When four veterans like Coleman Hawkins, Buddy Tate, Eddie Davis, and Arnett Cobb get together, no longer young bucks that have to prove themselves, they still like to assert their musical masculinity. It is like four old friends in their shirtsleeves or T-shirts, having an old fashioned bull session over beer and pretzels or an equivalent. There is talk of old times, back-slapping, head-shaking, low humor and high hilarity. Troubles of the present are forgotten temporarily as old bonds are reweaved.
9CD reconfiguration of original Atlantic box set, featuring every A-side the label released during those nine years, as well as several B-sides. The set is a definitive portrait of gritty, deep Southern soul. For any serious soul or rock collector, it's an essential set, since Stax-Volt was not only a musically revolutionary label, its roster was deep with talent, which means much of the music on this collection is first-rate. 11 of these singles charted on Billboard.
When it came to tenor saxophonists, the late organist Shirley Scott had excellent taste. One of the big-toned tenor men she worked with extensively was Stanley Turrentine, whom she married; another was Eddie "Lockjaw" Davis. Recorded in Rudy Van Gelder's New Jersey studio in 1959, Bacalao is among the many solid hard bop/soul-jazz albums that resulted from Davis' association with Scott. The two of them enjoyed an incredibly strong rapport in the late '50s and early '60s, and they are very much in sync on Bacalao (which unites them with bassist George Duvivier, drummer Arthur Edgehill, and two Latin percussion men: Luis Perez and salsa giant Ray Barretto).
"If you like Artur Rubinstein's Chopin, then this is a disc to get. (…) Everyone will have favourite recordings (Perahia in the Ballades, Richter or Arrau in the Scherzi)but the more you listen to Rubenstein the more you understand his reputation as a Chopin magician…" ~sa-cd.net
Eddie Lockjaw Davis swings way out here – working in that cool cooking mode from the 50s, with organist Shirley Scott a very important partner on the date! The group's got a larger sound than usual – thanks to the addition of trombonist Steve Pullman – a player we don't know much, but who shifts the groove nicely away from some of Davis' more staid cookbook albums. Rhythm is by George Duvivier on bass and Arthur Edgehill on drums – and titles include "Bahia", "Foxy", "Bingo Domingo", and "Can't Get Out Of This Mood".
« L'image que les Occidentaux se font du tantrisme découle généralement de certaines manifestations spectaculaires ou dégénérées qu'ils ont eu l'occasion de voir ou, bien plus souvent encore, qui leur ont été décrites après avoir passé par de nombreux intermédiaires. …