192 Kbit

Pinnacle TreX 1.7.4  Software

Posted by medion at May 6, 2006
Pinnacle TreX 1.7.4
Convert multimedia files from one format to another
Pinnacle TreX 1.7.4
Constance Demby - Albums Collection 1978-2011 (12CD + DVD5) [Re-Up]

Constance Demby - Albums Collection 1978-2011 (12CD + DVD5)
EAC | FLAC | Tracks (Cue&Log) ~ 3.58 Gb (incl 5%) | Mp3 (CBR320) ~ 1.84 Gb (incl 5%) | Scans included
New Age, Neo-Classical, Space Music, Progressive Electronic, Ambient, Spiritual | Time: 11:40:35

Constance Demby is one of the few representatives of the New Age movement (in both her music and her personal philosophies) who consistently creates artistic, highly expressive compositions. Demby was trained in classical music as a child, and her artistic spirit led her to also master several other art forms; at the University of Michigan, she studied painting, sculpture, and music. It was her work as a sculptor that led her to new dimensions of sound. As she was torching a sheet of metal, it roared thunderously, and thus was born the Sonic Steel Instruments: the Whale Sail, and the Space Bass, enormous bowed instruments with deep archetypal resonances.
Dvorak - The 9 Symphonies (1999) (Kubelik, Berliner Philharmoniker) (Box Set 6CD) (REPOST)

Dvorak - The 9 Symphonies (Kubelik, Berliner Philharmoniker) (Box Set 6CD)
EAC Rip | FLAC (tracks+.cue, log) | Artwork | 1947 mb | MP3 CBR 320kbps | RAR | 1085 mb
Classical, Romantic, Symphony | Label: Deutsche Grammophon - 463158

Rafael Kubelik was one of our foremost interpreters of Dvorak and other great Czech composers such as Smetana and Janacek. His critically acclaimed 1960's Dvorak symphony Deutsche Grammophon cycle was reissued several years ago as a budget-priced collection.

James Brown - Star Time (1991) [4CD Box Set] Repost  Music

Posted by Andi_Deris at Jan. 19, 2017
James Brown - Star Time (1991) [4CD Box Set] Repost

James Brown - Star Time (1991) [4CD Box Set]
EAC Rip | FLAC: Tracks+Cue+Log | 1.7 Gb | MP3 CBR 320 kbps | 721 Mb | Scans | 109 Mb | Time: 04:54:41
Polydor | 849 108-2 (849 109/10/11/12-2)
Soul, Funk, Disco

James Brown can seem like an insufferable braggart. He makes no bones about his greatness, proclaiming himself not only the King of Soul but the inventor of funk and the progenitor of rap and disco — not to mention a leading exponent of black pride. To hear him tell it, James Brown is one of the most dynamic and visionary musicians America has ever produced. After examining the evidence set forth in the seventy-two songs on Star Time, however, only one conclusion is possible: James Brown is far too modest.
Bobby Hutcherson - Head On (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81099}

Bobby Hutcherson - Head On (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81099}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 508 Mb | MP3 @320 -> 186 Mb
Full Artwork @ 600 dpi (png) -> 250 Mb | 5% repair rar | 24bit 192kHz remaster
© 1971, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81099
Jazz / Post Bop / Vibraphone

Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24 bit remastering. Featuring the work of obscure composer/pianist Todd Cochrane, vibraphonist Bobby Hutcherson's 1971 album Head On is a highly cerebral and atmospheric affair that is somewhat different than his other equally experimental '70s work. Although the album does feature more of the avant-garde jazz that Hutcherson was exploring during this period, Cochrane's material is heavily influenced by contemporary classical music, and accordingly Head On is more of an exercise in reflective, layered jazz than rambunctious freebop – though it does offer some of that, too.
Bobby Hutcherson - Oblique (1967) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5016}

Bobby Hutcherson - Oblique (1967) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5016}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 246 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (png) -> 232 Mb | 5% repair rar | 24bit 192kHz remaster
© 1967, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5016
Jazz / Post Bop / Vibraphone

Reissue. Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). Bobby Hutcherson's second quartet session, Oblique, shares both pianist Herbie Hancock and drummer Joe Chambers with his first, Happenings (bassist Albert Stinson is a newcomer). However, the approach is somewhat different this time around. For starters, there's less emphasis on Hutcherson originals; he contributes only three of the six pieces, with one from Hancock and two from the typically free-thinking Chambers. And compared to the relatively simple compositions and reflective soloing on Happenings, Oblique is often more complex in its post-bop style and more emotionally direct (despite what the title may suggest).
Lee Morgan - The Sidewinder (1963) {2013 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81011}

Lee Morgan - The Sidewinder (1963) {2013 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 368 Mb | MP3 @320 -> 120 Mb
Full Artwork @ 600 dpi (png) -> 247 Mb | 5% repair rar | 24bit 192kHz remaster
© 1963, 2013 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81011
Jazz / Hard Bop / Trumpet

Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). Carried by its almost impossibly infectious eponymous opening track, The Sidewinder helped foreshadow the sounds of boogaloo and soul-jazz with its healthy R&B influence and Latin tinge. While the rest of the album retreats to a more conventional hard bop sound, Morgan's compositions are forward-thinking and universally solid. Only 25 at the time of its release, Morgan was accomplished (and perhaps cocky) enough to speak of mentoring the great Joe Henderson, who at 26 was just beginning to play dates with Blue Note after getting out of the military.
Lee Morgan - The Rajah (1966) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5023}

Lee Morgan - The Rajah (1966) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5023}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 308 Mb | MP3 @320 -> 108 Mb
Full Artwork @ 600 dpi (png) -> 252 Mb | 5% repair rar | 24bit 192 kHz remaster
© 1966, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5023
Jazz / Hard Bop / Trumpet

Features the high-fidelity SHM-CD format (fully compatible with standard CD player) and the latest remastering (24bit 192kHz). This long-lost Lee Morgan session was not released for the first time until it was discovered in the Blue Note vaults by Michael Cuscuna in 1984; it has still not been reissued on CD. Originals by Cal Massey, Duke Pearson ("Is That So") and Walter Davis, in addition to a couple of surprising pop tunes ("What Not My Love" and "Once in My Lifetime") and Morgan's title cut, are well-played by the quintet (which includes the trumpeter/leader, Hank Mobley on tenor, pianist Cedar Walton, bassist Paul Chambers and drummer Billy Higgins).
Requiem - Verdi, Mozart, Brahms (Karajan, Orchestre Philharmonique de Vienne; Chalier, Orchestre de Lancy) [2001]

Requiem - Verdi, Mozart, Brahms (Karajan, Orchestre Philharmonique de Vienne; Chalier, Orchestre de Lancy) [2001]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 3cd, 711 MB
Classical | Label: L'illustre | Catalog Number: APG 112 | TT: 3:32;23

Herbert von Karajan also often confronted himself with spiritual music. Especially the Mozart, Verdi and Brahms Requiem were always performed in the utmost quality, whereas before all else Verdi's Messa di Requiem demands excellent opera voices.
Mozart - Le nozze di Figaro (Arnold Ostman, Arleen Auger, Della Jones, Barbara Bonney)

Mozart - Le nozze di Figaro (Arnold Östman, Arleen Auger, Della Jones, Barbara Bonney) [1990]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 3cd, 688 MB
Classical | Label: Oiseau Lyre London / Decca | Catalog Number: 421 333-2 | TT: 186’28

In 1988 when this period-instrument Figaro was released, the style was still a novelty, and Ostman gained some notoreity for his rushed tempos as well as the scrawniness of his chamber orchestra, by far the smallest to play this great opera on CD. Yet when I read a glowing review by Andrew Porter in the New Yorker, I immediately bought the performance, shortly discovering that it was a true gem in the extensive Figaro catalog.
By Santa Fe Listener