Reissue features the latest digital remastering and the high-fidelity SHM-CD format (compatible with standard CD player) and the latest DSD / HR Cutting remastering. Comes with a description. Features the original LP designs. A slightly different take on the Modern Jazz Quartet sound of the early years – as the album features Milt Jackson's vibes in the company of MJQ bandmates Percy Heath and Connie Kay, but also includes Horace Silver on piano – in the spot normally reserved for John Lewis! The presence of Silver on piano gives a bit of a harder edge to the set, one that almost recalls some of Jackson's work on Blue Note in the early 50s, yet which is rounded out here by a few lighter and more lyrical touches on rhythm.
For a time in the early 1990s, some of the CDs from the Japanese DIW label were made available domestically through Columbia. This trio date by pianist Harold Mabern, bassist Ron Carter and drummer Jack DeJohnette has Mabern originals dedicated to Sonny Stitt and Wayne Shorter, plus some offbeat standards and a pair of rarely performed John Coltrane tunes ("Straight Street" and "Crescent"). The interplay between the musicians is impressive and Mabern is heard throughout in excellent form. He closes the set with a piano solo that he titled "Apab and Others," after Art Tatum, Phineas Newborn, Ahmad Jamal and Bud Powell. This will be a difficult CD to find.
Reissue with latest 2014 remastering. Comes with liner notes. The last of the pianoless quartet albums that Gerry Mulligan recorded in the 1950s is one of the best, featuring the complementary trumpet of Art Farmer, bassist Bill Crow, and drummer Dave Bailey along with the baritonist/leader. This recording is a little skimpy on playing time but makes every moment count. Virtually every selection is memorable, with "What Is There to Say," "Just in Time," "Festive Minor," "My Funny Valentine," and "Utter Chaos" being the high points. Highly recommended both to Mulligan collectors and to jazz listeners who are just discovering the great baritonist.
Back in 2012, ethno-ambient musician Makyo released a four track EP "Purnima" made up of his recent live recordings. This was essentially one take recordings of the live five piece Makyo band setup. It reflected the sound that the group and leader Gio had been perfecting in live situations in clubs and events in Japan over the previous year or so. Well received, as most things Makyo are, the EP represented a chance for fans living outside of Japan to experience some of the magic of a live Makyo event. Fast forward to 2014 and Makyo has delivered a remix version of that EP in the form of "Purnima Remixed". This is quite a tantalizing idea as it allows new life to be breathed into the original album while keeping both distinctly separate thanks to a live vs studio based pairing.