Auberge is the eleventh studio album by Chris Rea, released in 1991. Auberge was a #1 album in the UK in 1991. The title track also gave Rea one of his biggest chart hits, reaching #16 in the UK charts. Other songs released as singles were "Heaven", "Looking For The Summer" and "Winter Song". Another song, "And You My Love", although not released as a single, has become a firm favourite among his fans and is regularly performed at live concerts.
Progressive rock bands like Camel have to be creative in their touring schedules, often traveling to Europe in order to find a substantial concentration of fans in a single place. So it was that Camel arrived with their 20th anniversary tour at Enschede, Holland. After their tenth anniversary tour (which found them promoting The Single Factor), few would have predicted a 20th, but the release of Dust and Dreams in 1991 suggested the band had found a second creative wind (or at least tapped into the original breeze last felt on Nude). Never Let Go confirms the point that Camel has plenty of life left in it…
Random Access Memories is the fourth studio album by French electronic music duo Daft Punk, released on 17 May 2013 by the duo's imprint Daft Life and Columbia Records. The album pays tribute to the late 1970s and early 1980s American music, particularly from Los Angeles. Unlike their previous albums, Daft Punk recruited session musicians to perform live instrumentation and limited the use of electronic instruments to drum machines, a custom-built modular synthesizer, and vintage vocoders. The album features collaborations with Giorgio Moroder, Panda Bear, Julian Casablancas, Todd Edwards, DJ Falcon, Chilly Gonzales, Nile Rodgers, Paul Williams and Pharrell Williams. It is the first Daft Punk album released by Columbia Records. The Japan-exclusive bonus track "Horizon", written by Bangalter and de Homem Christo, is a slow-tempo composition reminiscent of Pink Floyd. It is characterized by a consistent guitar strum while several additional instruments are progressively layered over, including a bass guitar and drums. The song is stylistically different from other tracks on the album, and is one of the few to feature no lyrics.
It’s hard to be ambivalent about Zooey Deschanel. She’s a polarizing personality, one whose deadpan movie roles and big Bambi eyes are either charming or too cute for their own good. The same can be said for She & Him, a soft rock duo that features Deschanel doing what she does best as a film star: acting utterly adorable alongside a quiet, talented male character. Her co-star in this case is M. Ward, who produces the band's second album and frames Deschanel’s voice with a Spector-sized pile of instruments. Those who already take issue with Zooey’s acting will almost surely pick this record apart – it’s too reminiscent of her cutesy turns in movies like (500) Days of Summer to change many minds – but for fans of retro pop (and Deschanel in general), Volume 2 is a gem. Whether they’re copping the Brill Building sound or resurrecting ‘70s beach-pop, She & Him always seem to have nostalgia on the mind.
"No Frills" is the sixth studio album by American singer Bette Midler, released on Atlantic Records in 1983. No Frills was Midler's first studio album in four years, following the movies The Rose, Divine Madness! and the ill-fated Jinxed!. The rock and new wave influenced album was produced by Chuck Plotkin, best known for his work with Bob Dylan and Bruce Springsteen, and included three single releases; the ballad "All I Need to Know", a cover of Marshall Crenshaw's "My Favourite Waste of Time" and Midler's take on the Rolling Stones classic "Beast of Burden".