This is the debut album from UK band Mostly Autumn. They are playing rock mixed with reminiscences to Celtic music, Fairport Convention, Fleetwood Mac, Genesis, Jethro Tull, Pink Floyd and Steeleye Span. This is a very strong debut album with a lot of power, great melodies and good musicianship from this band. They are using various untraditional instruments such as Djembe, flute, tambourine, violin and whistles together with traditional rock instruments. The highlights are the opening progressive track "Nowhere To Hide", the two beautiful Celtic folk rock tracks "Folklore" and "Shenanigans", the Irish influenced "Out Of The Inn" and the closing 10-minute "The Night Sky".
Favorite Ballads is an entertaining collection of lush, romantic ballads Nat King Cole recorded for Capitol Records. It's not designed to be a comprehensive compilation for collectors. Instead, it's a nice sampler. Latter-day fans may be dismayed that "Unforgettable" is missing, but such songs as "The Very Thought of You," "Just One of Those Things," "Stardust," "These Foolish Things," "Tenderly," "I Should Care," and "You're My Thrill" make this a very pleasant listen.
The twelve song collection of cuts presents a new generation of prog artists. Mystery, Big Big Train, The Pineapple Thief, No-Man, Panic Room, Mostly Autumn, Manning and more.
Norway's a-ha took "Take on Me" to the number one spot on Billboard's Top 40 in 1985, thanks to the award-winning animated video that accompanied it. Still, a-ha contributed rather accordingly to the '80s pop sound, drenching their music with bouncy riffs and employing the keyboard as the foundation to their colorful formula. Headlines and Deadlines: The Hits of a-ha assembles all of their singles together, a definite one-stop for all of their music. Combining ballads and radiant '80s pop, this set includes their most fervent offering in "The Sun Always Shines on T.V.," which hit number 20 in 1986 and originated from Hunting High and Low…
After the unqualified critical, chart, sales, and Grammy successes of the Robert Glasper Experiment's two Black Radio albums, remixes, and singles, the need to explore was requisite. ArtScience is a reflection of the qualities and musical interests that brought this band together. Their seamless meld of contemporary jazz, hip-hop, neo-soul, pop, and rock has influenced a host of artists following in their wake. This album marks a new modus operandi: it's the first time the band has written and produced collectively. (Even the two covers here were arranged by the unit.) It's also a first in that there are no guest vocal cameos. The set was recorded in New Orleans over two weeks apart from the endless touring and hustling solo careers of its members.