JACOBS and JAN DUMÉE.
"Beyond The Sea" is the band's fifth album and the second featuring almost a new line-up except founder and main composer Enrik Garcia. With that involuntary change, a relatively young band went through its second birth. Not being quite unparalleled on today's metal stage, these Spaniards still make good Power Metal albums measurably spiced with some symphonic elements. Certainly they couldn't escape the common lot of imitating some pathfinders of the genre, yet they managed to develop their own sound distinguishing them from the rest.
This isn't just a 2-CD set of some unbelievable guitar work from a long-esteemed player of truly formidable skill but rather a treasury that proves beyond doubt that Melvin Taylor needs to be placed within the museum of the guitar greats: Wes Montgomery, George Benson, Chet Atkins, Frank Zappa, Earl Klugh, Jim Hall, Leo Kottke, Robert Fripp, Grant Green, Pat Metheny…all of 'em, regardless of style and genre. And he not only plays all the many layers of various guitars here but bass as well in a nominally foursome format.