For Robert Altman's Kansas City film, since the story was centered in 1934 Kansas City, Altman wanted to have younger musicians depict top jazz artists of the era playing at one of the legendary jam sessions. He recruited many of today's top modernists and, although they used arrangements based on older recordings, they did not have to necessarily improvise in the style of the time. Actually, it is surprising how close the musicians often come, recapturing not just the music of the period but the adventurous spirit of such immortals as Coleman Hawkins, Ben Webster, and Lester Young. A dozen songs from the film are on this very enjoyable and unique CD, which features such players as trumpeter Nicholas Payton, clarinetist Don Byron, guitarists Russell Malone and Mark Whitfield, pianists Geri Allen and Cyrus Chestnut, altoists Jesse Davis and David "Fathead" Newman, and four of today's great tenors: James Carter, Craig Handy, David Murray, and Joshua Redman. In addition, Kevin Mahogany sings "I Left My Baby." Although there are some audience shouts on a couple of the pieces, this is one soundtrack album that very much stands up on its own.
The ten one-hour Dekalog films are set around the same modern Warsaw apartment building. Each film deals with a theme - love, marriage, infidelity, parenthood, guilt, faith, compassion - exploring the relevance of one of the Ten Commandments, showing how people deal with moral dilemma in their everyday lives. The soundtrack for nine of the ten Dekalog films marks the point where the creative relationship and friendship between Preisner and Kieslowski first flowered and contains the seeds of much of Preisner's later work. (Kieslowski and Preisner decided that Dekalog X would not require an original music score). The music was recorded by Zbigniew Malecki and Aleksander Dowsilas at Radiowy Dom Sztuki Studio, Katowice.
Music For Film And Exhibition (2007). Peter Andersson from the Cold Meat Industry act Raison D’etre presents his sound work for film and exhibition, spanning through the years 1999 to 2006. Peter has been working on several film and exhibition projects, some of these projects never went to final completion but the music was composed in almost all the cases. Music for Film and Exhibition presents a broad spectrum of the sounds and music capabilities of Peter Andersson and those familiar with any of his different music projects including Raison D’etre, Necrophorus, Atomine Elektrine, Bocksholm etc. will most probably enjoy this double album very much…
John Carpenter s 1980 follow-up film to his smash hit Halloween featured ghost sailors terrorizing a Californian coastal community as a dense fog descends on their homes. The multi-talented filmmaker not only directed and wrote his films but also created his own unique brand of atmospheric synthesiser scores. This updated version of Silva Screen s long deleted and sought after 2000 reissue brings together not just the original album which featured 20 minutes of newly released music but a second 20 track disc of the entire score, drawn from the original tapes, remastered by long-time Carpenter collaborator Alan Howarth.