1950's Flac

Dvorak: Concerto in B minor / Walton: Cello Concerto - Piatigorsky, Munch (2005) {Hybrid-SACD // ISO & HiRes FLAC} [RE-UP]

Antonin Dvorak: Concerto in B minor / William Walton: Cello Concerto
Gregor Piatigorsky, cello - Boston Symphony Orchestra - Charles Munch
SACD ISO (2.0/MCH): 2,86 GB | 24B/88,2kHz Stereo FLAC: 1,25 GB | Full Artwork | 5% Recovery Info
Label/Cat#: RCA Red Seal "Living Stereo" # 82876-66375-2 | Country/Year: Europe 2005, 1950s/1960s
Genre: Classical | Style: Romantic, Contemporary, Cello

"…As far as sound goes, it's the best I've heard from Living Stereo and perhaps the best I've heard from my stereo period! The soloist to orchestra balance is just about perfectly even, which means the orchestra is considered an equal part by the engineers. I prefer that to the "I'm ready for my closeup now Mr De Mille" balance used by most producers in order to highlight the "STAR"." ~sa-cd.net
The Nice - Elegy (1971) Philips/6303 011 - Original DE Demo Pressing - LP/FLAC In 24bit/96kHz - ONLY RE-POST

The Nice - Elegy
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz / 900mb
Label: Philips/6303 011 | Release: 1971 | Genre: Symphonic-Rock

Excellent addition to any prog rock music collection.
Although admittedly a posthumous release, I was very surprised at the rather dismissive tenor of many of the reviews of this album to date. Hopefully this record will be reappraised soon as being a release worthy of anyone's consideration as I feel it does enhance an already rich legacy left behind by this very fine and innovative band. (So what if Charisma wanted to ride the slipstream of the lucrative ELP juggernaut?)
Vanilla Fudge - Vanilla Fudge (1967) ATCO Records/SD 33-224 - 1st US Pressing - LP/FLAC In 24bit/96kHz - ONLY RE-POST

Vanilla Fudge - Vanilla Fudge
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz / 900mb
Label: ATCO Records/SD 33-224 | Released: 1967 | Genre: Psychedelic-Rock

Essential: A masterpiece of psych-rock music collection.
Vanilla Fudge are a pioneering psychedelic band with a superb lineup and are famous for psyching up well known cover versions. Their debut albums features some of their best and most popular material such as the stunning' You Keep Me Hanging On', 'Eleanor Rigby' and 'She's Not There'.
Dvorak: Concerto in B minor / Walton: Cello Concerto - Gregor Piatigorsky, Munch (2005) {Hybrid-SACD // ISO & HiRes FLAC}

Antonin Dvorak: Concerto in B minor / William Walton: Cello Concerto
Gregor Piatigorsky, cello - Boston Symphony Orchestra - Charles Munch
SACD ISO (2.0/MCH): 2,86 GB | 24B/88,2kHz Stereo FLAC: 1,25 GB | Full Artwork | 5% Recovery Info
Label/Cat#: RCA Red Seal "Living Stereo" # 82876-66375-2 | Country/Year: Europe 2005, 1950s/1960s
Genre: Classical | Style: Romantic, Contemporary, Cello

"…As far as sound goes, it's the best I've heard from Living Stereo and perhaps the best I've heard from my stereo period! The soloist to orchestra balance is just about perfectly even, which means the orchestra is considered an equal part by the engineers. I prefer that to the "I'm ready for my closeup now Mr De Mille" balance used by most producers in order to highlight the "STAR"." ~sa-cd.net
Sui Generis – Confesiones De Invierno (1973) Microfon/SE-431 – AR Pressing - LP/FLAC In 24bit/96kHz - NEW 2017 RIP!

Sui Generis - Confesiones
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Label: Microfon/SE-431 | Release: 1973 | This Issue: 1974 | Genre: Country-Rock

A clear improvement over the debut in all levels: songwriting, performance, lyrics, depth, emotion. The album is a bit more mature, though it doesn’t totally leave behind the cheery naive sound of the debut behind, as you can clearly hear on the catchy piano track “Bienvenidos al Tren”.
BBC Symphony Orchestra, Sir Andrew Davis - Delius: Appalachia, The Song Of The High Hills (2011) [SACD ISO+HiRes FLAC]

Russian National Orchestra - Tchaikovsky: Symphony No.1 & Marche Slave (2011)
BDP-170 Rip | SACD ISO | DST64 2.0 & DST64 5.0 >1-bit/2.8224 MHz | Digital Booklet | 3.05GB + 5% Recovery
FLAC tracks 2.0 24bit/88.2 kHz | Digital Booklet | 1.10GB + 5% Recovery

This release offers a pair of fairly early Delius works; they may not be instantly appealing to those making a start with this idiosyncratic English impressionist, but confirmed fans will love them. The roots of Frederick Delius’ Appalachia lay in his experiences as an orange plantation manager in Florida in the late 1880s, where he heard the singing of African-American laborers and, according to his own testimony, first began to think about becoming a composer. The work is subtitled “Variations on an Old Slave Song with Final Chorus for baritone, chorus, and orchestra,” and everything about it is intriguingly confused. Florida is not part of Appalachia. Nor is the Mississippi River delta, which Delius claimed was the inspiration for the work, but which he apparently never saw.
Russian National Orchestra - Tchaikovsky: Symphony No.1 & Marche Slave (2011) [SACD ISO+HiRes FLAC]

Russian National Orchestra - Tchaikovsky: Symphony No.1 & Marche Slave (2011)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 5.0 >1-bit/2.8224 MHz | Digital Booklet | 2.69GB + 5% Recovery
FLAC Image+CUE 2.0 24bit/88.2 kHz | Digital Booklet | 868MB + 5% Recovery

The genre of the symphony played a major role throughout the creative life of Pyotr Tchaikovsky. He composed his 1st symphony at the age of 26, & his 6th & last symphony – the Pathйtique – in 1893, the year in which he died. Whereas his 3 last symphonies have remained an integral part of the concert repertoire, performances of his 1st 3 symphonies are still quite rare. Unfairly so, as they are unique individual works, artistic expressions of a high quality. Tchaikovsky defined the symphony as “the most lyrical of musical forms. After all, is it not meant to express that for which there are no words, but which forces itself out of the soul, impatiently waiting to be uttered?”. With these words, Tchaikovsky makes us aware of the special nature of his symphonies. Primarily, they provided him with a musical outlet for the elaboration of his emotions, his mental & spiritual processes.
San Francisco Symphony - Beethoven: Piano Concerto No.3, Mass (2015) [SACD ISO+HiRes FLAC]

San Francisco Symphony - Beethoven: Piano Concerto No.3, Mass (2015)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 5.1 >1-bit/2.8224 MHz | Digital Booklet | 4.35GB + 5% Recovery
FLAC tracks 2.0 24bit/88.2 kHz | Digital Booklet | 1.32GB + 5% Recovery

Own two of the works that helped cement Beethoven’s reputation as a creative genius like none other. Internationally acclaimed pianist Emanuel Ax joins Michael Tilson Thomas and the San Francisco Symphony in a dynamic performance of Beethoven’s robust Piano Concerto No. 3. Then, MTT leads the Grammy-winning SF Symphony Chorus and musicians in a rarely performed work: Beethoven’s Mass in C major.
Cat Stevens – Foreigner (1973) A&M Records/SP-4391 – Original US Pressing - LP/FLAC In 24bit/96kHz

Cat Stevens – Foreigner
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz
Mastered at Sterling Sound by Lee Hulko
Label: A&M Records/SP-4391 | Release: 1973 | Genre: Folk-Rock

Between 1970 and 1972, Cat Stevens recorded four albums in the same manner, using the same producer and many of the same musicians, painting the album covers, and assigning the records ponderous titles. Things changed with his next album, Foreigner.
Russian National Orchestra, Mikhail Pletnev - Tchaikovsky: Manfred Symphony Op.58 (2013) [SACD ISO+HiRes FLAC]

Russian National Orchestra, Mikhail Pletnev - Tchaikovsky: Manfred Symphony Op.58 (2013)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 5.0 >1-bit/2.8224 MHz | Digital Booklet | 2.76GB + 5% Recovery
FLAC Image+CUE 2.0 24bit/88.2 kHz | Digital Booklet | 941MB + 5% Recovery

Peter Ilyich Tchaikovsky’s Manfred is a hermaphrodite – at least, as far as the music is concerned. For although the work (dating from 1885) was indeed dubbed by its creator as a symphony, it still did not receive a number alongside Tchaikovsky’s further six contributions to the category. And thus it was – and has still to some extent remained – “draped” over a stool, as it were: isolated in Tchaikovsky’s oeuvre somewhere between the categories of the symphony and the symphonic poem. Nevertheless, Manfred is definitely based on a literary programme. And what a programme – the eponymous dramatic poem written by the “dark romantic” poet, Lord Byron. Tchaikovsky devoted himself to this and to its eponymous hero with zeal, and seemed to even somewhat transform himself into Manfred during the intensive period of work. After all, he was also suffering from inner torment.