Joe Sante wants to be the big man, and nobody is going stand in his way. In a world full of smoke, molls, shakedowns, muscle, and murder, Joe knows what he wants and how to get it. But can he disregard his poor old immigrant parents who are ashamed of his criminal life? Will he drag his sweet girlfriend into the life of the underworld? And most importantly, can Joe trust his mobster friends?
Being familiar with some of his work (basically the hit songs) I had no idea of the legacy this brilliant man has left behind. To my complete surprise this (ridiculously low priced) box set opened a new musical world before my ears and from the very first listening I have felt madly and hopelessly in love with Serge Gainsbourg's music. The quality of these recordings is matched by the quality of sound. The remastering is top notch and superior to most digital transfers heard today. I only wish this incredible set had been released on vinyl as well.
Reissue with SHM-CD format and new 24bit remastering. Canadian flutist Moe Koffman was delighted to have a hit on his hands after the success of his "The Swingin' Shepherd Blues," so this Jubilee LP became his immediate follow-up album. Joined by guitarist Ed Bickert, bassist Hugh Currie and drummer Ron Rully, Koffman wrote five new originals for this record, including the light and breezy "Flute Salad" and the hip swinger "Marty's Morgue." He also adds an easygoing take of Sonny Rollins' "Doxy," and a hard bop (with traces of funk in its introduction) arrangement of the standard "Alone Together." Koffman switches to alto sax for his intricate "Bermuda Schwartz" (which features a fine solo by Bickert and a few drum breaks), as well as on Rully's exotic composition "What Can You Do." Long out of print, consider this LP to be extremely rare.
This superb 5-CD collection compiles all existing live recordings made by the Atomic band at the Crescendo Club, in Hollywood, in the summer of 1958, for the first time ever on a single edition. The sound quality is excellent throughout the set. Count Basie’s career was revived in late 1957 thanks to the success of the Neal Hefti-arranged LP Atomic Basie, which became one of his biggest hits. The orchestra was filled with stars, and Joe Williams’ vocals were heard to great effect supported by Hefti’s excellent scores and the superb quality of the band.
Rare reissue of historic recordings by Scott LaFaro. New DSD remastering. Scott LaFaro left us a very small number of recordings due to his untimely death in 1961. He was a genius who developed a revolutionary way of playing the bass. Whether recorded live or in studio, these recordings are all worth listening to. This album consists of three ABC Stars of Jazz TV probrams as well as a very rare rehearsal session at Bob Andrews' Recordville, the record store belonging to Andrews, the famous devotee of the West Coast jazz scene. All are 1958 performances while LaFaro was with the Victor Feldman group. Recommended for fans of Scott LaFaro!
Gerry Mulligan was certainly busy in December 1957. During a two-week period, the baritonist recorded a reunion album with trumpeter Chet Baker, documented a set of his songs with an octet that featured five top saxophonists, recorded a very obscure set with a sextet that included four strings, and cut most of an album in which his quartet teamed up with singer Annie Ross. This limited-edition three-CD set contains all of the music plus alternate takes and the last part of the Ross album, which was recorded nine months later with trumpeter Art Farmer in Baker's spot. The reunion with Baker, one of only two times when Mulligan and the trumpeter got back together (the other was a 1970s concert), has some of the old magic of the famous 1951-1952 pianoless quartet.