According to conventional wisdom, the adjective that most aptly describes Hindemith's music is "dry," just about as damning an assessment as exists, barely a step up from "mind-numbingly dull" or "unlistenable." Who wants to listen to dry music? Hindemith was remarkably prolific, and it must be admitted that he perhaps wrote more than his share of dry music, but he also wrote music of great energy, expressiveness, and wit.
Thomas Morgan Robertson (born 14 October 1958), known by the stage name Thomas Dolby, is an English musician, singer and producer. His hit singles include "She Blinded Me with Science" from 1982 and the 1984 single "Hyperactive!". He has also worked in production and as a session musician, as a technology entrepreneur in Silicon Valley, and as the Music Director for the TED Conference…
2CELLOS new DVD, Live at Arena Zagreb, is an exhilarating live performance filmed in their Croatian homeland to a sold-out audience of over 25,000 fans. Accompanied by the Zagreb Philharmonic Orchestra, the concert includes songs from their self titled debut album as well as their internationally acclaimed second release, IN2ITION. The DVD features 2CELLOS' massive YouTube hits, "Smooth Criminal" and "Welcome to the Jungle," along with a trio of their popular renditions of AC/DC songs "Back in Black," "You Shook Me All Night Long" and "Highway to Hell." Rounding out the set are their unique covers of songs from Jimi Hendrix, Coldplay, U2, Red Hot Chili Peppers, Nirvana and Sting plus classical repertoire that showcases their unsurpassed virtuosity. Also included is a bonus Behind-the- Scenes feature.
Donovan Leitch's instantly recognizable vibrato may not appear until track six, but the casual "Hurdy Gurdy Man" fan has no business picking up this four-disc/sixty-song collection of the Scottish troubadour's four decades of whimsical pop confections and beatnik balladry. Sony's Try for the Sun: The Journey of Donovan includes a previously unreleased documentary from 1970, a lovely book that chronicles the singer/songwriter's storied career, complete with quotes of praise from current hipster bards like Devendra Banhart and the Polyphonic Spree's Tim DeLaughter, and 15 B-sides, rare demos, and live recordings, all housed in the finest faux-purple velvet box one could imagine.
It was, at the time, one of the highest-grossing rock tours ever, grossing over 11 million dollars in an era when such figures were uncommon. Such success camouflaged the chaos behind the scenes – the bitter fights and feuds, the excess and indulgence that led to Crosby, Stills, Nash & Young pocketing about a half million dollars each, when all was said and done. Big bucks were the reason the CSNY 1974 tour even existed. Efforts to record a new album in 1973, their first since 1970's breakthrough Déjà Vu, collapsed but manager Elliot Roberts and promoter Bill Graham convinced the group to stage the first outdoor stadium tour in the summer of 1974, with the idea that CSNY would test-drive new material in concert, then record a new studio album in the fall, or maybe release a live record from the historic tour. Neither happened.
Simon & Garfunkel reunited on September 19, 1981, to perform a free concert in Central Park, New York City. This two-record set presents some of the duo's biggest hits in a live context, and also allows listeners a chance to hear what many Simon solo numbers could sound like in S&G mode. [The Concert in Central Park was re-released as a 40-track CD/DVD set in 2015.]
Known in her heyday as "the blues sensation of the West," the big-voiced Sara Martin was one of the best of the classic female blues singers of the '20s. Martin began her career as a vaudeville performer, switching to blues singing in the early '20s. In 1922, she began recording for OKeh Records, cutting a number of bawdy blues like "Mean Tight Mama." She continued recording until 1928. During this time, Martin became a popular performer on the southern Theater Owners' Booking Association circuits, eventually playing theaters and clubs on the east coast as well. In the early '30s, Sara Martin retired from blues singing and settled in her hometown of Louisville, Kentucky. While she was in Louisville, she ran a nursing home and occasionally sang gospel in church. Sara Martin died after suffering a stroke in 1955.