Greatest Hits is a strange release. Sure, Tupac Shakur had more than enough hits to make a terrific compilation, but its appearance in the fall of 1998 felt a bit like another opportunity to milk his catalog, simply because of the plethora of releases, from previously unheard recordings to interview discs and bootlegs. Even with these misgivings taken into account, it has to be said that Greatest Hits does its job well. Given that it runs 25 tracks and two CDs, some may argue that it does its job a little too well, but the fact of the matter is, this contains all of his big hits, from "Keep Ya Head Up" and "Dear Mama" to "California Love" and "I Ain't Mad at Cha." Some may argue that it would have been more effective if it was sequenced in chronological order, but this remains the best place for casual listeners to get all the 2Pac they need.
On this 1977 album, Nazareth makes a full-blooded return to the hard rock sound they had neglected since their success with Hair of the Dog. The result is a potent, driving slab of hard rock that will please Nazareth fans and devotees of 1970s hard rock alike. The album sets its frenzied tone right off the bat with its title track, a blistering rocker that features Dan McCafferty spitting out a sharp-edged vocal about life's cruelty over a series of fast and relentless guitar riffs. The remainder of the album prominently features a similarly brutal string of rockers: standouts include "Revenge Is Sweet," a paean to getting even that combines chugging guitar riffs…
Razamanaz is the third studio album by the Scottish hard rock band Nazareth, released in 1973. It was the band's first LP record to break the charts and was produced by Deep Purple's Roger Glover who the band was on tour with at the time. Loud 'n' Proud is the fourth studio album by Nazareth, and their second to be released in 1973.
Breakwater is an American funk band from Philadelphia. The band released two albums: Breakwater in 1978, and Splashdown in 1980. The latter features the song "Release the Beast", which was sampled for the Murs track "Intro" in the album Murs 3:16: The 9th Edition. "Release the Beast" was later sampled by Daft Punk for the song "Robot Rock", which appeared on the album Human After All.
Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24 bit remastering. Featuring the work of obscure composer/pianist Todd Cochrane, vibraphonist Bobby Hutcherson's 1971 album Head On is a highly cerebral and atmospheric affair that is somewhat different than his other equally experimental '70s work. Although the album does feature more of the avant-garde jazz that Hutcherson was exploring during this period, Cochrane's material is heavily influenced by contemporary classical music, and accordingly Head On is more of an exercise in reflective, layered jazz than rambunctious freebop – though it does offer some of that, too.
Features 24 bit remastering and comes with a mini-description. This is the music that will be playing when you die and go to heaven. Excellent original style Dixieland, George's clarinet is heaven! I don't know if any record can do justice to the live experience of the original giants of jazz creating this stuff. But the George Lewis tracks on this record come pretty close! For this alone this CD is well worth buying.
A great Capitol moment from pianist Paul Smith – an artist who really cut some of his best material ever for the label ! The Smith sound is at the height of its powers here in the late 50s — kind of a blend of jazz and more easy-going pianistic modes — often stretched out with lots of flourishes by Smith on the keys, but never the too-flowery styles used by some of his contemporaries ! Instead, Paul keeps things nice and lean — always enough to be plenty swinging in all the right moments — with quartet help from Barney Kessel on guitar, Joe Mondragon on bass, and Stan Levey on drums.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. A nice little set from Monty Alexander – a Sunday Night session recorded with the same group, on the same weekend as his Saturday Night album! Monty Alexander's always great in a trio, but we really love the pianist when he's trying to add a little something extra to the mix – as he does here in a quartet performance that features some nice added percussion from Robert Thomas! The tracks have that warm glow and open flow that Alexander first started bringing to his music in the 70s – with sensitive rhythm work here from Reggie Johnson on bass and Ed Thigpen on drums – but the added percussion really helps things swing at a slightly higher level, giving a gentle kick to some cuts, while Monty's still able to open up with some warmly lyrical lines over the top.
This ten-track budget-priced collection, excerpted and resequenced from a longer version released in Japan, presents Laura Nyro at the piano along with a female vocal trio, performing a combination of the hit songs she penned, some 1950s and '60s hits of others she loved, and some of her newer material of the early 1990s. Four rock & roll oldies, the Shirelles' "Dedicated to the One I Love," the Miracles' "Ooh Baby Baby," Dionne Warwick's "Walk On By," and the Everly Brothers' "Let It Be Me," are interrupted by three of Nyro's own oldies, "And When I Die," "Save the Country," and "Wedding Bell Blues." This abbreviated version of the set then concludes with three then-recent songs, "Light a Flame (The Animal Rights Song)," "Louise's Church," and "Woman of the World," songs that continue to seem more preachy and less personal than her earlier work.
Features 24 bit remastering and comes with a mini-description. Recorded with Punch Miller, this album offers a mixed bag featuring Paul Barbarin's Band/Punch Miller's Bunch & George Lewis (clarinet). It's worth acquiring for the Barbarin composition "The Second Line" alone, but offers much more.