180 g lp

Steely Dan – Aja {Cisco 180 g} Vinyl Rip 24/96  Vinyl & HR

Posted by boticario at June 24, 2015
Steely Dan – Aja {Cisco 180 g} Vinyl Rip 24/96

Steely Dan – Aja (1977)
Vinyl rip in 24-bit/96 kHz | FLAC | Full LP Artwork | 850 Mb, 4% RAR Recovery
Cisco Music ‎– CLP-1006 (2007) ~ 30th Anniversary Edition All-Analog HQ-180 LP
Mastered by Kevin Grey and Robert Pincus at AcousTech Mastering

True Audiophile Vinyl Rip
Eric Dolphy - 'Out to Lunch!' (180 g Audiophile re-issue) Vinyl rip in 24-bit/96kHz + Redbook

Eric Dolphy - 'Out to Lunch!'
Blue Note Records 180 g Audiophile re-issue
Vinyl rip in 24-bit/96kHz & 16-bit/44.1kHz | FLAC (Tracks), artworks | Stereo | 845 Go, 214 Mb | 5% RAR Recovery | 1964
Styles: Jazz, avant-garde jazz | RapidShare Download

'Out to Lunch' stands as Eric Dolphy's magnum opus, an absolute pinnacle of avant-garde jazz in any form or era.
John Lennon - Walls And Bridges (EMI Centenary 180 Gram LP) Millennium Remasters (16-bit Vinyl Rip)

John Lennon - Walls And Bridges (EMI Centenary 180 Gram LP) Millennium Remasters (16-bit Vinyl Rip)
Rock | FLAC+Covers | 271 MB | FS.com & HF.com
Original Release Date: 4 October 1974 | Apple/EMI

Walls and Bridges is the fifth official album by English rock musician John Lennon, released in October 1974. Recorded and issued during his separation from Yoko Ono, the album captures Lennon in the midst of his infamous "lost weekend", a period that lasted eighteen months. It was a #1 hit album and featured Lennon's only #1 single as a solo artist during his lifetime, Whatever Gets You Thru The Night.
Elton John - Madman Across The Water - DCC 180 Gram LP Mastered By Steve Hoffman (pbthal rip)

Elton John - Madman Across The Water - DCC 180 Gram LP Mastered By Steve Hoffman (pbthal rip)
Original rip 24-bit/192kHz > Redbook | Flac | Artwork, Original pbthal txtfile | 253mb
Bill Evans Trio: California Here I Come  (Japanese 180-gram vinyl) 24-bit/96kHz)

Bill Evans Trio: California Here I Come (Japanese 180-gram LP) 24-bit/96kHz
Jazz (2 LPs) | Vinyl transfer, 24-bit/96kHz | Flac | Scans | 1.41 GB
John Mayall & the Bluesbreakers – A Hard Road [Sundazed 180g Mono LP] Vinyl Rip 24/96

John Mayall & The Bluesbreakers ‎– A Hard Road (1967)
Vinyl rip in 24 bit/96 kHz | FLACS | Artwork | 830 Mb, 4% RAR Recovery
Sundazed Music ‎– LP 5372 (US, 2011 Reissue, Mono, 180 g)
Gram Parsons - Grievous Angel (Reprise Records - Rhino re-issue) LP rip in 24 Bit/ 96 Khz + Redbook

Gram Parsons - Grievous Angel
Reprise Records - Rhino re-issue 180 g from analog master
Vinyl rip in 24-bit/96kHz + 16-bit/44kHz | FLAC (Tracks) , artworks | Stereo | 755, 220 Mb | 5% RAR Recovery | 1974
Styles: Country Rock, Cosmic American Music | RapidShare Download

Grievous Angel was the second solo album by Gram Parsons, compiled from 1973 sessions and released four months after his death. Like all of Parsons' records, it failed to rate high on the charts, never reaching the top hundred on the Billboard charts. Nonetheless, it is viewed as a successful example of the hybrid between country and rock and roll Parsons called "Cosmic American Music."

The Soft Machine - Volume Two [24bit/96kHz LP Rip]  Music

Posted by Kel bazar at June 29, 2009
The Soft Machine - Volume Two [24bit/96kHz LP Rip]

The Soft Machine - Volume Two [180 g Tapestry Records reissue] 24bit/96kHz LP Rip
Vinyl rip in 24-bit/96kHz | FLAC (TRACKS), m3u | Stereo | ~652 Mb | RAR 5% Recovery | 1969
Styles: "Canterbury Scene" | RapidShare Download

A Very Great Sounded 500 Copies Reissue!!!
Spring – Spring (1971) Akarma/AK 213/2 – Double LP/IT 180g Pressing - LP/FLAC In 24bit/96kHz

Spring – Spring
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 1,2gb & 400mb
Label: Akarma/AK 213/2 | Released: 1971 | This Issue: 2002 | Genre: Progressive-Rock

Essential: A masterpiece of progressive rock music
I find it amazing how many groups there were on the cusp of something as big as the development of an entire genre of music. Progressive rock was just starting to kick it into high gear in 1971 and bands like Spring were working on important recordings like this self- titled set.
At first, I was not sure what the picture of the dead soldier meant but after listening to the albums lyrics, it makes more sense. The album certainly has a theme. “The Prisoner,” “Fool’s Gold,” “Shipwrecked Soldier,” “Golden Fleece,” and “Grail” certainly have an explorer war like premise.
Howlin' Wolf - The Real Folk Blues (1966) + More Real Folk Blues (1967) 2 LP in 1 CD, Remastered 2002

Howlin' Wolf - The Real Folk Blues (1966) + More Real Folk Blues (1967) 2 LP in 1 CD, Remastered 2002
EAC | FLAC | Image (Cue&Log) ~ 313 Mb (incl 5%) | Mp3 (CBR320) ~ 180 Mb (incl 5%) | Scans included
Genre: Chicago Blues, Electric Blues | Label: MCA/Chess | # 088 112 820-2 | Time: 01:06:43

The Real Folk Blues series on Chess wasn't really folk, but titled that way, perhaps to gain the attention of young white listeners who had started to get turned on to the blues during the 1960s folk revival. And the Howlin' Wolf volumes in the series were not particularly more folk-oriented than his other Chess recordings, but more or less arbitrary selections of tracks that he'd done from the mid-'50s to the mid-'60s. It's thus also arbitrary to do a two-fer reissue of his The Real Folk Blues and More Real Folk Blues, combined here onto a single disc. That doesn't mean, though, that this isn't very good and sometimes great electric blues music. The Real Folk Blues, with tracks from 1956 to 1965, is by far the more modern of the pair in arrangements, and has a good share of classics: "Killing Floor," "Sittin' on Top of the World," "Built for Comfort," "Tail Dragger," and "Three Hundred Pounds of Joy".