Reissue with SHM-CD format and the latest 24bit remastering. A playfully swinging set from trombonist Tyree Glenn – working here in a nicely offbeat style that also includes a bit of vocals as well! Glenn's got a great way with the muted trombone – working the end with a wah wah approach that's certainly got its roots in trad jazz, but which also comes across here with a classy swinging 50s style – thanks to strong small combo backing from Tommy Flanagan, Charlie Potter, and Jo Jones. The album should sound hokey, but it doesn't – thanks to a richly expressive style by Glenn, one that's got more than enough soul to get past the gimmicks.
Reissue with SHM-CD format and new 24bit remastering. Birdland was the Mecca for most modernists of the 50s. It was the only club in New York City where a big band could play. Bookings were mostly for solid two-week periods. On Monday nights the regulars were off, and the legendary jazz disk jockey Symphony Sid (1909-1984) ran one of his jam sessions with young, upand-coming, cutting edge local musicians. Anything could happen and frequently did, as these outstanding performances, recorded on two consecutive Monday nights, on April 21 and 28 1958, show.