The Kansas City alto saxophonist Charlie Parker, who was to post-second-world-war jazz what Louis Armstrong had been to its first wave, is as likely to be remembered today for his heroin habit and early death than for his exquisite and melodically stunning improvising. If that era's jazz is like journalism, Parker was its acutely observant war reporter, who kept coming back from the front of his own exploding world with new stories to tell.
Whatcha Gonna Do? is an album by British blues rock musician Peter Green, who was the founder of Fleetwood Mac and a member from 1967–70. Released in 1981, this was his fourth solo album, the third in his 'middle period' of the late 1970s and early 1980s, and his last for PVK Records. All the tracks on the album were written by Green's brother Mike.
Features 24 bit digital remastering. Comes with a description. The Charles Lloyd Quartet was (along with Cannonball Adderley's band) the most popular group in jazz during the latter half of the 1960s. Lloyd somehow managed this feat without watering down his music or adopting a pop repertoire. A measure of the band's popularity is that Lloyd and his sidemen (pianist Keith Jarrett, bassist Ron McClure and drummer Jack DeJohnette) were able to have a very successful tour of the Soviet Union during a period when jazz was still being discouraged by the communists. This well-received festival appearance has four lengthy performances including an 18-minute version of "Sweet Georgia Bright" and Lloyd (who has always had a soft-toned Coltrane influenced tenor style and a more distinctive voice on flute) is in top form.
In commemoration with her concert in Japan in July, Sarah Brightman brought a new greatest hits album exclusively released in Japan. The album includes leading songs in her career such as "Time to Say Goodbye (solo version)," "Nessun Dorma," "Canto Della Terra," "Stranger In Paradise," and "Pie Jesu." Features the high-fidelity SHM-CD format. Japanese original release. Tracks 16-18 are bonus tracks.
Mr. Bojangles pairs Sonny Stitt with arranger Don Sebesky for one of the smoothest and most mainstream-facing dates of the saxophonist's career. Sebesky's luminous treatments underscore the elegance of Stitt's soulful alto and tenor leads–Roland Hanna's graceful electric piano leads the music even closer to funk, but the overall emphasis is more on atmosphere than rhythm. The material likewise spotlights ballads and slow-burn groovers, borrowing liberally from the pop charts for tunes including "Killing Me Softly with His Song" and "Ben"–even War's "The World Is a Ghetto" simmers instead of boils.
New England is the seventh studio album by rock band Wishbone Ash. It was a success compared to the band's Locked In album, but still did not chart as high as most of their previous albums. This album would mark the "Americanization" of Wishbone Ash, as the band would relocate from England to the Northeastern United States (New England) for tax purposes. New England contained an even balance of hard rock songs and breezy, soft rock ballads, the latter of which would see further exploration from Wishbone Ash on their next studio album, Front Page News.
In the Skies is an album by British blues rock musician Peter Green, who was the founder of Fleetwood Mac and a member from 1967–70. Released in 1979, this was his second solo album and the first after eight years of obscurity. Accompanying Green on this album were several experienced session musicians, including Snowy White, who went on to work with Pink Floyd before joining Thin Lizzy. White contributed some of the lead guitar work on the album since Green was not yet fully comfortable with his return to recording after his long break. Also present was Green's colleague and friend from his earliest bands, Peter Bardens.
Skin’s debut album, recorded in LA when the band were still searching for a name. Skin’s biggest chart success so far, hitting number 9 in the UK album chart. It launched the career of the band in a big way, and featured the hits singles “Tower of Strength”, “Money”, “House of Love” and “Look But Don’t Touch”. Japanese re-issue added 6 bonus tracks. Skin were formed in 1993 by ex-Jagged Edge members Myke Gray and Andy Robbins (also formerly of Tokyo Blade & Shogun) along with former Kooga vocalist Neville MacDonald and drummer Dicki Fliszar, formerly from Bruce Dickinson’s touring band and band Vamp. Originally called Taste, they went through a number of names (Obsession, Bad For Good, Phoenix) as they played a smattering of small club dates throughout 1992…
Either the mid-'70s or the addition of Ted Turner's replacement, Laurie Wisefield, brought about a severe identity crisis for Wishbone Ash. No longer were they the self-conscious band that evolved from their blues-based debut to their prog precursor Pilgrimage to their progressive tour de force Argus. While Wishbone Ash was still a guitar-oriented band, Locked In provided no originality and, save for a guitar refrain in "Rest in Peace," no memorable passages whatsoever. While his credentials are impressive, producer Tom Dowd was not the man for the job…
Japanese rock audiences always seemed to have a thing for melodic rock radio bands from the U.S. – Mr. Big, Ratt, and Cheap Trick reigned supreme in the land of the rising sun at various points. Another you could add to the list was Night Ranger. When the band came out of retirement and decided to fire up their engines once more, Japanese dates were set in support of their 1997 release, Neverland…