Wolfgang Mozart joined the order of the freemasons at the lodge "Zur Wohltдtigkeit" (Benefaction) in Vienna on December 14, 1784. Mozart and freemasonry seemed an ideal match, and in a little over a year he would achieve the status of "master mason." A small number of works among Mozart's late output was intended directly for use in Masonic lodges, and two major non-Masonic works, the opera Die Zauberflцte (The Magic Flute, K. 620) and the Requiem K. 626, share strong Masonic connections. The best known of Mozart's Masonic compositions is the Maurerische Trauermusik, K. 477 (479a) scored originally for two violins, two violas, clarinet, basset horn, two oboes, two horns, and bass. Mozart later added parts for two additional basset horns and bassoon, resulting in an instrumentation absolutely unique in Mozart's vast output…- David Lewis
The Mozart Requiem is one of the best-known sacred works in the classical repertoire. It was the composer's last work, and he left it unfinished at his death. British conductor Roger Norrington, a pioneer of authentic performing practice, and an outstanding group of singers present Duncan Druce's version of the Requiem, based on the latest Mozart research, together with other moving choral works.
The soundtrack to director Ron Howard's 1995 blockbuster Apollo 13 effectively blends dialogue, actual audio clips from newscasts, classic songs, and portions of conductor James Horner's original score, creating a worthy aural companion. Included are songs from the period of the titular spacecraft's peril-fraught mission, such as the Young Rascals' "Groovin'," Jefferson Airplane's "Somebody to Love," the Who's "I Can See for Miles," and a classy version of the oft-covered "Blue Moon" by the Mavericks (produced by Nick Lowe). The orchestrated score manages to capture the drama of the events in a manner that ranges from quietly stirring to sweepingly epic, with Eurythmic Annie Lennox adding her distinctive, ethereal vocal accompaniment to several of the cuts.